books
Gae Aulenti.
Description:
71 pages : illustrations, plans ; 24 cm
Milano : Electa, ©1979.
books
Milano : Electa, ©1979.
books
Description:
237 pages : illustrations (chiefly color), plans ; 31 cm
[Fellbach] : Edition Axel Menges, ©2007.
Built or unbuilt : architects present their favourite projects = Architekten zeigen ihre Lieblingsprojekte / edited by Ursula Schwitalla.
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237 pages : illustrations (chiefly color), plans ; 31 cm
books
[Fellbach] : Edition Axel Menges, ©2007.
archives
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
John Hejduk fonds, 1947-2000, predominant 1947-1996.
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4,132 items, 0.01 l.m. of textual records., Arranged by series.
archives
books
Cura Books 2015
books
Cura Books 2015
video
Description:
1 online resource (1 video file (50 min., 5 sec.)) : sound, color
[Montréal] : Canadian Centre for Architecture, [2018]
Live annotation : Jonathan Bignell interrupts Open University course A305, episode 1, "An architect at work".
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1 online resource (1 video file (50 min., 5 sec.)) : sound, color
video
[Montréal] : Canadian Centre for Architecture, [2018]
books
Description:
117 pages : illustrations ; 29 cm
Reutlingen : Stadt Reutlingen, Baudezernat, ©1990.
Architektur um 1900 in Reutlingen : Katalog zur Ausstellung, 7.-30.9.90 / Manuel Cuadra.
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117 pages : illustrations ; 29 cm
books
Reutlingen : Stadt Reutlingen, Baudezernat, ©1990.
books
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252 pages : illustrations (chiefly color), plans ; 16 cm
[Le Mans] : [CAUE de la Sarthe], [2009]
Ca va barder! Ou comment rhabiller sa maison pour l'hiver.
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252 pages : illustrations (chiefly color), plans ; 16 cm
books
[Le Mans] : [CAUE de la Sarthe], [2009]
archives
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2 items : maps
Musée des Confluences : competition documents, 2000-2001.
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2 items : maps
archives
$62.50
(available to order)
Summary:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic(...)
Swiss graphic design : the origins and growth of an international style 1920-1965
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$62.50
(available to order)
Summary:
Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books. This volume looks at graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline : images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design. This book shows design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film.
Graphic Design and Typography
books
$37.50
(available to order)
Summary:
This book presents excerpts from several interviews with the architectural team of Jacques Herzog and Pierre de Meuron in which artist Rémy Zaugg poses a number of provocative questions relating to the architects' thoughts about architecture and art. These thoughtful and informative discussions offer valuable insights into the architectural concepts that underly the work(...)
Rémy Zaugg / Herzog & de Meuron : an exhibition
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$37.50
(available to order)
Summary:
This book presents excerpts from several interviews with the architectural team of Jacques Herzog and Pierre de Meuron in which artist Rémy Zaugg poses a number of provocative questions relating to the architects' thoughts about architecture and art. These thoughtful and informative discussions offer valuable insights into the architectural concepts that underly the work of Herzog & de Meuron, who consciously design their buildings in dialogue with such artists as Joseph Beuys, Thomas Ruff, Helmut Federle and Rémy Zaugg and have developed a practice based on the principle of co-authorship.
books
June 1997, Stuttgart
Architecture Monographs