I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is(...)
I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is home. Since 2015, photographer Brian Adams from the Inupiaq ethnic group has been traveling through Alaska, capturing the Inuit and their individual stories and finding out how they spend their individual lives in the 21st century. Visiting around 20 communities, he took portraits of the residents and recorded their narratives, sharing these across social media. This project I am Inuit as well as this book has the aim of promoting understanding, dismantling stereotypes as well as misperceptions and connecting the world with Alaskan Inuits, and the Arctic, through common humanity.
Photography monographs
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in(...)
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in Rotterdam, The Netherlands. Finally, the project became a roving para-site called “Knock on Woods” which has temporarily staked claim to land in Holland, France, Portugal, Berlin, Japan, and Canada. Dwelling for Intervals is an independent state, a sculpture, a series of collaborations, an international artist residency, a wilderness, a tree house, a travelling circus and a relative site/situation for temporary doing and undoing. The publication documents both the sites and the on-site work of the residents.
Group Exhibitions
Bracket 3, At Extremes
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history(...)
Bracket 3, At Extremes
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$51.95
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history of modern urbanism, architecture and building science has been predicated on an anti-entropic notion of programmatic and social order. But are there scenarios in which a state of extremity or imbalance is productive? Bracket [at Extremes] seeks to understand what new spatial orders emerge in this liminal space. How might it be leveraged as an opportunity for invention? What are the limits of wilderness and control, of the natural and artificial, the real and the virtual? What new landscapes, networks, and urban models might emerge in the wake of destabilized economic, social and environmental conditions?
Magazines
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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region(...)
Building with nature : inspiration for the arts & crafts home
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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region tradition", focuses on the beginnings (1865 and on) of the Bay area shingle style and Arts & crafts collaboration in California, and the origins of the trend toward building simple rustic homes in harmony with nature. Freudenheim explores how and why a small, influential group of Californians (including Joseph Worcester, Bernard Maybeck, Charles Keeler, William Keith, Charles Lummis, A. Page Brown, and others)-all of whom had come from the East or from England-were especially devoted to Ruskin and the Arts & crafts style and how this combined with their dedication to California's natural beauty to create a unique architectural movement.
History until 1900
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For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an(...)
Richard Long : here and now and then
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For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an exhibition of new works by Long that span the variety of media he employs, including photographs, sculptures, and mud and text works made directly on the gallery walls. The landscapes walked to create the work include Galicia, Brittany and his recent travels to India, where he spent time among the Warli tribe with the artist Jivya Soma Mashe. The catalogue illustrations consist of Long’s recent works both in the gallery and in landscapes, and the text explores Long’s relationship to landscape as well his art historical significance, focussing on the works featured in this exhibition.
Land Art
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the(...)
Tales from the dark side of the city, box set
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city’s wants and needs, fears and dreams. The series includes stories developed from expeditions through Bolivia and the Atacama Desert, the Western Australian Outback, the South China Sea and Inner Mongolia, the gemfields of Madagascar, Far North Alaska and the black sites of the United States.
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Conceived and designed by Ma Yansong, founder of MAD Architects, MAD Rhapsody documents the buildings of this avant-garde architecture firm and traces the development of their ideas through associated practice including art, research, and exhibition projects. With photographs, drawings, and models, the book highlights 23 projects from the past six years, both built and in(...)
MAD rhapsody: Past, present, future
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Conceived and designed by Ma Yansong, founder of MAD Architects, MAD Rhapsody documents the buildings of this avant-garde architecture firm and traces the development of their ideas through associated practice including art, research, and exhibition projects. With photographs, drawings, and models, the book highlights 23 projects from the past six years, both built and in process. Known for their ',organic and dreamlike architecture'' that creates a dialogue with nature, earth, and sky, MAD projects reach all over the globe. At age 46, Ma Yansong is one of China’s best-known architects. His curvilinear, free-form, and futuristic designs are often compared to those of his mentor, Zaha Hadid. Ma’s greatest inspiration is nature; his opera house in the northern Chinese city of Harbin resembles a snow-capped mountain, while his master plan for the city of Nanjing calls for sloping buildings covered with vertical louvers that resemble waterfalls. Other projects include the Ordos Museum in the wilderness of Inner Mongolia, the Absolute Towers in Canada, and the Lucas Museum of Narrative Art in Los Angeles.
Architecture Monographs
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Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.-Mexican border, from San Francisco to London, from open sky to(...)
Storming the gates of paradise: Landscapes for politics
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Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.-Mexican border, from San Francisco to London, from open sky to the deepest mines, and from the antislavery struggles of two hundred years ago to today's street protests. The nearly forty essays collected here comprise a unique guidebook to the American landscape after the millennium–not just the deserts, skies, gardens, and wilderness areas that have long made up Solnit's subject matter, but the social landscape of democracy and repression, of borders, ruins, and protests. She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book's overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch. In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison.
Architectural Theory
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National historic sites commemorate decisive moments in the making of Canada. But seen through an environmental lens, these sites become artifacts of a bigger story: the occupation and transformation of nature into nation. In an age of pressing discussions about environmental sustainability, there is a growing need to know more about the history of our relationship with(...)
Nature, place, and story: rethinking historic sites in Canada
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National historic sites commemorate decisive moments in the making of Canada. But seen through an environmental lens, these sites become artifacts of a bigger story: the occupation and transformation of nature into nation. In an age of pressing discussions about environmental sustainability, there is a growing need to know more about the history of our relationship with the natural world and what lessons these places of public history, regional identity, and national narrative can teach us. "Nature, place, and story" provides new interpretations for five of Canada’s largest and most iconic historic sites (two of which are UNESCO World Heritage Sites): L’Anse aux Meadows, Newfoundland; Grand Pré, Nova Scotia; Fort William, Ontario; the Forks of the Red River, Manitoba; and the Bar U Ranch, Alberta. At each location, Claire Campbell rewrites public history as environmental history, revealing the country’s debt to the power and fragility of the natural world, and the relevance of the past to understanding climate change, agricultural sustainability, wilderness protection, urban reclamation, and fossil fuel extraction. From the medieval Atlantic to modern ranchlands, environmental history speaks directly to contemporary questions about the health of Canada’s habitat. Bringing together public and environmental history in an entirely new way, "Nature, place, and story" is a lively and ambitious call for a fresh perspective on natural heritage.
Architecture in Canada
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment.(...)
Island zombie: Iceland writings
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, ''Island zombie'' distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self. ''Island zombie'' is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena- the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety- we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.