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This Reader comprises sections on urban social theory, racial and social difference in the city, culture in everyday life, culture and the urban economy, globalization and transnational social relations and the regulation of urban space. Drawing together seminal selections covering the nineteenth to the twenty-first centuries, this publication includes forty-three(...)
The urban sociology reader, second edition
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This Reader comprises sections on urban social theory, racial and social difference in the city, culture in everyday life, culture and the urban economy, globalization and transnational social relations and the regulation of urban space. Drawing together seminal selections covering the nineteenth to the twenty-first centuries, this publication includes forty-three writings from eminent names such as Simmel, Wirth, Park, Burgess, DuBois, Zukin, Sassen, and Harvey. The 2nd edition illuminates more recent urban issues such as sprawl, sustainability, immigration and urban protest. Selections are predominantly sociological, but some readings cross disciplinary boundaries.
Urban Theory
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In this publication, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analyzing the interface among psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principle focus of this study is(...)
The psychologizing of modernity
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In this publication, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analyzing the interface among psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principle focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and postwar America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and most recently, to theory.
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December 2010
Architectural Theory
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In this book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to(...)
The aesthetics of architecture
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In this book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication thirty years ago, and he assesses the continuing relevance of his argument for the twenty-first century.
Architectural Theory
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Anywhere or Not At All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot(...)
Anywhere or not at all: philosophy of contemporary art
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Anywhere or Not At All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Setting out the claim that ‘contemporary art is postconceptual art’, the book elaborates a series of conceptual constructions and interpretations of works by Navjot Altaf, the Atlas Group, Amar Kanwar, Sol LeWitt, Gordon Matta-Clark, Gerhard Richter and Robert Smithson, among others. It concludes with new accounts of the institutional and existential complexities of ‘art space’ and ‘art time’.
Art Theory
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Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They(...)
Speculative everything : design, fiction, and social dreaming
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Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology.
Design Theory
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"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of(...)
Signs and machines: capitalism and the production of subjectivity
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"Capital is a semiotic operator": this assertion by Flix Guattari is at the heart of Maurizio Lazzarato's Signs and Machines, which asks us to leave behind the logocentrism that still informs so many critical theories. Lazzarato calls instead for a new theory capable of explaining how signs function in the economy, in power apparatuses, and in the production of subjectivity. Moving beyond the dualism of signifier and signified, Signs and Machines shows how signs act as "sign-operators" that enter directly into material flows and into the functioning of machines.
Critical Theory
On Loos, ornament and crime
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In his Columns of Smoke series, Juan José Lahuerta takes on the enormously ambitious task of re-reading modernity, offering us fresh ways of looking at it while drawing new links between the ideas of architecture and ornamentation, with a special focus on how they have been treated in print. While the first volume of Columns of Smoke considered epoch-making architect(...)
On Loos, ornament and crime
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In his Columns of Smoke series, Juan José Lahuerta takes on the enormously ambitious task of re-reading modernity, offering us fresh ways of looking at it while drawing new links between the ideas of architecture and ornamentation, with a special focus on how they have been treated in print. While the first volume of Columns of Smoke considered epoch-making architect Adolf Loos’s relationship with photography, here Lahuerta turns to the Classical strand in Loos’s architecture and to his written work—and specifically his engagement with architectural and artistic theory.
Architectural Theory
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xiii, 272 pages : illustrations, maps ; 24 cm.
New York : Plenum Press, [1994], ©1994
Houses and households : a comparative study / Richard E. Blanton, Purdue University, West Lafayette, Indiana.
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xiii, 272 pages : illustrations, maps ; 24 cm.
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New York : Plenum Press, [1994], ©1994
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through(...)
Lacuna Park: Essays and other adventures in photography by Nicholas Muellner
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through which we control and care and lose and desire, and most of all, adapt and compensate, forget, remember, and keep going.
Theory of Photography
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The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together(...)
Situational aesthetics: selected writings by Victor Burgin
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The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together with less widely known articles as "Work and Commentary" and the previously unpublished essays "Shadows, Time, and Family Pictures" and "Monument and Melancholia."
Theory of Photography