Canadian Architect v.69 n.5
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Canadian Architect v.69 n.5
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Grey Room 96
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Grey Room 96
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e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that(...)
e-flux Index #2
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"It’s always too late, whenever you take a photograph." This laconic remark, which I heard during a recent artist’s talk in Berlin, bubbled up from a discussion upon the often-tragic indexicality or nonindexicality of contemporary photographic practice. JPEGs taken for wonders. Smoke plumes without embers. Footprints crossing the beaches of abandoned resorts. Hands that point at nothing in particular, and the gullible eyes that follow the lead of pointing index fingers. There is indeed something awkward to the snapshot’s belatedness. Its untimeliness. The ways in which, the second the shutter clicks—or that our thumb melds with the appropriate region of our phone’s liquid plasma displays and the resultant file is uploaded to a distant server—the instant we sought to "capture" has passed by and something else enters the frame. Someone blinks, the rubble dust envelopes the scene, the light changes, the hoodie we saw underground bearing the phrase "THEIR DESTINIES WOULD INTERTWINE" disappears behind an arriving subway’s blur, the wind cajoles a neighboring branch we hadn’t before noticed into the family portrait. Photography then remains, contrary to the terms in which it is sold to us by Silicon Valley manufacturers who stress its total immediacy as an instrument for perceiving the world, a stubbornly untimely pursuit. Can we not also say, "It’s always too late, whenever you start to index"?
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Safar 6 : Power
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In the sixth issue, "Power," Safar explores the commodification of academia as evaluation forms multiply and students worldwide stare out into computer screens; examines the extensive cultural and environmental narrative that Hezbollah has cultivated in Lebanon and beyond; discusses the process of dismantling racist and colonial powers structures in U.S. design(...)
Safar 6 : Power
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In the sixth issue, "Power," Safar explores the commodification of academia as evaluation forms multiply and students worldwide stare out into computer screens; examines the extensive cultural and environmental narrative that Hezbollah has cultivated in Lebanon and beyond; discusses the process of dismantling racist and colonial powers structures in U.S. design institutions; shares artifacts tracing the long and complicated history of electricity shortages in Lebanon; considers the revolutionary potential of Palestinian printed material; and more.
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A'A' 461: Chili / Chile
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Le nouveau numéro est maintenant disponible à la librairie.
A'A' 461: Chili / Chile
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The Plan 155
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The Plan 155
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Bordercrossings 165
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Bordercrossings 165
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Festina Lente n. 01
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Le premier numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée » à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises, écologiques, postcoloniales, politiques et sociales, qui rythment et(...)
Festina Lente n. 01
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Le premier numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée » à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises, écologiques, postcoloniales, politiques et sociales, qui rythment et affectent notre présent.
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Spacing #67: Noise
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Spacing #67: Noise
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