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The Netherlands has been and continues to be a testing ground where the future of labor is reimagined. Published in conjunction with the Dutch Pavilion at the 16th International Architecture Exhibition of La Biennale di Venezia, ''Work, Body, Leisure'' analyzes spatial arrangements and protocols molded for the interaction between humans and machines; spaces that challenge(...)
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The Netherlands has been and continues to be a testing ground where the future of labor is reimagined. Published in conjunction with the Dutch Pavilion at the 16th International Architecture Exhibition of La Biennale di Venezia, ''Work, Body, Leisure'' analyzes spatial arrangements and protocols molded for the interaction between humans and machines; spaces that challenge(...)
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May 2018
May 2018
Title:
Work, body, leisure. Dutch pavilion, 16th international Biennale di Venezia
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The Netherlands has been and continues to be a testing ground where the future of labor is reimagined. Published in conjunction with the Dutch Pavilion at the 16th International Architecture Exhibition of La Biennale di Venezia, ''Work, Body, Leisure'' analyzes spatial arrangements and protocols molded for the interaction between humans and machines; spaces that challenge traditional distinctions between work and leisure; the ways in which evolving notions of labor have categorized and defined bodies at particular moments in time; and the legal, cultural, and technical infrastructures that enable their exploitation, with the aim of fostering new forms of creativity and responsibility within the architectural field in response to emerging technologies of automation.
Work, body, leisure. Dutch pavilion, 16th international Biennale di Venezia
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The Netherlands has been and continues to be a testing ground where the future of labor is reimagined. Published in conjunction with the Dutch Pavilion at the 16th International Architecture Exhibition of La Biennale di Venezia, ''Work, Body, Leisure'' analyzes spatial arrangements and protocols molded for the interaction between humans and machines; spaces that challenge traditional distinctions between work and leisure; the ways in which evolving notions of labor have categorized and defined bodies at particular moments in time; and the legal, cultural, and technical infrastructures that enable their exploitation, with the aim of fostering new forms of creativity and responsibility within the architectural field in response to emerging technologies of automation.
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books
books
Publication:
May 2018
May 2018
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books
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"A House in Japan" examines the Japanese home as a site of architectural inquiry—an intimate scale through which ideas about space, structure, and domesticity are continually reimagined. In a context shaped by constraint, precision, and cultural continuity, the residential realm becomes a space of subtle provocation and quiet experimentation. The projects in this volume(...)
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"A House in Japan" examines the Japanese home as a site of architectural inquiry—an intimate scale through which ideas about space, structure, and domesticity are continually reimagined. In a context shaped by constraint, precision, and cultural continuity, the residential realm becomes a space of subtle provocation and quiet experimentation. The projects in this volume(...)
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A House in Japan: Lessons in living
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"A House in Japan" examines the Japanese home as a site of architectural inquiry—an intimate scale through which ideas about space, structure, and domesticity are continually reimagined. In a context shaped by constraint, precision, and cultural continuity, the residential realm becomes a space of subtle provocation and quiet experimentation. The projects in this volume are not guided by aesthetics alone, but by spatial intelligence. Each home is rigorous in design, elastic in use, and attuned to the rhythms of daily life. "A House in Japan" presents works that privilege clarity over excess and intent over display. It is a study of how architecture, when quietly radical, can propose new ways of living.
A House in Japan: Lessons in living
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"A House in Japan" examines the Japanese home as a site of architectural inquiry—an intimate scale through which ideas about space, structure, and domesticity are continually reimagined. In a context shaped by constraint, precision, and cultural continuity, the residential realm becomes a space of subtle provocation and quiet experimentation. The projects in this volume are not guided by aesthetics alone, but by spatial intelligence. Each home is rigorous in design, elastic in use, and attuned to the rhythms of daily life. "A House in Japan" presents works that privilege clarity over excess and intent over display. It is a study of how architecture, when quietly radical, can propose new ways of living.
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books
books
Publication:
May 2026
May 2026
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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books
books
Title:
The images of architects
The images of architects
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"I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musées imaginaires'. The most unique architects living today each present up to ten images to explain the autobiographical roots of their oeuvre. The images(...)
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"I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musées imaginaires'. The most unique architects living today each present up to ten images to explain the autobiographical roots of their oeuvre. The images(...)
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The images of architects
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"I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musées imaginaires'. The most unique architects living today each present up to ten images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. The biographies are written by the architects themselves. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture." – Valerio Olgiati
The images of architects
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$56.00
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"I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musées imaginaires'. The most unique architects living today each present up to ten images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. The biographies are written by the architects themselves. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture." – Valerio Olgiati
Form:
books
books
Publication:
January 2016
January 2016
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Casa O'Gorman 1929
Casa O'Gorman 1929
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern(...)
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
March 2015
March 2015
Title:
Casa O'Gorman 1929
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern architecture, until the restoration of Rivera's and Kahlo's house in the late 1990s led to a rediscovery of the architect's work and a reappraisal of his place in contemporary Mexican architecture. In 2013 O'Gorman's own first house, which he began designing in 1929 and completed in 1931, was restored. Uncompromisingly radical and rigorously functional, this design reveals O'Gorman as a Mexican pioneer of avant-garde architecture. Casa O'Gorman 1929 tells the story of this unique building.
Casa O'Gorman 1929
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern architecture, until the restoration of Rivera's and Kahlo's house in the late 1990s led to a rediscovery of the architect's work and a reappraisal of his place in contemporary Mexican architecture. In 2013 O'Gorman's own first house, which he began designing in 1929 and completed in 1931, was restored. Uncompromisingly radical and rigorously functional, this design reveals O'Gorman as a Mexican pioneer of avant-garde architecture. Casa O'Gorman 1929 tells the story of this unique building.
Form:
books
books
Publication:
March 2015
March 2015
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$44.95
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
$44.95
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
Title:
Museum architecture : texts and projects by artists
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
Museum architecture : texts and projects by artists
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Summary:
Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
Form:
books
books
Publication:
January 1900, Cologne
January 1900, Cologne
Subject:
Museology
Museology
Form:
books
books
Title:
Courtyard homes
Courtyard homes
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Courtyards are the heart of the home. Serving as centerpieces around which the rest of the living spaces flow, these private, tranquil spaces offer a connection to the sky and earth. This captivating global survey invites readers into 20 extraordinary contemporary courtyard residences, each uniquely designed to integrate the natural environment into everyday life.(...)
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Courtyards are the heart of the home. Serving as centerpieces around which the rest of the living spaces flow, these private, tranquil spaces offer a connection to the sky and earth. This captivating global survey invites readers into 20 extraordinary contemporary courtyard residences, each uniquely designed to integrate the natural environment into everyday life.(...)
Title:
Courtyard homes
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Courtyards are the heart of the home. Serving as centerpieces around which the rest of the living spaces flow, these private, tranquil spaces offer a connection to the sky and earth. This captivating global survey invites readers into 20 extraordinary contemporary courtyard residences, each uniquely designed to integrate the natural environment into everyday life. Illustrated with more than 150 colour photographs, "Courtyard Homes" features a diverse range of homes designed by distinguished architects and designers from around the world, including Craig Steely Architecture, mwworks, Mary English and Xavier Vendrell Architects, Leckie Studio, Práctica Arquitectura, Shieh Arquitetos Associados, Fria Folket + Hanna Michelson, Matharoo Associates, Ted’A Arquitectes, Pham Huu Son Architects, Eliza Blair Architecture and Studio MKN, and Breakspear Architects.
Courtyard homes
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$74.95
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Courtyards are the heart of the home. Serving as centerpieces around which the rest of the living spaces flow, these private, tranquil spaces offer a connection to the sky and earth. This captivating global survey invites readers into 20 extraordinary contemporary courtyard residences, each uniquely designed to integrate the natural environment into everyday life. Illustrated with more than 150 colour photographs, "Courtyard Homes" features a diverse range of homes designed by distinguished architects and designers from around the world, including Craig Steely Architecture, mwworks, Mary English and Xavier Vendrell Architects, Leckie Studio, Práctica Arquitectura, Shieh Arquitetos Associados, Fria Folket + Hanna Michelson, Matharoo Associates, Ted’A Arquitectes, Pham Huu Son Architects, Eliza Blair Architecture and Studio MKN, and Breakspear Architects.
Form:
books
books
Publication:
October 2025
October 2025
Subject:
Residential Architecture
Residential Architecture
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books
books
Title:
Vector Architects
Vector Architects
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$32.00
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Summary:
Architecture is not without the plastic play of light in the excavated space. On the basis of this simple and universal axiom, Dong Gong, founder of the Vector studio based in Beijing, has conducted a series of experiments since his debut in 2008, unscrupulously mixing languages of modernity with idiomatic expressions of a vernacular flavor, innovative materials and(...)
$32.00
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Architecture is not without the plastic play of light in the excavated space. On the basis of this simple and universal axiom, Dong Gong, founder of the Vector studio based in Beijing, has conducted a series of experiments since his debut in 2008, unscrupulously mixing languages of modernity with idiomatic expressions of a vernacular flavor, innovative materials and(...)
Title:
Vector Architects
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Architecture is not without the plastic play of light in the excavated space. On the basis of this simple and universal axiom, Dong Gong, founder of the Vector studio based in Beijing, has conducted a series of experiments since his debut in 2008, unscrupulously mixing languages of modernity with idiomatic expressions of a vernacular flavor, innovative materials and techniques. with craftsmanship and construction tradition. If contemporary is the one who establishes a "gap" with time, that is, they are able to operate in the present without being overwhelmed and subjected by it, Dong Gong, who in his architecture makes the past and the future interact, can define himself as an architect of contemporaneity.
Vector Architects
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Summary:
Architecture is not without the plastic play of light in the excavated space. On the basis of this simple and universal axiom, Dong Gong, founder of the Vector studio based in Beijing, has conducted a series of experiments since his debut in 2008, unscrupulously mixing languages of modernity with idiomatic expressions of a vernacular flavor, innovative materials and techniques. with craftsmanship and construction tradition. If contemporary is the one who establishes a "gap" with time, that is, they are able to operate in the present without being overwhelmed and subjected by it, Dong Gong, who in his architecture makes the past and the future interact, can define himself as an architect of contemporaneity.
Form:
books
books
Publication:
February 2021
February 2021
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$60.95
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In this volume, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial intelligence—into their work(...)
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In this volume, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial intelligence—into their work(...)
Title:
Architectural intelligence: How designers and architects created the digital landscape
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In this volume, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial intelligence—into their work and influenced digital design practices from the late 1980s to the present day. The projects Steenson examines mostly did not result in constructed buildings, but rather in design processes and tools, computer programs, interfaces, digital environments. Alexander, Wurman, Price, and Negroponte laid the foundation for many of our contemporary interactive practices, from information architecture to interaction design, from machine learning to smart cities.
Architectural intelligence: How designers and architects created the digital landscape
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$60.95
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Summary:
In this volume, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial intelligence—into their work and influenced digital design practices from the late 1980s to the present day. The projects Steenson examines mostly did not result in constructed buildings, but rather in design processes and tools, computer programs, interfaces, digital environments. Alexander, Wurman, Price, and Negroponte laid the foundation for many of our contemporary interactive practices, from information architecture to interaction design, from machine learning to smart cities.
Form:
books
books
Publication:
December 2022
December 2022
Subject:
Digital Architecture
Digital Architecture
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books
books
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Description:
xvi, 258 pages, 4 unnumbered pages : illustrations ; 24 cm
Description:
xvi, 258 pages, 4 unnumbered pages : illustrations ; 24 cm
Author:
Subject:
Publication:
Cambridge, Massachusetts : MIT Press, [1989], ©1989
Cambridge, Massachusetts : MIT Press, [1989], ©1989
Title:
On Leon Baptista Alberti : his literary and aesthetic theories / Mark Jarzombek.
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Description:
xvi, 258 pages, 4 unnumbered pages : illustrations ; 24 cm
On Leon Baptista Alberti : his literary and aesthetic theories / Mark Jarzombek.
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Description:
xvi, 258 pages, 4 unnumbered pages : illustrations ; 24 cm
Form:
books
books
Publication:
Cambridge, Massachusetts : MIT Press, [1989], ©1989
Cambridge, Massachusetts : MIT Press, [1989], ©1989
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Subject:
Form:
books
books
Title:
Oloid: Form of the future.
Oloid: Form of the future.
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This monograph, rich in images and easy-to-understand shows how today, more than ever, the timelessly beautiful oloid serves as a source of inspiration and a functional element. In 1929, the sculptor, inventor and researcher Paul Schatz (1898–1971) discovered this geometric form. Schatz' lifework was characterized by this fundamentally new body, which emerged from(...)
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Summary:
This monograph, rich in images and easy-to-understand shows how today, more than ever, the timelessly beautiful oloid serves as a source of inspiration and a functional element. In 1929, the sculptor, inventor and researcher Paul Schatz (1898–1971) discovered this geometric form. Schatz' lifework was characterized by this fundamentally new body, which emerged from(...)
Title:
Oloid: Form of the future.
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This monograph, rich in images and easy-to-understand shows how today, more than ever, the timelessly beautiful oloid serves as a source of inspiration and a functional element. In 1929, the sculptor, inventor and researcher Paul Schatz (1898–1971) discovered this geometric form. Schatz' lifework was characterized by this fundamentally new body, which emerged from movement, for which he sought and found new and pioneering applications for a number of decades.
Oloid: Form of the future.
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$60.95
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Summary:
This monograph, rich in images and easy-to-understand shows how today, more than ever, the timelessly beautiful oloid serves as a source of inspiration and a functional element. In 1929, the sculptor, inventor and researcher Paul Schatz (1898–1971) discovered this geometric form. Schatz' lifework was characterized by this fundamentally new body, which emerged from movement, for which he sought and found new and pioneering applications for a number of decades.
Form:
books
books
Publication:
August 2023
August 2023
Subject:
Contemporary Architecture
Contemporary Architecture
