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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the(...)
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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the(...)
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March 2011
March 2011
Title:
Voiture minimum: Le Corbusier and the automobile
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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier’s architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright.
Voiture minimum: Le Corbusier and the automobile
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This book is the first to tell the full and true story of Le Corbusier’s adventure in automobile design. Le Corbusier (with Pierre Jeanneret) entered an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier’s architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright.
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books
books
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March 2011
March 2011
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books
books
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$59.95
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The 14 Bauhaus books, edited by Walter Gropius and Laszlo Moholy-Nagy, were published between 1925 and 1930. Their authors discussed design principles, practices, and artistic approaches from various perspectives. Johannes Rinkenburger has examined and researched the contents and key concepts of this avant-garde series of books along with their backgrounds and context and(...)
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The 14 Bauhaus books, edited by Walter Gropius and Laszlo Moholy-Nagy, were published between 1925 and 1930. Their authors discussed design principles, practices, and artistic approaches from various perspectives. Johannes Rinkenburger has examined and researched the contents and key concepts of this avant-garde series of books along with their backgrounds and context and(...)
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Visions of the Bauhaus books: exploring connections to contemporary graphic design practice
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The 14 Bauhaus books, edited by Walter Gropius and Laszlo Moholy-Nagy, were published between 1925 and 1930. Their authors discussed design principles, practices, and artistic approaches from various perspectives. Johannes Rinkenburger has examined and researched the contents and key concepts of this avant-garde series of books along with their backgrounds and context and elaborates their application and importance for current design schools. Based on design experiments, new links andcorrelations are established and methods shown that reveal, and apply the legacy of Bauhaus, one of the historically most important design schools worldwide, to contemporary design.
Visions of the Bauhaus books: exploring connections to contemporary graphic design practice
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The 14 Bauhaus books, edited by Walter Gropius and Laszlo Moholy-Nagy, were published between 1925 and 1930. Their authors discussed design principles, practices, and artistic approaches from various perspectives. Johannes Rinkenburger has examined and researched the contents and key concepts of this avant-garde series of books along with their backgrounds and context and elaborates their application and importance for current design schools. Based on design experiments, new links andcorrelations are established and methods shown that reveal, and apply the legacy of Bauhaus, one of the historically most important design schools worldwide, to contemporary design.
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books
books
Publication:
November 2019
November 2019
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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$42.00
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The(...)
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The(...)
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The architect Hugh Stubbins : fifties American modernism in Berlin
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The exciting story of this expressive symbol of postwar Modernism shows the way in which architecture was politicized at that time. This book examines in detail the origin and construction of this unique building, as well as the diversity of the American architect’s work.
The architect Hugh Stubbins : fifties American modernism in Berlin
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The exciting story of this expressive symbol of postwar Modernism shows the way in which architecture was politicized at that time. This book examines in detail the origin and construction of this unique building, as well as the diversity of the American architect’s work.
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books
books
Publication:
November 2007, Berlin
November 2007, Berlin
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$25.95
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The fourth edition of the AIA guide to Washington's architecture offers tourists, residents, and architecture aficionados insights into nearly 400 of the city's most important architectural landmarks, organized into 19 discrete tours. All entries carried over from the previous edition, published in 1994, have been rewritten, and numerous entries have been added. This(...)
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The fourth edition of the AIA guide to Washington's architecture offers tourists, residents, and architecture aficionados insights into nearly 400 of the city's most important architectural landmarks, organized into 19 discrete tours. All entries carried over from the previous edition, published in 1994, have been rewritten, and numerous entries have been added. This(...)
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AIA guide to the architecture of Washington, D.C.
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The fourth edition of the AIA guide to Washington's architecture offers tourists, residents, and architecture aficionados insights into nearly 400 of the city's most important architectural landmarks, organized into 19 discrete tours. All entries carried over from the previous edition, published in 1994, have been rewritten, and numerous entries have been added. This edition includes notable new structures such as the National Museum of the American Indian, as well as the classics that epitomize the city - the White House, the Capitol, Union Station - in addition to a number of private structures that are sometimes overlooked, including houses designed by Walter Gropius and Richard Neutra.
AIA guide to the architecture of Washington, D.C.
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The fourth edition of the AIA guide to Washington's architecture offers tourists, residents, and architecture aficionados insights into nearly 400 of the city's most important architectural landmarks, organized into 19 discrete tours. All entries carried over from the previous edition, published in 1994, have been rewritten, and numerous entries have been added. This edition includes notable new structures such as the National Museum of the American Indian, as well as the classics that epitomize the city - the White House, the Capitol, Union Station - in addition to a number of private structures that are sometimes overlooked, including houses designed by Walter Gropius and Richard Neutra.
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books
books
Publication:
October 2006, Washington
October 2006, Washington
Subject:
City Guides
City Guides
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books
books
Title:
Bauhaus: a conceptual model
Bauhaus: a conceptual model
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$72.00
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless(...)
$72.00
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless(...)
Title:
Bauhaus: a conceptual model
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$72.00
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless masterpieces in many genres. This comprehensive volume takes stock of the Bauhaus' output by highlighting 68 projects, with a particular focus on neglected aspects of the school's legacy. Also featured are essays by the Director of the Bauhaus-Museum in Weimar, Michael Siebenbrodt, and the artist and writer, Jeff Wall.
Bauhaus: a conceptual model
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$72.00
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Summary:
One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless masterpieces in many genres. This comprehensive volume takes stock of the Bauhaus' output by highlighting 68 projects, with a particular focus on neglected aspects of the school's legacy. Also featured are essays by the Director of the Bauhaus-Museum in Weimar, Michael Siebenbrodt, and the artist and writer, Jeff Wall.
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books
books
Publication:
July 2009
July 2009
Subject:
Modernism
Modernism
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books
books
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$78.00
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers(...)
$78.00
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Summary:
"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers(...)
Publication:
February 2018
February 2018
Title:
The Bauhaus and Czechoslovakia 1919-1938
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$78.00
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers and architects. Czech students brought their own original ideas and progressive techniques into this heady atmosphere. This volume, the result of years of scholarly research by Czech art historian Markéta Svobodová, is the first publication to survey the contributions of Czech students in this creative environment, offering a student-centered perspective on the famed institution.
The Bauhaus and Czechoslovakia 1919-1938
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Summary:
"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers and architects. Czech students brought their own original ideas and progressive techniques into this heady atmosphere. This volume, the result of years of scholarly research by Czech art historian Markéta Svobodová, is the first publication to survey the contributions of Czech students in this creative environment, offering a student-centered perspective on the famed institution.
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books
books
Publication:
February 2018
February 2018
Form:
books
books
Title:
L'esprit du Bauhaus
L'esprit du Bauhaus
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Fondé à Weimar en 1919, dissout à Berlin en 1933 face à la montée du nazisme, le Bauhaus est une école d'enseignement artistique qui s'est imposée comme une référence incontournable de l'histoire de l'art au XXe siècle. Elle a été créée par l'architecte Walter Gropius pour redonner vie à l'habitat et à l'architecture grâce à une synthèse des arts plastiques, de(...)
$72.95
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Fondé à Weimar en 1919, dissout à Berlin en 1933 face à la montée du nazisme, le Bauhaus est une école d'enseignement artistique qui s'est imposée comme une référence incontournable de l'histoire de l'art au XXe siècle. Elle a été créée par l'architecte Walter Gropius pour redonner vie à l'habitat et à l'architecture grâce à une synthèse des arts plastiques, de(...)
Title:
L'esprit du Bauhaus
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$72.95
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Fondé à Weimar en 1919, dissout à Berlin en 1933 face à la montée du nazisme, le Bauhaus est une école d'enseignement artistique qui s'est imposée comme une référence incontournable de l'histoire de l'art au XXe siècle. Elle a été créée par l'architecte Walter Gropius pour redonner vie à l'habitat et à l'architecture grâce à une synthèse des arts plastiques, de l'artisanat et de l'industrie. Le coeur de ce livre reflète la diversité du champ des expérimentations menées à l'école : dessin, peinture, mobilier, sculpture, textile, céramique, mais aussi typographie, photographie et théâtre sont abordés sous l'angle des ateliers où les élèves de l'école recevaient les enseignements.
L'esprit du Bauhaus
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$72.95
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Fondé à Weimar en 1919, dissout à Berlin en 1933 face à la montée du nazisme, le Bauhaus est une école d'enseignement artistique qui s'est imposée comme une référence incontournable de l'histoire de l'art au XXe siècle. Elle a été créée par l'architecte Walter Gropius pour redonner vie à l'habitat et à l'architecture grâce à une synthèse des arts plastiques, de l'artisanat et de l'industrie. Le coeur de ce livre reflète la diversité du champ des expérimentations menées à l'école : dessin, peinture, mobilier, sculpture, textile, céramique, mais aussi typographie, photographie et théâtre sont abordés sous l'angle des ateliers où les élèves de l'école recevaient les enseignements.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Modernism
Modernism
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books
books
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$76.95
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Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including(...)
$76.95
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Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including(...)
Title:
Max Bill: no beginning, no end
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Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including painting, sculpture, architecture, typography, and design. In the 1950s, he collaborated with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design, where he carried on the Bauhaus legacy as both artist and teacher and made a decisive and lasting contribution to twentieth-century cultural life.
Max Bill: no beginning, no end
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Swiss artist, architect, and theorist Max Bill (1908–94) was an important proponent of concrete and constructive art and a key figure in twentieth-century European applied arts and design. Trained at the Bauhaus with eminent figures like Wassily Kandinsky, Walter Gropius, and Paul Klee, Bill displayed an early virtuosity across a diverse range of fields, including painting, sculpture, architecture, typography, and design. In the 1950s, he collaborated with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design, where he carried on the Bauhaus legacy as both artist and teacher and made a decisive and lasting contribution to twentieth-century cultural life.
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books
books
Publication:
August 2018
August 2018
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$10.00
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New (...)
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New (...)
Title:
The architecture of Ulrich Franzen
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New York in 1955. His encounter with Modernism had a determining influence on his work, and Franzen soon developed his own individual architectural language. Reference to context and collage, the bringing together of different elements in free composition are typical themes in his work. The spectrum of his architecture spans elegant, generous residences and severe, rigorous buildings for industry and research. He has also worked on projects in urban development.
The architecture of Ulrich Franzen
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New York in 1955. His encounter with Modernism had a determining influence on his work, and Franzen soon developed his own individual architectural language. Reference to context and collage, the bringing together of different elements in free composition are typical themes in his work. The spectrum of his architecture spans elegant, generous residences and severe, rigorous buildings for industry and research. He has also worked on projects in urban development.
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books
books
Publication:
April 1999, Basel
April 1999, Basel
Subject:
sale books
sale books
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books
books
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$75.00
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined(...)
$75.00
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined(...)
Title:
Tomorrow's Houses: New England Modernism
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined realizations in houses designed by such masters as Frank Lloyd Wright, Philip Johnson, Mies van der Rohe, Richard Meier, Paul Rudolph, Marcel Breuer, and Walter Gropius, all of whose work is featured in these pages. Photographer Geoffrey Gross has captured in full-color images these composed structures and their appointed interiors, all against the variety of the landscapes of New England.
Tomorrow's Houses: New England Modernism
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined realizations in houses designed by such masters as Frank Lloyd Wright, Philip Johnson, Mies van der Rohe, Richard Meier, Paul Rudolph, Marcel Breuer, and Walter Gropius, all of whose work is featured in these pages. Photographer Geoffrey Gross has captured in full-color images these composed structures and their appointed interiors, all against the variety of the landscapes of New England.
Form:
books
books
Publication:
May 2011
May 2011
Subject:
Modernism
Modernism
