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Kathrin Böhm : art on the scale of life / edited by Gerrie van Noord, Paul O'Neill, and Mick Wilson.
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330 pages, 10 unnumbered pages : illustrations (chiefly color) ; 24 cm
London : Sternberg Press ; Helsinki : PUBLICS ; London : The Showroom ; Gothenburg : HDK-Valand, [2023], [Cambridge, Mass.]: Distributed by The MIT Press ; [London] : Art Data ; [Dijon, France] : Les presses du réel, ©2023
Kathrin Böhm : art on the scale of life / edited by Gerrie van Noord, Paul O'Neill, and Mick Wilson.
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330 pages, 10 unnumbered pages : illustrations (chiefly color) ; 24 cm
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London : Sternberg Press ; Helsinki : PUBLICS ; London : The Showroom ; Gothenburg : HDK-Valand, [2023], [Cambridge, Mass.]: Distributed by The MIT Press ; [London] : Art Data ; [Dijon, France] : Les presses du réel, ©2023
Intranquillité théorique et stratégie du projet dans l'oeuvre de huit architectes contemporains
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Dans cet ouvrage, Rafael Moneo a réuni les cours délivrés dans les années quatre-vingt-dix à la Harvard Graduate School of Design dans lesquels il analyse les oeuvres de huit architectes contemporains : Stirling, Venturi & Scott Brown, Rossi, Eisenman, Siza, Gehry, Koolhaas et Herzog & De Meuron. Le terme d'"intranquillité", introduit dans le titre, fait référence à la(...)
Intranquillité théorique et stratégie du projet dans l'oeuvre de huit architectes contemporains
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$49.95
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Summary:
Dans cet ouvrage, Rafael Moneo a réuni les cours délivrés dans les années quatre-vingt-dix à la Harvard Graduate School of Design dans lesquels il analyse les oeuvres de huit architectes contemporains : Stirling, Venturi & Scott Brown, Rossi, Eisenman, Siza, Gehry, Koolhaas et Herzog & De Meuron. Le terme d'"intranquillité", introduit dans le titre, fait référence à la manière dont certains architectes abordent leur discipline, mêlant réflexion et pratique, et produisant des essais critiques plus dictés par la recherche que par l'élaboration d'une théorie systématique qui nourrit véritablement leur oeuvre. Le terme "stratégie" peut être interprété ici comme une série de mécanismes, de procédés, de paradigmes et de stratagèmes formels qui apparaissent dans l'oeuvre des architectes contemporains : ce sont eux qui permettent de configurer leurs projets.
Architecture Monographs
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$54.95
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For years, architects have enjoyed the challenge of incorporating lightweight structures -- fabrics, tents, canopies, membranes, and so on -- into their designs. Such materials are a welcome boon to architectural creativity, allowing designers to envision spaces that take innovative shapes and interact with their surroundings in ways unattainable with conventional(...)
The magic of tents : transforming space
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For years, architects have enjoyed the challenge of incorporating lightweight structures -- fabrics, tents, canopies, membranes, and so on -- into their designs. Such materials are a welcome boon to architectural creativity, allowing designers to envision spaces that take innovative shapes and interact with their surroundings in ways unattainable with conventional materials. Recent years have seen an increase in the use of such structures, in part because advances in computer technology have made it easier to render and model such projects, and in part because such structures are ideally suited to today's increasing concerns about environmentalism and sustainability. The Magic of Tents showcases innovative uses of lightweight, tented structures from across the United States and around the world -- from an Arizona school to an Istanbul bank, from a Miami nightclub on the beach to a private home in Germany, from corporate headquarters in Los Angeles to offices in Oslo, and many more! The book features both residential and commercial projects, projects with both exterior and interior usages, projects where the tented element is the driving component of the design, and projects that incorporate lightweight structures to accent or address a specific need. Endlessly flexible, nurturing of creativity, cost- and energy-conscious, tented structures are an ideal means to address many concerns of modern architecture -- a creative means to not only define space, but also to transform it into something to meet all sorts of design needs, for projects both grand and small.
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May 2004, New York
Miniature Architecture
GSD platform 7
$42.95
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This volume documents a selection of activities and events at the Harvard Graduate School of Design during the past academic year; bringing together the production of a multitude of designers, authors, and makers. Many of the featured projects reflect the School’s desire to have global impact and transform the built environment for the better. This work has often been(...)
GSD platform 7
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$42.95
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This volume documents a selection of activities and events at the Harvard Graduate School of Design during the past academic year; bringing together the production of a multitude of designers, authors, and makers. Many of the featured projects reflect the School’s desire to have global impact and transform the built environment for the better. This work has often been undertaken through a combination of individual effort and collaborative practice, with a mindfulness of its reception and consequences for others. We feel compelled to highlight both the autonomy of the output as presented and the performative, circumstantial, and globally responsive conditions of its making. It is very important for us that the work of students and faculty is situated in the world and in the process rethinks and remakes that world.
Contemporary Architecture
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$207.50
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For many architects he is a landmark - Jean Prouvé, creator of the metal curtain wall, pioneer in its application and early initiator of industrialised building techniques. His unfailing ability to combine functional engineering achievements with artistic sensitivity commands recognition. The period covered in this latest volume is significant in many respects. The(...)
Jean Prouvé : oeuvres complete /complete works, Volume 3 : 1944-1954
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$207.50
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For many architects he is a landmark - Jean Prouvé, creator of the metal curtain wall, pioneer in its application and early initiator of industrialised building techniques. His unfailing ability to combine functional engineering achievements with artistic sensitivity commands recognition. The period covered in this latest volume is significant in many respects. The post-war years placed enormous demands on housing and school construction. In his Maxéville factory Prouvé developed pre-fabricated housing, facade panelling, light filtering and other systems on a large scale. He was inspired by the works of the automobile and aeronautics industry, developing new applications for aluminium, which he presented in the 1954 Aluminium Centenary Pavilion. Moreover, Prouvé's furnitures of this period have become valuable collectors' items, some of which are now being reissued under licence.
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September 2004, Basel
Architecture Monographs
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$157.00
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This is the second volume in the four-part series of the Complete Works of Jean Prouvé (1901–84), one of the most significant designers and constructors of this century. This publication(...)
Jean Prouvé, oeuvre complète / complete works, volume 2: 1934-1944
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This is the second volume in the four-part series of the Complete Works of Jean Prouvé (1901–84), one of the most significant designers and constructors of this century. This publication covers an important period in Prouvé's life when he designed and produced the lecture theatre seating at the Ecole des Sciences Politiques in Paris and the office furniture for the Parisian electric company. He also created furniture made of stainless steel for a school in Suresnes. In 1934 Prouvé began with the factory production of prefabricated buildings using sheet-steel of which the club house at Buc Airport and the Maison du Peuple in Clichy, one of the most outstanding buildings of Functionalism, are excellent examples. Complementing this detailed catalogue are previously unpublished conversations with Prouvé himself.
books
December 1999, Basel
Architecture Monographs
From Bauhaus to our house
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In this examination of the strange saga of twentieth-century architecture, Wolfe takes such European architects as Ludwig Mies van der Rohe, Le Corbusier, and Bauhaus art school founder Walter Gropius to task for their glass-and-steel-box buildings that have influenced (and infected) America’s cities.
From Bauhaus to our house
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In this examination of the strange saga of twentieth-century architecture, Wolfe takes such European architects as Ludwig Mies van der Rohe, Le Corbusier, and Bauhaus art school founder Walter Gropius to task for their glass-and-steel-box buildings that have influenced (and infected) America’s cities.
Architectural Theory
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Harvard University Graduate School of Design has always recognized the indispensable importance and values of architecture, landscape architecture, urban planning, and urban design, yet has transcended their individual aspirations through intellectual cross-fertilization and collaboration. The material presented in this publication forms a small part of the incredible(...)
GSD Platform 6: a year of reseach
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Harvard University Graduate School of Design has always recognized the indispensable importance and values of architecture, landscape architecture, urban planning, and urban design, yet has transcended their individual aspirations through intellectual cross-fertilization and collaboration. The material presented in this publication forms a small part of the incredible range and diversity of proposals and visions that the GSD students and faculty have produced during the past academic year. This work is indicative of the School s commitment, as a global leader in the field, to exploring and articulating transformative ideas through the power of design. It is as important for us to share and communicate the outcome of our research and design investigations as it is to show the fertile circumstances and conditions for the making of these projects.
Architectural Theory
books
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2 preliminary leaves, 6, [106] pages : 100 plates (some color including frontispiece) ; 57 x 39 cm
London : Published by Day and Son, Lithographers to the Queen, Gate Street, Lincoln's Inn Fields, MDCCCLVI [1856]
The grammar of ornament / by Owen Jones ; illustrated by examples from various styles of ornament. One hundred folio plates, drawn on stone by F. Bedford, and printed in colours by Day and son.
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2 preliminary leaves, 6, [106] pages : 100 plates (some color including frontispiece) ; 57 x 39 cm
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London : Published by Day and Son, Lithographers to the Queen, Gate Street, Lincoln's Inn Fields, MDCCCLVI [1856]
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The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of(...)
May 2003, New York
The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of Architecture, combines work from both courses in a thoughtful and provocative study of the state of the house at the turn of the millennium. Deamer introduces the volume with an essay on three issues vital to a discussion of millennial design: newness, uniqueness, and design innovation. Designs of visiting seminar critics -- Steven Holl, Elizabeth Diller and Ricardo Scofidio, William McDonough, LOT/EK, Winy Maas, and Jacques Herzog -- are showcased along with descriptive and analytical texts. Work from the studio course is divided into various themes explored by the students: image, standardization and modularity, networks and diagrams. The hybrid quality of this volume -- designs by practicing architects and students; observation and interpretation -- reflects debates and issues at the heart of early-twenty-first-century architecture.
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May 2003, New York