Possible mediums
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''Possible Mediums'' presents a collection of sixteen speculative design mediums by emerging architects. Each chapter defines an active medium in contemporary architecture through descriptions, drawings, and objects. ''Possible Mediums'' arranges projects according to shared technical and aesthetic traits, creating a vibrant taxonomy of design. Descriptive texts explain(...)
Contemporary Architecture
February 2019
Possible mediums
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''Possible Mediums'' presents a collection of sixteen speculative design mediums by emerging architects. Each chapter defines an active medium in contemporary architecture through descriptions, drawings, and objects. ''Possible Mediums'' arranges projects according to shared technical and aesthetic traits, creating a vibrant taxonomy of design. Descriptive texts explain the working principles behind each medium and introduce design concepts intended to inspire students and professionals alike. Through its many contributors, ''Possible Mediums'' establishes design as a collective endeavor propelled by the open exchange of ideas and techniques. ''Possible Mediums'' is not a systematic theory, a manifesto, or a banal survey; it is a projection of architecture and knowledge to come.
Contemporary Architecture
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This monograph is the culmination of the cooperation between architect Tadao Ando and Oris, a Croatian publishing house, who together have built a respectful relationship since a first interview about ten years ago, one that has led to the publication of many of his projects around the world. Now all of these projects and writings are brought together for the first time(...)
Tadao Ando: transcending oppositions
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This monograph is the culmination of the cooperation between architect Tadao Ando and Oris, a Croatian publishing house, who together have built a respectful relationship since a first interview about ten years ago, one that has led to the publication of many of his projects around the world. Now all of these projects and writings are brought together for the first time in this book, a portrait of uncompromising dedication to architecture and openness to cultural exchange. It is divided in four sections: architecture and nature, urban conditions, dwelling, and cross-cultural dialogues. The book includes an introduction by Juhani Pallasmaa and an interview with Ando.
Architecture Monographs
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''After Belonging'' examines the objects, spaces, and territories of our transforming condition of belonging. The global circulation of people, information, and goods has destabilised what we under- stand by residence, questioning spatial permanence, property, and identity - a crisis of belonging. Circulation brings greater accessibility to ever-new commodities and(...)
Contemporary Architecture
October 2016
After belonging: objects, spaces, and territories of the ways we stay in transit. Oslo Architecture Trienniale 2016.
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''After Belonging'' examines the objects, spaces, and territories of our transforming condition of belonging. The global circulation of people, information, and goods has destabilised what we under- stand by residence, questioning spatial permanence, property, and identity - a crisis of belonging. Circulation brings greater accessibility to ever-new commodities and further geographies. But, simultaneously, circulation also promotes growing inequalities for large groups who are kept in precarious states of transit. The publication examines both our attachment to places and collectivities as well as our relation to the objects we produce, own, share, and exchange. It analyses the architectures entangled in these definitions through a selection of projects, texts, and case studies.
Contemporary Architecture
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Mass-produced from the 1970s to the 1990s, modular kiosks like the seminal K67, designed by the Slovenian architect Saša J. Mächtig, and similar systems – including the Polish Kami, the Macedonian KC190, and the Soviet ‘Bathyscaphe’ – could be found anywhere throughout the former Eastern Bloc and ex-Yugoslav countries, from bustling city squares to socialist-era housing(...)
Kiosk: The last modernist booths across Central and Eastern Europe
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Mass-produced from the 1970s to the 1990s, modular kiosks like the seminal K67, designed by the Slovenian architect Saša J. Mächtig, and similar systems – including the Polish Kami, the Macedonian KC190, and the Soviet ‘Bathyscaphe’ – could be found anywhere throughout the former Eastern Bloc and ex-Yugoslav countries, from bustling city squares to socialist-era housing estates. They served as hot dog and Polish zapiekanka joints, farm egg and rotisserie chicken vendors, funeral flower shops, newsstands, car park booths, currency exchange offices, and more. Featuring over 150 kiosks – from Ljubljana to Warsaw, and from Belgrade to Berlin – this photobook provides previously unseen documentation of the remaining modernist booths that witnessed the socio-political transformation of Central and Eastern Europe at the end of the 20th century. While some remain active or have undergone refurbishment, others have been abandoned or have slowly faded from the urban landscape. The photographs in this unique collection were taken over the last decade by Zupagrafika’s founders, David Navarro and Martyna Sobecka. The book includes a foreword by urban explorer Maciej Czarnecki and an introduction by architectural historian Anna Cymer, offering invaluable insights into the history of these mobile structures.
Modernism
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Since 1992 and the Earth Summit in Rio de Janeiro, the concept of sustainability has been the focus of attention in the building industry and architecture. It requires the use of intelligent technology, innovative construction, ecological materials, and an environmental approach to energy supply. This development is especially urgent in the area of residential housing.(...)
Green Architecture
June 2006, Basel / Berlin / Boston
Sustainable living : 25 international examples
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Since 1992 and the Earth Summit in Rio de Janeiro, the concept of sustainability has been the focus of attention in the building industry and architecture. It requires the use of intelligent technology, innovative construction, ecological materials, and an environmental approach to energy supply. This development is especially urgent in the area of residential housing. People increasingly insist on a healthy indoor climate, natural moisture exchange, thermal comfort, and an absence of hazardous substances. The book provides extensive and technically detailed documentation of 25 sustainable residential structures in both the high-tech and low-tech domain. There is a considerable variety among the individual projects in terms of their size and the materials used. The examples are chosen from 18 different countries on five continents and come from both rural regions and urban areas.
Green Architecture
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Over the course of a career that spanned forty-five years, William Wilson Wurster (1895–1973) designed hundreds of residences up and down the West Coast. Like Finnish architect Alvar Aalto, with whom Wurster maintained a close professional exchange, Wurster blends modernism with the vernacular. Wurster described these homes as "frames for living": spaces that could be(...)
Architecture Monographs
September 2011
The houses of William Wurster: frames for living
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Over the course of a career that spanned forty-five years, William Wilson Wurster (1895–1973) designed hundreds of residences up and down the West Coast. Like Finnish architect Alvar Aalto, with whom Wurster maintained a close professional exchange, Wurster blends modernism with the vernacular. Wurster described these homes as "frames for living": spaces that could be fully transformed by the occupant to meet their needs and desires, well-designed canvases for homemaking. Authors Caitlin Lempres Brostrom, AIA, and Richard C. Peters, FAIA, draw upon extensive historical research as well as personal relationships with Wurster to tell the story of his career, including both residential and institutional building. The Houses of William Wurster features new and archival footage of thirty-three of the architect's best-known houses and includes a foreword by Donlyn Lyndon.
Architecture Monographs
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This book tells the story of a prime example of bottom-up development-aid based on pragmatism and with the goal of self-empowerment in construction. The new education center of Advan FC on the island of Madagascar is a prime example of a bottom-up development-aid project based on pragmatism and with the goal of self-empowerment. When Viktor Bänziger, who runs a bar in(...)
A home for Advan FC: Handbook for a Madagascan Building
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This book tells the story of a prime example of bottom-up development-aid based on pragmatism and with the goal of self-empowerment in construction. The new education center of Advan FC on the island of Madagascar is a prime example of a bottom-up development-aid project based on pragmatism and with the goal of self-empowerment. When Viktor Bänziger, who runs a bar in the heart of Zurich, visited Madagascar as a tourist in 2015, he was struck by the severe poverty and difficult living conditions of the local population and decided to act. In close collaboration with Zurich-based architect Nele Dechmann and the president of Advan FC, Titus Solohery Andriamananjara, the project for a new soccer field and surrounding buildings was developed. The complex, which is soundly based on local building knowledge and construction methods, gives local children the opportunity to develop their soccer skills and, more importantly, to receive minimal reading and writing lessons after training and to have meals together. The remote location in Madagascar’s mountains and the tight budget suggested a simple typology that conveys a common architectural language despite the different uses of individual buildings. A key part of the entire concept is a simple manual for the actual construction that leaves many decisions and responsibilities to the local community. Documenting the architecture of Advan FC’s education center and its construction process in rich detail through photographs and plans, this book tells the story of an extraordinary participative undertaking of people originating from deeply differing cultural and socioeconomic backgrounds. It introduces a model of potentially universal usage anywhere in the world in which the continuous exchange of knowledge between a project’s participants demonstrates an inspiring alternative to conventional international collaborations.
Architecture Monographs
Eco-operations
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The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a(...)
Eco-operations
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The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future, foregrounding interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. Moving beyond the concepts of “flow” and “network” as a single, coherent (ecological or technological) system, "eco-operations" instead emphasizes the frictions within asynchronously running systems. The infrastructures and formats of artistic production and exhibition play a central role here, as they themselves constitute ecosystems that invite and regulate processes of sharing and exchange. Artists and activists are embedded in these ecosystems, in which they simultaneously intervene when searching for alternative ways of creating collaborative practice. Bringing together scholars, artists, writers, and curators, and working across a range of disciplines, "eco-operations" explores this field of tension between global and local ecologies and aims to speculate on where dissonances imply both creative potential and political challenges.
Architecture ecologies
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Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the(...)
Elements
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Architecture is a strange mixture of persistence and flux, an amalgamation of elements - some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the archaic and the current, the site-specific and the standard, mechanical smoothness and the spontaneous. Only by looking at the elements under a wide lens can we recognize the cultural preferences, forgotten symbolism, technological advances, mutations triggered by intensifying global exchange, climatic adaptions, political calculations, regulatory requirements, new digital regimes, and, somewhere in the mix - the ideas of the architect that constitute the practice of architecture today. A collection of these essential elements into 15 books in a package launched at the 2014 Venice Biennale that allows us to look through a microscope at the real fundamentals of our buildings and see again the essential design techniques used by any architect, anywhere, anytime.
Architecture Monographs
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
Architecture since 1900, Europe
October 2021
From Brussels with love: Office Kersten Geers David Van Severen
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.
Architecture since 1900, Europe