journals and magazines
Rhetoric Society quarterly.
[St. Cloud, Minn.] : Rhetoric Society of America, 1976-, Provo, Utah : Brigham Young University, Philadelphia, PA : Taylor & Francis Group
journals and magazines
[St. Cloud, Minn.] : Rhetoric Society of America, 1976-, Provo, Utah : Brigham Young University, Philadelphia, PA : Taylor & Francis Group
journals and magazines
Carpentry and building.
Description:
31 volumes : illustrations ; 34 cm
New York : David Williams Co., 1879-1909.
journals and magazines
New York : David Williams Co., 1879-1909.
journals and magazines
The crayon.
New York, N.Y. : W.J. Stillman & J. Durand, editors and proprietors, 1855-1861.
journals and magazines
New York, N.Y. : W.J. Stillman & J. Durand, editors and proprietors, 1855-1861.
books
Description:
215 pages : illustrations (chiefly color), maps (chielfy color) ; 22 x 23 cm.
Genève : MētisPresses, [2021]
Post-Car World : futurs de la ville-territoire / Elena Cogato Lanza, Farzaneh Bahrami, Simon Berger, Luca Pattaroni.
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215 pages : illustrations (chiefly color), maps (chielfy color) ; 22 x 23 cm.
books
Genève : MētisPresses, [2021]
books
Description:
497 pages : illustrations ; 26 cm
Dijon : Presses du réel, [2017], ©2017
Une histoire des espaces alternatifs à New York : de SoHo au South Bronx (1969-1985) / Pauline Chevalier.
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497 pages : illustrations ; 26 cm
books
Dijon : Presses du réel, [2017], ©2017
books
Description:
247 pages : illustrations (chiefly color) ; 31 cm
Paris : Skira, [2021], Ghent : Graphius
Sottsass : Poltronova 1958-1974 / Ivan Mietton.
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247 pages : illustrations (chiefly color) ; 31 cm
books
Paris : Skira, [2021], Ghent : Graphius
$31.99
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Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in ''Plants have so much to give us, all we have to do is ask''. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the(...)
Plants have so much to give us, all we have to do is ask: Anishinaabe botanical teachings
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$31.99
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Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in ''Plants have so much to give us, all we have to do is ask''. Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the late Keewaydinoquay, an Anishinaabe medicine woman from the Leelanau Peninsula in Michigan and a scholar, teacher, and practitioner in the field of native ethnobotany. Keewaydinoquay published little in her lifetime, yet Geniusz has carried on her legacy by making this body of knowledge accessible to a broader audience. Geniusz teaches the ways she was taught-through stories. Sharing the traditional stories she learned at Keewaydinoquay's side as well as stories from other American Indian traditions and her own experiences, Geniusz brings the plants to life with narratives that explain their uses, meaning, and history. Stories such as "Naanabozho and the Squeaky-Voice Plant" place the plants in cultural context and illustrate the belief in plants as cognizant beings. Covering a wide range of plants, from conifers to cattails to medicinal uses of yarrow, mullein, and dandelion, she explains how we can work with those beings to create food, simple medicines, and practical botanical tools.
Fauna and flora
$58.00
(available to order)
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The first book to demystify the process of producing and publishing a book of photographs, ''Publish your photography book'' was first released in 2011 and subsequently sold out two editions. This highly anticipated third edition guides photo-based artists through the steps involved in publishing a book of their work. Industry insiders Darius D. Himes and Mary Virginia(...)
Theory of Photography
September 2023
Publish your photography book, 3rd edition
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$58.00
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The first book to demystify the process of producing and publishing a book of photographs, ''Publish your photography book'' was first released in 2011 and subsequently sold out two editions. This highly anticipated third edition guides photo-based artists through the steps involved in publishing a book of their work. Industry insiders Darius D. Himes and Mary Virginia Swanson survey the current landscape of photography-book publishing and point out the many avenues to pursue and pitfalls to avoid. This updated, expert guide covers: a history of the photobook; an overview of the publishing industry; the process of bringing your project to book form (with both traditional publishing and self-publishing options); how to market a photography book (including a dialogue with collectors on the limited edition and artist-made books); case studies with published photographers; and valuable resources on production materials, publishing and marketing timelines. Filled with educational wisdom, the book features interviews and contributions from artists, agents, editors, designers, printers, publishers, distributors, booksellers, curators and librarians who share their experiences and provide advice about each step on the path to publication and placement. A removable workbook helps readers address book preparation, draft submission guidelines, production timelines and marketing plans. With over 50 years of combined industry experience and insights, the authors also provide both historical context and contemporary expertise about the international photobook scene, including awards, fairs and grants.
Theory of Photography
$60.00
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Summary:
In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school’s most sophisticated and(...)
October 2023
Weaving at Black Mountain College: Anni Albers, Trude Guermonprez and their students
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In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school’s most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed. The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.
$39.95
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Summary:
How do you experience a public space? Do you feel safe? Seen? Represented? The response to these questions may differ based on factors including your race, age, ethnicity, or gender identity. In the architecture and design professions, decisions about the articulation of public spaces and who may be honored in them have often been made by white men. How do designers(...)
Empathic design: perspectives on creating inclusive spaces
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$39.95
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How do you experience a public space? Do you feel safe? Seen? Represented? The response to these questions may differ based on factors including your race, age, ethnicity, or gender identity. In the architecture and design professions, decisions about the articulation of public spaces and who may be honored in them have often been made by white men. How do designers rethink design processes to produce works that hold space for the diversity of people using them? In "Empathic design," designer and architecture professor Elgin Cleckley brings together leaders and visionary practitioners in architecture, urban design, planning, and design activism to help explore these questions. Cleckley explains that empathic designers need to approach design as iterative, changing, and shifting to say, "we see you", "we hear you". Part of an emerging design framework, empathic designers work with and in the communities affected. They acknowledge the full history of a place and approach the lived experience and memories of those in the community with respect. Early chapters explore broader conceptual approaches, proposing definitions of empathy in the context of design, disrupting colonial narratives, and making space for grief. Other chapters highlight specific design projects, including the Harriet Tubman Memorial in Newark, The Camp Barker Memorial in Washington, D.C., the Freedom Center in Oklahoma City, and the Charlottesville Memorial for Peace and Justice.
Design Theory