Roven n.18 2025
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Au sommaire de Roven n° 18, numéro spécial rêve et sommeil : ponctuation de Julie Redon ; essai sur la notation des rêves, par Guitemie Maldonado ; entretiens avec Marisa Cornejo par Julie Enckell, avec Jim Shaw par Camille Viéville, avec Drawing Now Paris ; David B. par Arnaud Fourrier ; approche historique par Leïla Jarbouai (Redon, Millet, Courbet, Granville, Salomon)(...)
Roven n.18 2025
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Au sommaire de Roven n° 18, numéro spécial rêve et sommeil : ponctuation de Julie Redon ; essai sur la notation des rêves, par Guitemie Maldonado ; entretiens avec Marisa Cornejo par Julie Enckell, avec Jim Shaw par Camille Viéville, avec Drawing Now Paris ; David B. par Arnaud Fourrier ; approche historique par Leïla Jarbouai (Redon, Millet, Courbet, Granville, Salomon) ; portfolios de Chloé Vanderstraeten (et entretien par Alexandre Leger), Kathy Acker, Martine Atrax, Federico Fellini, Stella Geppert, Lina Jabbour, Christine Rebet, Jean-Jacques Rullier, Sandra Vásquez de la Horra ; collection Frac Picardie.
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Apartamento 35 Spring 2025
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Featuring: Camille Henrot, Darius Khondji, Leïla Slimani, Raul Lopez, Wendy Whiteley, Huong Dodinh, Robert Plunket, Catherine Schroeder, Zhou Yilun, Vivian Suter, Deaton Chris Anthony, Erna Aaltonen & Howard Smith, Chilly Gonzales, Dan Friedman, and Steve Bailey. Plus: ‘The Divine Art of Living’, a story by Robert Plunket, ‘14 Stout Men’, a screenplay by Efthimis(...)
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May 2025
Apartamento 35 Spring 2025
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Featuring: Camille Henrot, Darius Khondji, Leïla Slimani, Raul Lopez, Wendy Whiteley, Huong Dodinh, Robert Plunket, Catherine Schroeder, Zhou Yilun, Vivian Suter, Deaton Chris Anthony, Erna Aaltonen & Howard Smith, Chilly Gonzales, Dan Friedman, and Steve Bailey. Plus: ‘The Divine Art of Living’, a story by Robert Plunket, ‘14 Stout Men’, a screenplay by Efthimis Filippou, and texts by Durga Chew-Bose, Nacho Alegre, Charlie Porter, Silvina Ocampo (tr. Suzanne Jill Levine), Lina Soualem, Yilin Wang, Nate Lippens, and Hiroko Oyamada (tr. David Boyd)
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Grey room 99
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In this issue: Korean writing in the age of multilingual word processing: A history of the non-linear alphabet; How to see a paradigm: The "Natural Order in Science" and the origins of the impact factor; Realizing our ecologization? On ecosystems aesthetics and contemporary art beyond institutional critique.
Grey room 99
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In this issue: Korean writing in the age of multilingual word processing: A history of the non-linear alphabet; How to see a paradigm: The "Natural Order in Science" and the origins of the impact factor; Realizing our ecologization? On ecosystems aesthetics and contemporary art beyond institutional critique.
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October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy(...)
October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy and film; On "The Painted World".
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at(...)
Archivio n.11 : The Tech Issue
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at Promemoria Group, the magazine's publisher. Daniela Hamaui oversees editorial direction, while Alessandro Gori shapes the art direction. The cover, designed by artist Ailadi, pays tribute to the early aesthetics of the digital age. Created using PETSCII, the character set of Commodore 8-bit computers, it evokes the visual language of technology in its formative years. Archivio N°11 maps the international landscape of technology archives, tracing the roots of the digital revolution and exploring the places where our technological past is preserved, along with the collectors and institutions that recognized its cultural value.
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Liberté, no. 347
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En comité, nous nous sommes beaucoup demandé ce que nous attendions de ce dossier sur la roche. Car il allait de soi qu’il devait s’inscrire dans une perspective anti-extractiviste. Mais, en incorrigibles littéraires, nous ressentions la nécessité de construire cette réflexion commune en cherchant, en plus des discours à défaire, quels autres récits et quels autres(...)
Liberté, no. 347
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En comité, nous nous sommes beaucoup demandé ce que nous attendions de ce dossier sur la roche. Car il allait de soi qu’il devait s’inscrire dans une perspective anti-extractiviste. Mais, en incorrigibles littéraires, nous ressentions la nécessité de construire cette réflexion commune en cherchant, en plus des discours à défaire, quels autres récits et quels autres rapports à la roche nous avions envie de cultiver, de répandre, de favoriser. Écrire un dossier anti-extractiviste, ça ne signifie pas uniquement s’exprimer contre la logique d’exploitation des sols; ça implique aussi de tailler une place à d’autres relations que nous souhaitons créer ou renouveler avec le minéral. Ce serait quoi, prendre soin de la roche avec nos mots, avec nos gestes de pensée et de création? Quels liens sont à creuser? Est-il possible d’en réparer certains? Lesquels? Ce n’est pas vrai que rien ne pousse sur les cailloux.
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25(...)
A+U 657 06:25 : Jun Aoki Museum
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When it comes to Jun Aoki’s projects related to art, regardless of the intended function, the architecture remains open to diverse uses, inviting relationships that have yet to be fully seen or defined. Aoki embraces ambiguity and contradictions, allowing for the coexistence of differing values and rhythms that each individual brings to the experience of art. The 25 featured projects include public art museums, galleries, exhibition designs, and artworks. Each transforms into a unique spatial experience depending on the art it hosts, the people who visit, and its moment in time. With new essays and commentary by Aoki, this is a glimpse of architecture’s potential to suggest a freer future.
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from(...)
Detail 6 2025 : Circular construction
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The cradle-to-cradle principle envisions buildings returning to the natural cycle after use. In practice, however, most are only partially composed of natural or compostable materials. One notable exception is Florian Nagler’s Garden House, winner of the Detail Award, which closely follows this principle. Another route is the reuse or refurbishment of components from demolished buildings. But this, too, is complex – components are often scarce and costly to extract and and make fit for new applications. To facilitate recycling, some structures are being designed for disassembly. Yet even timber joints fixed with screws can prove difficult to undo after years in place. A research group in Arles sees itself as a recycler of remnants, developing new materials from construction debris and agricultural waste: sunflower stalks become acoustic panels, while rice straw from cultivation is turned into insulation. The team also experiments with local resources: in nearby salt pans, salt crystallises on metal racks to form tiles, while algae are used to make lamps, vases, and wall finishes. Architecture made from rubble, clad in salt, rice, and seaweed – a compelling vision of the future. Perhaps the most promising path lies in combining these diverse strategies.
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Continuité no. 185
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Le patrimoine industriel est un témoin important du développement du Québec. Encore aujourd’hui, on peut apprécier les diverses facettes de cet héritage, qu’il soit bâti, paysager ou encore mémoriel. Dans ce numéro d’été, on cherche à en tracer l’évolution, la sauvegarde et les enjeux. Les différents articles retraceront l’histoire et le développement du patrimoine(...)
Continuité no. 185
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Le patrimoine industriel est un témoin important du développement du Québec. Encore aujourd’hui, on peut apprécier les diverses facettes de cet héritage, qu’il soit bâti, paysager ou encore mémoriel. Dans ce numéro d’été, on cherche à en tracer l’évolution, la sauvegarde et les enjeux. Les différents articles retraceront l’histoire et le développement du patrimoine industriel à travers le Québec, en collaboration avec l’Association québécoise du patrimoine industriel; brosseront le portrait d’anciens bâtiments industriels qui ont une nouvelle vocation; présenteront les idées de la relève pour repenser la fonction d’anciens incinérateurs de la métropole, issues d’un concours d’Héritage Montréal; survoleront les paysages industriels pour voir comment ceux-ci ont transformé le territoire de la province; offriront une incursion dans la vie en usine en retraçant le patrimoine mémoriel des travailleurs et travailleuses; permettront de découvrir une mobilisation citoyenne pour la préservation du patrimoine du Quartier chinois et de son héritage industriel.
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GA Document 166
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. This issue features projects by Steven Holl, Junya(...)
GA Document 166
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GA Document presents the finest in international design, focusing on architecture that expresses our time and striving to record the history of contemporary architecture. International scholars and critics provide insightful texts to further inform the reader of the most up-to-date ideas and events in the profession. This issue features projects by Steven Holl, Junya Ishigami, Morphosis Architects , Kengo Kuma, Renzo Piano Building Workshop, SANAA, ALA Architects , Ryue Nishizawa, Jean Nouvel, and selgascano.
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