6050 Results
Form:
books
books
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Description:
ix, 80 pages : color illustrations, color map ; 14 x 20 cm
Description:
ix, 80 pages : color illustrations, color map ; 14 x 20 cm
Subject:
- Vergara, Camilo J.,
- World Trade Center (New York, N.Y. : 1970-2001) Pictorial works.,
- World Trade Center (New York, N.Y. : 1970-2001) History Pictorial works.,
- World Trade Center (New York, N.Y),
- World Trade Center (New York, N.Y. : 1970-2001) Ouvrages illustrés.,
- World Trade Center (New York, N.Y. : 1970-2001) Histoire Ouvrages illustrés.,
- World Trade Center (New York, N.Y. : 1970-2001),
- World Trade Center (New York, N.Y.) Pictorial works.,
- Photography New York (State) New York.,
- Photographie New York (État) New York.,
- Photography,
- Buildings,
- New York (N.Y.) Buildings, structures, etc. Pictorial works.,
- New York (State) New York,
- Cityscapes (representations),
- Commemorative publications.,
- History,
- Pictorial works,
- Books.
(See more)
Publication:
New York : Princeton Architectural Press ; Washington, D.C. : National Building Museum, [2001], ©2001
New York : Princeton Architectural Press ; Washington, D.C. : National Building Museum, [2001], ©2001
Title:
Twin Towers remembered / Camilo José Vergara.
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Description:
ix, 80 pages : color illustrations, color map ; 14 x 20 cm
Twin Towers remembered / Camilo José Vergara.
Actions:
Holdings:
Description:
ix, 80 pages : color illustrations, color map ; 14 x 20 cm
Form:
books
books
Publication:
New York : Princeton Architectural Press ; Washington, D.C. : National Building Museum, [2001], ©2001
New York : Princeton Architectural Press ; Washington, D.C. : National Building Museum, [2001], ©2001
Subject:
- Vergara, Camilo J.,
- World Trade Center (New York, N.Y. : 1970-2001) Pictorial works.,
- World Trade Center (New York, N.Y. : 1970-2001) History Pictorial works.,
- World Trade Center (New York, N.Y),
- World Trade Center (New York, N.Y. : 1970-2001) Ouvrages illustrés.,
- World Trade Center (New York, N.Y. : 1970-2001) Histoire Ouvrages illustrés.,
- World Trade Center (New York, N.Y. : 1970-2001),
- World Trade Center (New York, N.Y.) Pictorial works.,
- Photography New York (State) New York.,
- Photographie New York (État) New York.,
- Photography,
- Buildings,
- New York (N.Y.) Buildings, structures, etc. Pictorial works.,
- New York (State) New York,
- Cityscapes (representations),
- Commemorative publications.,
- History,
- Pictorial works,
- Books.
(See more)
Form:
artefacts
artefacts
Title:
Mt. Rushmore Memorial.
Mt. Rushmore Memorial.
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Holdings:
Description:
1 model : porcelain ; 10 x 15 x 14 cm
Description:
1 model : porcelain ; 10 x 15 x 14 cm
Subject:
- Lincoln, Abraham, 1809-1865.,
- Washington, George, 1732-1799.,
- Jefferson, Thomas, 1743-1826.,
- Roosevelt, Theodore, 1858-1919.,
- Memorials South Dakota Models.,
- Buildings,
- Memorials,
- Mount Rushmore National Memorial (S.D.),
- South Dakota Buildings, structures, etc.,
- Mount Rushmore National Memorial (Dak. du S.),
- Dakota du Sud Constructions.,
- South Dakota,
- South Dakota Mount Rushmore National Memorial,
- Memorials United States South Dakota.,
- Commemorative sculpture United States South Dakota.,
- Colossi United States South Dakota.,
- Rock-cut sculpture United States South Dakota.,
- Environmental art United States South Dakota.,
- American Sculptors.,
- Souvenir Models (representations),
- Ashtrays.
(See more)
Publication:
[between 1941 and 1999] (Black Hills, South Dakota)
[between 1941 and 1999] (Black Hills, South Dakota)
Form:
artefacts
artefacts
Publication:
[between 1941 and 1999] (Black Hills, South Dakota)
[between 1941 and 1999] (Black Hills, South Dakota)
Subject:
- Lincoln, Abraham, 1809-1865.,
- Washington, George, 1732-1799.,
- Jefferson, Thomas, 1743-1826.,
- Roosevelt, Theodore, 1858-1919.,
- Memorials South Dakota Models.,
- Buildings,
- Memorials,
- Mount Rushmore National Memorial (S.D.),
- South Dakota Buildings, structures, etc.,
- Mount Rushmore National Memorial (Dak. du S.),
- Dakota du Sud Constructions.,
- South Dakota,
- South Dakota Mount Rushmore National Memorial,
- Memorials United States South Dakota.,
- Commemorative sculpture United States South Dakota.,
- Colossi United States South Dakota.,
- Rock-cut sculpture United States South Dakota.,
- Environmental art United States South Dakota.,
- American Sculptors.,
- Souvenir Models (representations),
- Ashtrays.
(See more)
Form:
books
books
Actions:
Price:
$36.95
(available in store)
Summary:
La collaboration interdisciplinaire et transfrontalière entre l'architecte belge Inessa Hansch et l'artiste allemande Susanne Kühn : un travail associant architecture et peinture, autour de l'espace et de sa représentation, qui interroge l'idée de l'intérieur et de l'extérieur.
$36.95
(available in store)
Summary:
La collaboration interdisciplinaire et transfrontalière entre l'architecte belge Inessa Hansch et l'artiste allemande Susanne Kühn : un travail associant architecture et peinture, autour de l'espace et de sa représentation, qui interroge l'idée de l'intérieur et de l'extérieur.
Title:
Inessa Hansch & Susanne Kühn: house for a painting
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$36.95
(available in store)
Summary:
La collaboration interdisciplinaire et transfrontalière entre l'architecte belge Inessa Hansch et l'artiste allemande Susanne Kühn : un travail associant architecture et peinture, autour de l'espace et de sa représentation, qui interroge l'idée de l'intérieur et de l'extérieur.
Inessa Hansch & Susanne Kühn: house for a painting
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Price:
$36.95
(available in store)
Summary:
La collaboration interdisciplinaire et transfrontalière entre l'architecte belge Inessa Hansch et l'artiste allemande Susanne Kühn : un travail associant architecture et peinture, autour de l'espace et de sa représentation, qui interroge l'idée de l'intérieur et de l'extérieur.
Form:
books
books
Publication:
July 2019
July 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Price:
$60.00
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
$60.00
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
Title:
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
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$60.00
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Picturing spaces, displacing bodies : anamorphosis in early Modern theories of perspective
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Price:
$60.00
(available to order)
Summary:
In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these "failures" were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective. While many scholars have maintained that perspective rationalized the relationships among optics, space, and painting, "Picturing Space, Displacing Bodies" asserts instead that Renaissance and early modern theorists often revealed a disjunction between geometrical ideals and practical applications. In some cases, they not only identified but also exploited these discrepancies. This discussion of perspective shows that the painter’s geometry did not always conform to the explicitly rational, Cartesian formula that so many have assumed, nor did it historically unfold according to a standard account of scientific development.
Form:
books
books
Publication:
October 2007, University Park
October 2007, University Park
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$34.99
(available to order)
Summary:
This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In(...)
$34.99
(available to order)
Summary:
This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In(...)
Title:
Drawing futures: speculations in contemporary drawing for art and architecture
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$34.99
(available to order)
Summary:
This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. "Drawing futures" critically reassess the act of drawing and where its future may lie. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas. Drawings seduce, and the drawings in this book are tantalising evidence of this. Yet the aim of Drawing Futures is to illustrate how drawing works as an abundantly rich, diverse, inventive, critical and serious research domain. In this regard, it is a ground-breaking study of the point and promise of drawing; a first of its kind, which both explores the microscopic detail of the craft and envisions the radical possibilities inherent in its expression. The academics, artists and architects whose work lies within conceive of drawing as a rigorous, liberating form of expression. Their contributions work together as a manifesto for the future of an artform that is capable of both utter simplicity and infinite complexity.
Drawing futures: speculations in contemporary drawing for art and architecture
Actions:
Price:
$34.99
(available to order)
Summary:
This compendium of projects, writings and interviews focuses on how the field of drawing expands synchronously alongside technological and computational developments. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. "Drawing futures" critically reassess the act of drawing and where its future may lie. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas. Drawings seduce, and the drawings in this book are tantalising evidence of this. Yet the aim of Drawing Futures is to illustrate how drawing works as an abundantly rich, diverse, inventive, critical and serious research domain. In this regard, it is a ground-breaking study of the point and promise of drawing; a first of its kind, which both explores the microscopic detail of the craft and envisions the radical possibilities inherent in its expression. The academics, artists and architects whose work lies within conceive of drawing as a rigorous, liberating form of expression. Their contributions work together as a manifesto for the future of an artform that is capable of both utter simplicity and infinite complexity.
Form:
books
books
Publication:
December 2016
December 2016
Subject:
Architectural Drawing
Architectural Drawing
Form:
books
books
Title:
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
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Price:
$60.00
(available to order)
Summary:
For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things,(...)
$60.00
(available to order)
Summary:
For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things,(...)
Title:
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
Actions:
Price:
$60.00
(available to order)
Summary:
For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
The architectural model: histories of the miniature and the prototype, the exemplar and the muse
Actions:
Price:
$60.00
(available to order)
Summary:
For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$45.00
(available to order)
Summary:
As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window,"(...)
$45.00
(available to order)
Summary:
As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window,"(...)
Title:
The digital wunderkammer : 10 chapters on the iconic turn
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Price:
$45.00
(available to order)
Summary:
As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle - the topic of the third chapter - that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to portability, but now migrate to an unprecedented degree, so that anyone with a personal device can globally disseminate, say, footage from a concert via Youtube. A discussion of the capacity of individual images to placate or ennervate leads to a seventh chapter on the appetite for the Sublime and the rhetoric and representation of power throughout art history. Following a discussion of the democratization of celebrity culture, Burda proposes that the Google search box is perhaps the most interesting "interface" of our times, analogous to the seventeenth-century cabinet of curiosities (or wunderkammer). Conversations with Friedrich Kittler, Peter Sloterdijk, Bazon Brock, Horst Bredekamp and Hans Belting further extend this imaginative debate on the "iconic turn."
The digital wunderkammer : 10 chapters on the iconic turn
Actions:
Price:
$45.00
(available to order)
Summary:
As digital technology advances at breakneck speed, images are circulating quicker than ever before. But what is the status of the image in the digital era? In this publication, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle - the topic of the third chapter - that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to portability, but now migrate to an unprecedented degree, so that anyone with a personal device can globally disseminate, say, footage from a concert via Youtube. A discussion of the capacity of individual images to placate or ennervate leads to a seventh chapter on the appetite for the Sublime and the rhetoric and representation of power throughout art history. Following a discussion of the democratization of celebrity culture, Burda proposes that the Google search box is perhaps the most interesting "interface" of our times, analogous to the seventeenth-century cabinet of curiosities (or wunderkammer). Conversations with Friedrich Kittler, Peter Sloterdijk, Bazon Brock, Horst Bredekamp and Hans Belting further extend this imaginative debate on the "iconic turn."
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Epistemology
Epistemology
Form:
books
books
Actions:
Form:
books
books
Publication:
Aksioma Institute for Contemporary Art 2014
Aksioma Institute for Contemporary Art 2014
Form:
books
books
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Holdings:
Description:
340 pages : illustrations (some color), portraits ; 29 cm
Description:
340 pages : illustrations (some color), portraits ; 29 cm
Subject:
- Médiathèque de l'architecture et du patrimoine (France) History.,
- Médiathèque de l'architecture et du patrimoine (France) Photograph collections Catalogs.,
- Médiathèque de l'architecture et du patrimoine (France),
- Photograph collections France History.,
- Photograph collections France Montigny-le-Bretonneux Catalogs.,
- Historiography and photography France History.,
- Architectural photography France Montigny-le-Bretonneux Catalogs.,
- Photography of art Catalogs.,
- Documentary photography France Montigny-le-Bretonneux Catalogs.,
- Cultural property France Pictorial works.,
- Cultural property Government policy France History.,
- Collections de photographies France Histoire.,
- Collections de photographies France Montigny-le-Bretonneux Catalogues.,
- Historiographie et photographie France Histoire.,
- Photographie d'architecture France Montigny-le-Bretonneux Catalogues.,
- Photographie d'œuvres d'art Catalogues.,
- Photographie documentaire France Montigny-le-Bretonneux Catalogues.,
- Architectural photography,
- Cultural policy,
- Cultural property,
- Documentary photography,
- Historiography and photography,
- Photograph collections,
- Photography of art,
- France Cultural policy History.,
- France Politique culturelle Histoire.,
- France,
- France Montigny-le-Bretonneux,
- catalogs (documents),
- Illustrated works,
- Catalogs,
- History,
- Pictorial works,
- Catalogues.,
- Ouvrages illustrés.
(See more)
Publication:
Paris : Hermann, [2017], ©2017
Paris : Hermann, [2017], ©2017
Title:
Photographier le patrimoine aux 19e et 20e siècles : histoire de la collection photographique de la Médiathèque de l'architecture et du patrimoine (1839-1989) / Anne Fourestié et Isabelle Gui.
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Description:
340 pages : illustrations (some color), portraits ; 29 cm
Photographier le patrimoine aux 19e et 20e siècles : histoire de la collection photographique de la Médiathèque de l'architecture et du patrimoine (1839-1989) / Anne Fourestié et Isabelle Gui.
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Holdings:
Description:
340 pages : illustrations (some color), portraits ; 29 cm
Form:
books
books
Publication:
Paris : Hermann, [2017], ©2017
Paris : Hermann, [2017], ©2017
Subject:
- Médiathèque de l'architecture et du patrimoine (France) History.,
- Médiathèque de l'architecture et du patrimoine (France) Photograph collections Catalogs.,
- Médiathèque de l'architecture et du patrimoine (France),
- Photograph collections France History.,
- Photograph collections France Montigny-le-Bretonneux Catalogs.,
- Historiography and photography France History.,
- Architectural photography France Montigny-le-Bretonneux Catalogs.,
- Photography of art Catalogs.,
- Documentary photography France Montigny-le-Bretonneux Catalogs.,
- Cultural property France Pictorial works.,
- Cultural property Government policy France History.,
- Collections de photographies France Histoire.,
- Collections de photographies France Montigny-le-Bretonneux Catalogues.,
- Historiographie et photographie France Histoire.,
- Photographie d'architecture France Montigny-le-Bretonneux Catalogues.,
- Photographie d'œuvres d'art Catalogues.,
- Photographie documentaire France Montigny-le-Bretonneux Catalogues.,
- Architectural photography,
- Cultural policy,
- Cultural property,
- Documentary photography,
- Historiography and photography,
- Photograph collections,
- Photography of art,
- France Cultural policy History.,
- France Politique culturelle Histoire.,
- France,
- France Montigny-le-Bretonneux,
- catalogs (documents),
- Illustrated works,
- Catalogs,
- History,
- Pictorial works,
- Catalogues.,
- Ouvrages illustrés.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
1 portfolio (2 folded sheets, 1 book, 25 pages) : photographs (some color) ; 24 cm
- Library main 103598 | TR140.K64 (ID:94-B1816) | c. 1 | Available
- Library main 103597 | TR140.K64 (ID:94-B1816) | c. 2 | Available
(See more)
Description:
1 portfolio (2 folded sheets, 1 book, 25 pages) : photographs (some color) ; 24 cm
Author:
Subject:
- Klett, Mark, 1952- Exhibitions.,
- Hacker, Francis Exhibitions.,
- Brehm, F. W. (Frederick W.) Exhibitions.,
- Brehm, F. W. (Frederick W.),
- Hacker, Francis,
- Klett, Mark, 1952-,
- Panoramas Washington (D.C.) Exhibitions.,
- Photography, Panoramic Exhibitions.,
- Panoramas (Art) Washington (D.C.) Expositions.,
- Photographie panoramique Expositions.,
- Panoramas,
- Photography, Panoramic,
- Washington (D.C.) Pictorial works Exhibitions.,
- Washington (D.C.),
- Cityscapes (representations),
- exhibition catalogs.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- Catalogues d'exposition.
(See more)
Publication:
San Francisco : Book Studio ; [Washington, D.C.] : National Museum of American Art, Smithsonian Institution, 1994.
San Francisco : Book Studio ; [Washington, D.C.] : National Museum of American Art, Smithsonian Institution, 1994.
Title:
Capital view : a new panorama of Washington, D.C. / essays by Merry Foresta, curator and Mark Klett, photographer.
Actions:
Holdings:
Description:
1 portfolio (2 folded sheets, 1 book, 25 pages) : photographs (some color) ; 24 cm
Capital view : a new panorama of Washington, D.C. / essays by Merry Foresta, curator and Mark Klett, photographer.
Actions:
Holdings:
- Library main 103598 | TR140.K64 (ID:94-B1816) | c. 1 | Available
- Library main 103597 | TR140.K64 (ID:94-B1816) | c. 2 | Available
(See more)
Description:
1 portfolio (2 folded sheets, 1 book, 25 pages) : photographs (some color) ; 24 cm
Form:
books
books
Publication:
San Francisco : Book Studio ; [Washington, D.C.] : National Museum of American Art, Smithsonian Institution, 1994.
San Francisco : Book Studio ; [Washington, D.C.] : National Museum of American Art, Smithsonian Institution, 1994.
Subject:
- Klett, Mark, 1952- Exhibitions.,
- Hacker, Francis Exhibitions.,
- Brehm, F. W. (Frederick W.) Exhibitions.,
- Brehm, F. W. (Frederick W.),
- Hacker, Francis,
- Klett, Mark, 1952-,
- Panoramas Washington (D.C.) Exhibitions.,
- Photography, Panoramic Exhibitions.,
- Panoramas (Art) Washington (D.C.) Expositions.,
- Photographie panoramique Expositions.,
- Panoramas,
- Photography, Panoramic,
- Washington (D.C.) Pictorial works Exhibitions.,
- Washington (D.C.),
- Cityscapes (representations),
- exhibition catalogs.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- Catalogues d'exposition.
(See more)
