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In this manifesto, Nadir Lahiji asserts that today, architectonic reason has fallen into ruins. As soon as architecture leaves the limits set to it by architectonic reason, no other path is open to it but the path to aestheticism. In its reduction to a pure aesthetic object, architecture negatively affects the human sensorium. Capitalist consumer society creates desires(...)
An architecture manifesto: critical reason and theories of a failed practice
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In this manifesto, Nadir Lahiji asserts that today, architectonic reason has fallen into ruins. As soon as architecture leaves the limits set to it by architectonic reason, no other path is open to it but the path to aestheticism. In its reduction to a pure aesthetic object, architecture negatively affects the human sensorium. Capitalist consumer society creates desires by generating ‘surplus-enjoyment’ for capitalist profit and contemporary architecture has become an instrument in generating this ‘surplus-enjoyment’, with fatal consequences. This manifesto is thus both a critique and a work of theory. It is a siren, alarm, klaxon to the current status quo within architectural discourse and a timely response to the conditions of architecture today.
Architectural Theory
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The contributors to this publication advance a feminist version of Marshall McLuhan’s key text, ''Understanding Media: The Extensions of Man'', repurposing his insight that ''the medium is the message'' for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist(...)
Re-Understanding media: Feminist extensions of Marshall McLuhan
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The contributors to this publication advance a feminist version of Marshall McLuhan’s key text, ''Understanding Media: The Extensions of Man'', repurposing his insight that ''the medium is the message'' for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes.
Critical Theory
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance(...)
Oblique drawing : a history of anti-perspective
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.
Architectural Theory
Lost dimension
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To read these five essays of 1983 is to begin to come to terms with the theoretical cataclysm of the present. In Lost Dimension, Paul Virilio considers the displacement of the concept of dimensional space by Einsteinian space/time as it is related to the transparent boundaries of the postmodern city and contemporary economy. Virilio imagines a coming world of interactive,(...)
Lost dimension
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To read these five essays of 1983 is to begin to come to terms with the theoretical cataclysm of the present. In Lost Dimension, Paul Virilio considers the displacement of the concept of dimensional space by Einsteinian space/time as it is related to the transparent boundaries of the postmodern city and contemporary economy. Virilio imagines a coming world of interactive, informational networks offering a prison-house of illusionary transcendence. He pictures global terrorism (perpetrated by and against technological states) filling up the surreal void of an abandoned real. In a multidisciplinary excavation of contemporary physics, architecture, esthetic theory, and sociology, Virilio traces the dystopic unity of the contemporary Western predicament with lightning prescience and clarity.
Critical Theory
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Pioneer of chaos mathematics, Edward Lorenz posited in his 1988 paper Unventions what the hell? the now accepted theory that unventions were a necessary reaction to humans getting all uppity with their big ideas. So what is an unvention? Some say unventions are simply everyday objects that are familiar to all. They are correct. But they are also wrong. Unventions tell new(...)
Unventions : every inventions has an equal and opposite unvention
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Pioneer of chaos mathematics, Edward Lorenz posited in his 1988 paper Unventions what the hell? the now accepted theory that unventions were a necessary reaction to humans getting all uppity with their big ideas. So what is an unvention? Some say unventions are simply everyday objects that are familiar to all. They are correct. But they are also wrong. Unventions tell new stories about the things around you releasing them from the mundane trudge of daily routine to take on epic new roles. When you begin to see them you are set free, and soon you will discover your own. Your mind has been in chains for too long! Unventionswill change your world forever.* *Largely in utterly useless ways
Design Theory
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The latest issue of the biannual publication from the public "art think-tank" Casco, based in The Netherlands, explores the notion of playfulness itself as a method and value in cultural practice, positioning it to contrast with fashionable ideologies like "lifelong learning" and "work as play." The publication addresses the impact of the notion of play and gaming methods(...)
Casco issues XII : Generous structures
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The latest issue of the biannual publication from the public "art think-tank" Casco, based in The Netherlands, explores the notion of playfulness itself as a method and value in cultural practice, positioning it to contrast with fashionable ideologies like "lifelong learning" and "work as play." The publication addresses the impact of the notion of play and gaming methods in cultural work, [exploring connections between text and images and addressing the various research methods to question the historical shift in the concept of the game and playfulness.] Casco, Office for Art, Design and Theory, is devoted to studying art in the public realm, and the relation between art and the physical, social and political environment.
Critical Theory
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural(...)
Schlepping through ambivalence : essays on an American architectural condition
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural practice. This collection of essays, most previously unpublished, spans the course of Tigerman's career. Included are writings on the history of Chicago architecture, architectural theory, and commentary on contemporaries. Tigerman's engaging words, at times humorous and humble, at times biting and cantankerous, will captivate students and scholars as well as the general reader.
Architectural Theory
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Our landscapes have never failed to entice and capture the imagination of writers, painters and philosophers – and in turn their work has influenced our landscapes for centuries. This carefully selected collection of readings and commentary expertly guides you through the aesthetic, social, cultural and environmental foundations of our thinking about landscape, and(...)
Rethinking landscape : a critical reader
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Our landscapes have never failed to entice and capture the imagination of writers, painters and philosophers – and in turn their work has influenced our landscapes for centuries. This carefully selected collection of readings and commentary expertly guides you through the aesthetic, social, cultural and environmental foundations of our thinking about landscape, and explores the key writings which shaped the field in its emergence and maturity. Provoking thought and discussion, this book does not provide answers, and will not conclude with an infallible theory of landscape. But with a range of readings from Vitruvius to Jellicoe, from Burke to Berlin to Berleant, from the Picturesque to Phenomenology, every reader will find something here to set them thinking.
Landscape Theory
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French(...)
Une anthologie de la revue Texte zur Kunst de 1990 à 1998
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French Theory ou celle des études culturelles, féministes et post-coloniales. Elle témoigne aussi d'une forme d'écriture de la critique expérimentée de manière orientée et méthodique. Enfin, elle restitue le contexte immédiat de son élaboration et – plus largement –l'environnement intellectuel et artistique de Cologne dans ces années, en évitant de céder au mythe d'une scène recentrée autour de quelques figures artistiques.
Art Theory
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In the wake of recent failures in America's urban infrastructure, an emerging group of activist designers are calling on architects to rethink their relationship to the city. For them, the future of the American city lies not in modernism's large-scale master plans or new urbanism's nostalgic community planning. Instead, they favor working with the realities of urban(...)
Fast-forward urbanism: Rethinking architecture's engagement with the city
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In the wake of recent failures in America's urban infrastructure, an emerging group of activist designers are calling on architects to rethink their relationship to the city. For them, the future of the American city lies not in modernism's large-scale master plans or new urbanism's nostalgic community planning. Instead, they favor working with the realities of urban space, finding hidden opportunities in what already exists in our cities; they eschew monolithic, top-down approaches. Fast-Forward Urbanism presents a mixture of essays, opinions, and design projects by well-known architects and theorists including Stan Allen, Will Alsop, Lars Lerup, and Keller Easterling. Equal parts theory and practice, their ideas lay the groundwork for the next American metropolis.
Urban Theory