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This volume, originally published in 1962 and long out of print, was the first book on the architect to feature Kahn’s own images and words—and it was Kahn’s favorite book on his work. It includes his early sketches, reproduced at full size, from his European travels in the 1950s as well as renderings of the designs for several of his notable buildings, along with(...)
The notebooks and drawings of Louis I. Kahn
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This volume, originally published in 1962 and long out of print, was the first book on the architect to feature Kahn’s own images and words—and it was Kahn’s favorite book on his work. It includes his early sketches, reproduced at full size, from his European travels in the 1950s as well as renderings of the designs for several of his notable buildings, along with unpublished speeches and excerpts from lectures, radio broadcasts, and other sources. In this sleeve-encased two-book set, a facsimile of the original publication is accompanied by an illustrated Reader’s Guide that features essays and commentary by writers such as scholar William Whitaker and Pulitzer Prize–winning critic Paul Goldberger, family members, and fellow architects such as Frank Gehry, Tadao Ando, and Denise Scott Brown that contextualize the enormous impact and continuing legacy of one of the twentieth century’s most influential architects.
Architecture Monographs
Contemporary museums
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A critical survey of contemporary museums, as well as a reference in the field of architecture. The book analyzes the design and production of museum complexes all over the world in the last decade, and gives a critical interpretation of one of the most challenging subjects in the recent architectural panorama. The work of the most important contemporary masters such as(...)
Contemporary museums
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A critical survey of contemporary museums, as well as a reference in the field of architecture. The book analyzes the design and production of museum complexes all over the world in the last decade, and gives a critical interpretation of one of the most challenging subjects in the recent architectural panorama. The work of the most important contemporary masters such as Alvaro Siza, Zaha Hadid, Tadao Ando, Massimiliano Fuksas, Renzo Piano, Steven Holl, Jean Nouvel, Frank Gehry, Daniel Libeskind crosses the most recent research and experiences in the world of museums. The works of emerging architects such as Tezuka Architects, Mansilla & Tunon, Asymptote, Diller + Scofidio, Delugan Meissle, UN studio, Michael Maltzan, and many others shows clearly how museum design became a fundamental field of research on the changing nature of the public spaces as well as on the relevant relationship between landscape and architecture.
Museums and Universal Exhibitions
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture.(...)
Building after Auschwitz: Jewish architecture and the memory of the Holocaust
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this new Jewish architecture. Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
Architectural Theory
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Museums and Universal Exhibitions
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did(...)
Architectural Theory
January 1900, Helsinki
Architecture and art: New visions, new strategies
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did art play in the history of modern architecture? How did architecture influence art? What’s the current state of the balance between the two fields? Illustrated with color photographs and black and white reproductions, with a foreward by Aalto Academy Professor Eeva-Lisa Pelkonen, the thought-provoking essays strive to illuminate the mystery of overlap, from Le Corbusier to Donald Judd. In a world where Frank Gehry claims architecture is art against Richard Serra’s wishes, it’s refreshing to learn there’s more than one viewpoint at the table. The most recent publication from the Academy’s forward-thinking conferences held every summer in Finland.
Architectural Theory
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A landmark in architectural publishing, "New York 2020" explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day. Across 1,500 pages, "New York 2020" describes and(...)
New York 2020; Architecture and urbanism at the beginning of the new century
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A landmark in architectural publishing, "New York 2020" explores the planning and politics of building in New York City during the first decades of the 21st century. This encyclopedic book, as complex and vast as the city itself, references more than 3,000 projects constructed between the year 2000 and the present day. Across 1,500 pages, "New York 2020" describes and illustrates the "supertalls" now populating our skyline, lush riverfront parks born from derelict waterfront, iconic cultural destinations, and thousands of smaller, unheralded residential and civic projects that enhance the built environment and the urban fabric. Readers will discover work by leading architects, including Norman Foster, Renzo Piano, Bjarke Ingels, Diller Scofidio + Renfro, Selldorf Architects, Frank Gehry, and Robert A.M. Stern Architects; a dazzling array of museums and institutions, including the High Line, Hudson Yards, the new Whitney Museum, and the expansions of MoMA and Lincoln Center; the rebuilding of the World Trade Center site; and more.
Architecture since 1900, Americas
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Exhibition halls and sports arenas, factories and warehouses, airports and railway stations, arts centres and concert halls: big sheds are all around us yet the story behind their extraordinary growth has gone untold. Beginning with the roots of the big shed – including 19th-century iron structures, the work of Buckminster Fuller, Archigram, and the Pompidou and(...)
Big shed
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Exhibition halls and sports arenas, factories and warehouses, airports and railway stations, arts centres and concert halls: big sheds are all around us yet the story behind their extraordinary growth has gone untold. Beginning with the roots of the big shed – including 19th-century iron structures, the work of Buckminster Fuller, Archigram, and the Pompidou and Sainsbury Centres – the book is organized by function: exhibitions, industry, transport, sports and arts. Together these areas account for the best examples of big sheds over the past twenty years, and include work by Frank Gehry, Norman Foster, Richard Rogers, Jean Nouvel, Daniel Libeskind, Nicholas Grimshaw and Toyo Ito, among many others. From the vertiginous daring of Tokyo International Forum to Madrid’s award-winning Barajas Airport, these structures have changed the very nature of architecture. Throughout the book Pryce’s dramatic photography captures the buildings’ primal vastness, while technical drawings help explain how they were designed, built and function.
Commercial interiors, Building types
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What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of(...)
Talking architecture: interviews with architects
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What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of perspectives on contemporary architecture and the architects' roles in shaping the state of the art today. Each interview focuses on the unique contributions of its subject and is accompanied by images of their most important works. With a no-holds-barred approach the author obtains interesting details about their ideas on architecture in general, from where they get their inspiration to what formative experiences led them to become architects in the first place. Updated with new images, this informative, accessible, and endlessly fascinating collection offers a chance to compare, contrast, and get to know the architects that are shaping the world we live in.
Architectural Theory
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A comprehensive overview of Southern California’s most experimental architecture, showcasing the highly expressive work of famed architects such as Frank Gehry and Thom Mayne, as well as the best of the new guard. This is the first critical examination and history of what was first identified as the "L.A. School" in the 1990s, which has influenced much of American(...)
A new sculpturalism: contemporary architecture from southern California
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A comprehensive overview of Southern California’s most experimental architecture, showcasing the highly expressive work of famed architects such as Frank Gehry and Thom Mayne, as well as the best of the new guard. This is the first critical examination and history of what was first identified as the "L.A. School" in the 1990s, which has influenced much of American architecture in the last twenty-five years. This expansive new book examines contemporary Southern California architecture from 1987 to the present, exploring its experimental nature, sculptural tendency, and exciting evolution. This volume complements a major exhibition at the Museum of Contemporary Art, Los Angeles, and is part of the Getty Research Institute exhibition initiative "Los Angeles Architecture, 1940–1990." Contributions by leading architectural historians coupled with an impressive collection of images present recent works in terms of sculpturalism and urbanism, and consider the impact of the history and environment of Los Angeles, as well as the creative and working processes.
Contemporary Architecture
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This book reveals how the work of these architectural talents is also made possible by companies such as Permasteelisa, which offer technological solutions for constructing the most futuristic buildings. Permasteelisa produces continuous external cladding: the skin of skyscrapers, large airports, and current business centers. Drawing on its constant research into(...)
The faces of contemporary cities: Permasteelisa
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This book reveals how the work of these architectural talents is also made possible by companies such as Permasteelisa, which offer technological solutions for constructing the most futuristic buildings. Permasteelisa produces continuous external cladding: the skin of skyscrapers, large airports, and current business centers. Drawing on its constant research into technology and materials, it collaborates with large architectural firms to transform an architect’s project into a building. This was the case for the Sydney Opera House, with its futuristic sails; for the Guggenheim in Bilbao and its curved facades conceived by Frank Gehry; and for the scintillating blades of Renzo Piano’s Shard in London. The book tells the story of Permasteelisa. With the texts by international urban planning scholars and data analysis and georeferencing methodologies developed at the Transnational Architecture and Urbanism Lab (TAU-Lab) of the Politecnico di Milano, it shows how this Italian company’s know-how has allowed it to shape the faces of many contemporary cities such as New York, Paris, London, Berlin, Frankfurt, Milan, Hong Kong, and Sydney.
Materials and Lighting