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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching(...)
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching(...)
Title:
Black Mountain: an interdisciplinary experiment 1933-1957
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century.
Black Mountain: an interdisciplinary experiment 1933-1957
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Founded in North Carolina in 1933, Black Mountain College ranks alongside the Bauhaus as one of the most innovative schools of the 20th century. Inspired by the forward-thinking pedagogical ideas of philosopher John Dewey, the experimental, interdisciplinary college combined the ideas of radical European modernism with the philosophy of American pragmatism and teaching methods designed to encourage personal initiative as well as the social competence of the individual. Visual arts, economics, physics, dance, architecture and music were all taught on an equal footing, and teachers and students lived together in a democratically organized community. The second director of the school was Josef Albers, and John Cage, Merce Cunningham, Buckminster Fuller, Walter Gropius, Franz Kline and Charles Olson were among its teachers. As a result, the college played a foundational role in the development of a range of avant-garde practices, and exerted an enormous influence on the development of the arts in the second half of the 20th century.
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books
books
Publication:
December 2019
December 2019
Subject:
Art Theory
Art Theory
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books
books
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$26.95
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A conversation that seeks to apply the prefix "Xeno-" in philosophical discourse to the discourse of architecture.This book aims to unpack the prefix, probing what it entails--not merely rhetorically but also as a means of practice, in an attempt to bring the ideas it contains more concretely into the domain of architecture. It proposes to link the more philosophical(...)
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A conversation that seeks to apply the prefix "Xeno-" in philosophical discourse to the discourse of architecture.This book aims to unpack the prefix, probing what it entails--not merely rhetorically but also as a means of practice, in an attempt to bring the ideas it contains more concretely into the domain of architecture. It proposes to link the more philosophical(...)
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Architectural Theory
Architectural Theory
Publication:
March 2019
March 2019
Title:
Perhaps it is high time for a xeno-architecture to match
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A conversation that seeks to apply the prefix "Xeno-" in philosophical discourse to the discourse of architecture.This book aims to unpack the prefix, probing what it entails--not merely rhetorically but also as a means of practice, in an attempt to bring the ideas it contains more concretely into the domain of architecture. It proposes to link the more philosophical discussions on the notion of xeno with questions of instrumentalization and governance that are necessarily involved in the praxis of architecture. And it relates the significance of legal architecture and technologically driven transformation in the metaphysics of law back to the agenda of xeno-architecture. By researching how architects, artists, thinkers, and activists operating in the spatial field might endorse a process of "alienation" to confront global issues, this project attempts to re-radicalize spatial practice.
Perhaps it is high time for a xeno-architecture to match
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A conversation that seeks to apply the prefix "Xeno-" in philosophical discourse to the discourse of architecture.This book aims to unpack the prefix, probing what it entails--not merely rhetorically but also as a means of practice, in an attempt to bring the ideas it contains more concretely into the domain of architecture. It proposes to link the more philosophical discussions on the notion of xeno with questions of instrumentalization and governance that are necessarily involved in the praxis of architecture. And it relates the significance of legal architecture and technologically driven transformation in the metaphysics of law back to the agenda of xeno-architecture. By researching how architects, artists, thinkers, and activists operating in the spatial field might endorse a process of "alienation" to confront global issues, this project attempts to re-radicalize spatial practice.
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books
books
Publication:
March 2019
March 2019
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Three cultural ecologies
Three cultural ecologies
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"Three Cultural Ecologies" reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary.
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"Three Cultural Ecologies" reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary.
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Three cultural ecologies
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"Three Cultural Ecologies" reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary.
Three cultural ecologies
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"Three Cultural Ecologies" reverses common conceptions of modern architecture. It reveals how selected works of two modern architects, Le Corbusier and Frank Lloyd Wright, embraced environmental and cultural conditions as reciprocal and complementary.
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books
books
Publication:
June 2019
June 2019
Subject:
Architectural Theory
Architectural Theory
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books
books
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$67.95
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"The Architecture of Ruins: Designs on the Past, Present and Future" identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a(...)
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"The Architecture of Ruins: Designs on the Past, Present and Future" identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a(...)
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The architecture of ruins: designs on past, present and future
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"The Architecture of Ruins: Designs on the Past, Present and Future" identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture.
The architecture of ruins: designs on past, present and future
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"The Architecture of Ruins: Designs on the Past, Present and Future" identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture.
Form:
books
books
Publication:
April 2019
April 2019
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Architecture of defeat
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and(...)
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and(...)
Title:
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan’s northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture’s intrinsic- and often problematic- relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society.
Architecture of defeat
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Kengo Kuma's ''Architecture of defeat,'' now available in English for the first time, explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan’s northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture’s intrinsic- and often problematic- relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Selected writings
Selected writings
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John Ruskin was the most powerful and influential art critic and social commentator of the Victorian nineteenth century. A true polymath, he wrote about nature, art, architecture, politics, history, myth and much more. All of his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers. This new selection includes(...)
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John Ruskin was the most powerful and influential art critic and social commentator of the Victorian nineteenth century. A true polymath, he wrote about nature, art, architecture, politics, history, myth and much more. All of his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers. This new selection includes(...)
Title:
Selected writings
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John Ruskin was the most powerful and influential art critic and social commentator of the Victorian nineteenth century. A true polymath, he wrote about nature, art, architecture, politics, history, myth and much more. All of his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers. This new selection includes wide-ranging extracts of Ruskin's texts, from the early 1840s to the late 1880s, as well as representative material from each of his major works.
Selected writings
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John Ruskin was the most powerful and influential art critic and social commentator of the Victorian nineteenth century. A true polymath, he wrote about nature, art, architecture, politics, history, myth and much more. All of his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers. This new selection includes wide-ranging extracts of Ruskin's texts, from the early 1840s to the late 1880s, as well as representative material from each of his major works.
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books
books
Publication:
February 2009
February 2009
Subject:
Architectural Theory
Architectural Theory
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books
books
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$140.00
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Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max(...)
$140.00
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Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max(...)
Title:
The Giedion world: Sigfried Giedion and Carola Giedion-Welcker in dialogue
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Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, László Moholy-Nagy, Piet Mondrian, and Sophie Taeuber-Arp. The interactions they initiated, for example, on the new vision in photography or the synthesis of arts continue to be highly relevant to the present day. "The Giedion World" offers a long-awaited reevaluation of Sigfried and Carola Giedion-Welcker’s work and lasting significance.
The Giedion world: Sigfried Giedion and Carola Giedion-Welcker in dialogue
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Sigfried Giedion (1888–1968) and Carola Giedion-Welcker (1893–1979) were among the most influential scholars of art and architectural history during the early twentieth century. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, László Moholy-Nagy, Piet Mondrian, and Sophie Taeuber-Arp. The interactions they initiated, for example, on the new vision in photography or the synthesis of arts continue to be highly relevant to the present day. "The Giedion World" offers a long-awaited reevaluation of Sigfried and Carola Giedion-Welcker’s work and lasting significance.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Architectural Theory
Architectural Theory
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books
books
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$37.95
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Fruit de deux colloques internationaux organisés par la Haute École d’Art et de Design de Genève, « L’architecture d’intérieur en mots » (2015) et « La fin de l’intériorité ? » (2016), ce livre propose une vision d’ensemble d’une profession aux sensibilités parfois disparates et affirme avec force la spécificité de sa méthode (face notamment à ses disciplines soeurs que(...)
$37.95
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Fruit de deux colloques internationaux organisés par la Haute École d’Art et de Design de Genève, « L’architecture d’intérieur en mots » (2015) et « La fin de l’intériorité ? » (2016), ce livre propose une vision d’ensemble d’une profession aux sensibilités parfois disparates et affirme avec force la spécificité de sa méthode (face notamment à ses disciplines soeurs que(...)
Title:
L'architecture par l'intérieur : concepts et imaginaires d'une discipline en devenir
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Fruit de deux colloques internationaux organisés par la Haute École d’Art et de Design de Genève, « L’architecture d’intérieur en mots » (2015) et « La fin de l’intériorité ? » (2016), ce livre propose une vision d’ensemble d’une profession aux sensibilités parfois disparates et affirme avec force la spécificité de sa méthode (face notamment à ses disciplines soeurs que sont le design et l’architecture). Il constitue ainsi un référent théorique qui fonde une réflexion de l’espace qui consiste à placer l’humain au centre d’une exploration qui va de l’intérieur vers l’extérieur.
L'architecture par l'intérieur : concepts et imaginaires d'une discipline en devenir
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Fruit de deux colloques internationaux organisés par la Haute École d’Art et de Design de Genève, « L’architecture d’intérieur en mots » (2015) et « La fin de l’intériorité ? » (2016), ce livre propose une vision d’ensemble d’une profession aux sensibilités parfois disparates et affirme avec force la spécificité de sa méthode (face notamment à ses disciplines soeurs que sont le design et l’architecture). Il constitue ainsi un référent théorique qui fonde une réflexion de l’espace qui consiste à placer l’humain au centre d’une exploration qui va de l’intérieur vers l’extérieur.
Form:
books
books
Publication:
February 2019
February 2019
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$38.50
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A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,-from melancholy to joy, from the fear of death to the immortality of art. As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale's song is so peculiar in part(...)
$38.50
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A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,-from melancholy to joy, from the fear of death to the immortality of art. As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale's song is so peculiar in part(...)
Title:
Nightingales in Berlin: searching for the perfect sound
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A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,-from melancholy to joy, from the fear of death to the immortality of art. As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale's song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other's sounds. Through dialogue, travel records, sonograms, tours of Berlin's city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone.
Nightingales in Berlin: searching for the perfect sound
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$38.50
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Summary:
A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,-from melancholy to joy, from the fear of death to the immortality of art. As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale's song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other's sounds. Through dialogue, travel records, sonograms, tours of Berlin's city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone.
Form:
books
books
Publication:
May 2019
May 2019
Subject:
Landscape Theory
Landscape Theory
Form:
books
books
Price:
$80.00
(available to order)
Summary:
The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in "Illuminated Paris", Hollis Clayson(...)
$80.00
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Summary:
The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in "Illuminated Paris", Hollis Clayson(...)
Title:
Illuminated Paris: Essays on art and lighting in the Belle Epoque
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$80.00
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The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in "Illuminated Paris", Hollis Clayson shows that there’s more to these clichés than meets the eye. In this illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies.
Illuminated Paris: Essays on art and lighting in the Belle Epoque
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$80.00
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The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in "Illuminated Paris", Hollis Clayson shows that there’s more to these clichés than meets the eye. In this illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies.
Form:
books
books
Publication:
May 2019
May 2019
Subject:
Art Theory
Art Theory
