Project
AP178.S1.1972.PR05
Description:
This project series documents renovations to the Galeria do Antiquário in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 13/70. The office had previously assigned the number 135. The office assigned the dates 1972-1973 to this project. Modifications to the atrium, bathrooms and gallery were made. It also included an extension to the basement gallery. The building program also mentions work on the lighting and ventilation. Drawings include studies, working drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the built project.
1972-1973
Galeria do Antiquário [Antiquarian Gallery], Campo Alegre, Porto, Portugal (1972-1973)
Actions:
AP178.S1.1972.PR05
Description:
This project series documents renovations to the Galeria do Antiquário in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 13/70. The office had previously assigned the number 135. The office assigned the dates 1972-1973 to this project. Modifications to the atrium, bathrooms and gallery were made. It also included an extension to the basement gallery. The building program also mentions work on the lighting and ventilation. Drawings include studies, working drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the built project.
Project
1972-1973
Project
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
1993-2012
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Project
1993-2012
archives
Level of archival description:
Fonds
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
1984-2003
Kuwabara Payne Mckenna Blumberg fonds
Actions:
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
archives
Level of archival description:
Fonds
1984-2003
Series
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
1983-2006
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Series
1983-2006
Project
AP144.S2.D22
Description:
File documents alterations to the showroom and offices of Thomas Green & Son Limited, at New Surrey Works, on Southwark Street, in London, England. The proposal reflects Prices’ objective "to provide maximum flexibility for the display of product", by the use of movable screens, stands, canopies, and a lighting system of adjustable spotlights. The project includes a new reception room and office, and renovations to existing offices. Future construction phases for this project include work on the entrance façade and door, and company signage. A preliminary sketch for an illuminated mural on a showroom wall is fabricated from wheels manufactured by the company. Material in this file was produced between 1958 and 1959. File contains design development drawings and textual records.
1958-1959
Showroom for Thomas Green & Son Limited
Actions:
AP144.S2.D22
Description:
File documents alterations to the showroom and offices of Thomas Green & Son Limited, at New Surrey Works, on Southwark Street, in London, England. The proposal reflects Prices’ objective "to provide maximum flexibility for the display of product", by the use of movable screens, stands, canopies, and a lighting system of adjustable spotlights. The project includes a new reception room and office, and renovations to existing offices. Future construction phases for this project include work on the entrance façade and door, and company signage. A preliminary sketch for an illuminated mural on a showroom wall is fabricated from wheels manufactured by the company. Material in this file was produced between 1958 and 1959. File contains design development drawings and textual records.
File 22
1958-1959
Project
AP178.S1.1972.PR02
Description:
This project series documents the Banco Pinto & Sotto Mayor agência e clube in Lamego, Portugal. While the records were held in the office’s archives this project was assigned the number 8/70. In the past the office identified the project as number 130 A. The office assigned the dates 1972-1974 to this project. This project series combines two projects, consisting of renovations to a bank and a club in Lamego. The construction work included modifications to the pavement, ceilings and walls. Documenting the project are sketches, studies and working drawings. Photographs, negatives, contact sheets, photomontages and slides depict the project site and surrounding area as well as the construction work. Textual documentation includes project documentation and correspondence.
1970-1980
Banco Pinto & Sotto Mayor, agência e clube [Pinto & Sotto Mayor bank agency and club], Lamego, Portugal (1972-1974)
Actions:
AP178.S1.1972.PR02
Description:
This project series documents the Banco Pinto & Sotto Mayor agência e clube in Lamego, Portugal. While the records were held in the office’s archives this project was assigned the number 8/70. In the past the office identified the project as number 130 A. The office assigned the dates 1972-1974 to this project. This project series combines two projects, consisting of renovations to a bank and a club in Lamego. The construction work included modifications to the pavement, ceilings and walls. Documenting the project are sketches, studies and working drawings. Photographs, negatives, contact sheets, photomontages and slides depict the project site and surrounding area as well as the construction work. Textual documentation includes project documentation and correspondence.
Project
1970-1980
Project
AP056.S1.1992.PR06
Description:
This project series documents the roof restauration of the Royal Conservatory of Music in Toronto from 1992-1993. The office identified the project number as 9215. This project consisted of the first phase of renovations and additions to the music school, housed in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. Three phases of construction were proposed in the original master plan (see file AP056.S1.1991.PR07.010 for complete master plan), including this project to restore the original historic roof. The master plan recommended replacing the roof and gutters, removing the creeper, repairing the brick and stone, cleaning, repointing, installing an anti-pest system, repainting and adding a new spire. The project is recorded through drawings issued for tender dating from 1993.
1993
Royal Conservatory of Music, Historic Roof Restauration (1992-1993)
Actions:
AP056.S1.1992.PR06
Description:
This project series documents the roof restauration of the Royal Conservatory of Music in Toronto from 1992-1993. The office identified the project number as 9215. This project consisted of the first phase of renovations and additions to the music school, housed in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. Three phases of construction were proposed in the original master plan (see file AP056.S1.1991.PR07.010 for complete master plan), including this project to restore the original historic roof. The master plan recommended replacing the roof and gutters, removing the creeper, repairing the brick and stone, cleaning, repointing, installing an anti-pest system, repainting and adding a new spire. The project is recorded through drawings issued for tender dating from 1993.
Project
1993
Project
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
2006-2007
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Project
2006-2007
textual records
ARCH276065
Description:
41 files - Group contains renovations documents. Files include: structural consultant; mechanical consultant; client correspondence; client meetings; client architect agreements; consultant proposals; consultant directory and agreements; D.P.A. submission; regulatory approvals - building permit application; transmittals, inspection reports; contractor correspondence; waterproofing; site information - surveys; electrical consultant; construction costs - budgets/estimates; architects' invoices (copies); A.C.E. meetings; site information - photos, soils and utilities; background material; specification; parks and recreation; bids, application for payment; certificate of payment; change orders; contractor meetings; site instructions; shop drawing and samples; time schedules; photographs; contractor proposals; handicapped access, elevating systems; Sikh legal. Also includes spiral bound project material: Phase 1 contract documents; building analysis.
1987-1988
Correspondence, agreements, budget and cost estimates, reports and meetings
Actions:
ARCH276065
Description:
41 files - Group contains renovations documents. Files include: structural consultant; mechanical consultant; client correspondence; client meetings; client architect agreements; consultant proposals; consultant directory and agreements; D.P.A. submission; regulatory approvals - building permit application; transmittals, inspection reports; contractor correspondence; waterproofing; site information - surveys; electrical consultant; construction costs - budgets/estimates; architects' invoices (copies); A.C.E. meetings; site information - photos, soils and utilities; background material; specification; parks and recreation; bids, application for payment; certificate of payment; change orders; contractor meetings; site instructions; shop drawing and samples; time schedules; photographs; contractor proposals; handicapped access, elevating systems; Sikh legal. Also includes spiral bound project material: Phase 1 contract documents; building analysis.
textual records
1987-1988
Project
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
1986-1992
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Project
1986-1992