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This instalment of C3 comprises two main themes, “Introvert Potential”, about the qualities of closed spaces and their dialogue with each other and the public context, and “City Inherit”, which details methods for urban acupuncture through three European case studies: Belfast’s MAC, the Lund Cathedral Forum and the San Antón Charity School, Madrid. Diego Terna provides an(...)
C3 337
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This instalment of C3 comprises two main themes, “Introvert Potential”, about the qualities of closed spaces and their dialogue with each other and the public context, and “City Inherit”, which details methods for urban acupuncture through three European case studies: Belfast’s MAC, the Lund Cathedral Forum and the San Antón Charity School, Madrid. Diego Terna provides an illustrative text for the first theme, taking projects like House S by Suga Atelier and the Mecenat Art Museum by Naf Architect & Design as examples. A special, in-depth focus on Seung H-Sang, one of the most highly celebrated Korean practitioners of architecture today, completes the issue.
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SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer,(...)
SOM journal 3
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This third issue in a continuing series presents recent work by Skidmore, Owings & Merrill, one of the world's largest and most influential architecture, urban design, engineering, and interior architecture firms. “SOM” places the firm's production in the context of critical discussion among some of the profession’s leading thinkers. Commentaries by artist Candida Höfer, architect Lisa Hutton, engineer Jane Wernick, and critics Diane Ghirado and Wilfried Wang give a frank review of the firm’s current work. This volume includes excerpts from the oral history of Gordon Bunshaft, who led the firm from the 1950s through the 1980s. Projects discussed include: 7 WTC, the Bank of Kuwait, Cantilevered Green Glass Tube, the Delbarton School, the European Central Bank Competition, the Lever House Exterior Skin Replacement, the Milliken Carpet Collaboration, Memorial Sloane Kettering, the Qatar Science Center, and the U.S. Census Bureau.
books
August 2004, Ostfildern-Ruit, Germany
small format
Future history
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed(...)
Future history
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed in approximately the same period, during which the fascist state engaged in a significant infrastructural and institutional building programme. Countless school, hospital, road, rail, housing, government building and redevelopment projects were realised, several of which are viewed today as noteworthy examples of Razionalismo. These projects put architecture at the service of a state equally intent on improving health and housing, making its might conspicuous domestically and colonising in Africa.The photographs in ''Future history'' are interleaved with extracts from a series of papers first published in 1926 and 1927 by Gruppo 7.
Photography monographs
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Over the course of three years, the Institute of Architecture and Planning at the University of Liechtenstein, the Mackintosh School of Architecture in Glasgow, and the Academie van Bouwkunst, Amsterdam, cooperated on an international research project dedicated to the design of façades. "Crafting the Façade" presents the results of this productive cooperative study, which(...)
Materials and Lighting
January 2019
Crafting the facade: stone, brick, wood
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Over the course of three years, the Institute of Architecture and Planning at the University of Liechtenstein, the Mackintosh School of Architecture in Glasgow, and the Academie van Bouwkunst, Amsterdam, cooperated on an international research project dedicated to the design of façades. "Crafting the Façade" presents the results of this productive cooperative study, which cut across disciplines to look at historical developments in the design and building of façades, the theoretical underpinnings that can explain these developments, the common materials and their main characteristics, and the techniques used in assembly. The project also prompted a great deal of innovative design work, including detailed drawings at a scale of 1:10 and the design and construction of life-size prototypes in stone, brick, and wood—all of which are reproduced here among the book’s two hundred illustrations.
Materials and Lighting
Architects on dwelling
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit(...)
Architects on dwelling
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While most books on architecture focus on the architectural outcome itself, ''Architects on dwelling'' takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit and how those places in turn inform the manner in which we live, in ways beyond lifestyle and personal taste. Through contributions by Stephen Hoey, Henry McKeown & Ian Alexander, James Mitchell, Stacey Philips, Christopher Platt, Adrian Stewart, and Miranda Webster—most of whom are Scotland-based practitioners as well as teachers in The Glasgow School of Art—it reveals the unique values and qualities that inform their design processes. In their essays, they focus mostly on one exemplary building, explaining how and why they design the way they do. Dick van Gameren, Simon Henley, and Graeme Hutton, distinguished experts and themselves architect-educators, place this work within an international context and provide insightful comment about what these design approaches inform us about contemporary design in Scotland. Complemented with a wide range of images, these essays both illuminate the architects’ motivations and inspirations and celebrate their featured works.
Architectural Theory
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work,(...)
Toshiko Mori : materials, fabrication + performance
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work, sometimes in collaboration with artists, and she is an active participant in and organizer of symposia and competition programs. She is an advisor to the Montreal Museum for Decorative Arts and the Greenwich Village Society for Historic Preservation. This book was published on the occasion of a lecture given at the School of Architecture and Planning at SUNY Buffalo.
small format
books
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"AV Proyectos 78" devotes its dossier to the Lisbon office of the brothers Manuel and Francisco Aires Mateus, with a selection of seven projects located in Portugal, Spain, Belgium, and France, including the School of Architecture in Lovaine and the Contemporary Art Center Olivier Debré in Tours. The issue also presents the competition for the Museum of the 20th Century(...)
AV Proyectos 078: Dossier Aires Mateus
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"AV Proyectos 78" devotes its dossier to the Lisbon office of the brothers Manuel and Francisco Aires Mateus, with a selection of seven projects located in Portugal, Spain, Belgium, and France, including the School of Architecture in Lovaine and the Contemporary Art Center Olivier Debré in Tours. The issue also presents the competition for the Museum of the 20th Century in Berlin, to be built between the Neue Nationalgalerie of Mies and the Philharmonica of Hans Scharoun, gathering, aside from the winning project by Herzog & de Meuron, the other two finalists, the four that obtained mentions – those of OMA and SANAA among them – and the four selected proposals submitted by Spanish studios.
books
December 2016
Magazines
journals and magazines
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Belgian architect Xaveer De Geyter is the focus of this issue, which features a selection of projects from the past fifteen years. He began his career working with Rem Koolhaas at OMA, and started his own firm in the early 1990s. De Geyter believes architecture is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation, of(...)
El Croquis 204: XDGA Xavier De Geyter 2005-2020
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Belgian architect Xaveer De Geyter is the focus of this issue, which features a selection of projects from the past fifteen years. He began his career working with Rem Koolhaas at OMA, and started his own firm in the early 1990s. De Geyter believes architecture is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation, of a programmatic conflict. Among the featured projects are Hasselt’s Z33 Museum, Sint-Lucas School of Fine Arts in Ghent, a learning and innovation centre in Brussels, and a design for the International Olympic Committee Headquarters. Includes an interview with the architect by Sarah Whiting and essay by Philip Ursprung.
journals and magazines
August 2020
El Croquis
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and(...)
Black Mountain: an interdisciplinary (1933-1957)
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The interdisciplinary and experimental educational ideas espoused by Black Mountain College (BMC), which was founded in North Carolina in 1933, made it one of the most innovative schools, after the Bauhaus, of the first half of the 20th century. Visual arts, economics, physics, dance, architecture and music were all taught here on an equal footing, and teachers and students lived together in a democratically organized community. The first director of the school was Josef Albers, and icons such as John Cage, Walter Gropius and Buckminster Fuller were among the many luminaries invited to teach. In consequence, BMC witnessed the development of a cutting-edge range of avant-garde concepts and ideas that still influence the art world today.
Art Theory
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''Africa-Arctic Flyway: Physiocratic states'' gathers documents of Peter Fend's efforts through Ocean Earth for a planet organized according to hydrology—water basins—rather than national and colonial borders. It lays out tools and technologies derived from art, architecture, and science to replace fossil fuels, dams, nuclear industry, and industrial farming. The ensuing(...)
Africa-Arctic Flyway: Physiocratic states
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''Africa-Arctic Flyway: Physiocratic states'' gathers documents of Peter Fend's efforts through Ocean Earth for a planet organized according to hydrology—water basins—rather than national and colonial borders. It lays out tools and technologies derived from art, architecture, and science to replace fossil fuels, dams, nuclear industry, and industrial farming. The ensuing proposal for governance builds on what is identified as the first school of economic thought: physiocracy. Here, via satellite-aided eco-taxation, governance pursues an increase in the numbers of fish, marine mammals, migratory birds, and insects. For instance, ideas from Earth art are applied to restoring wetlands and flyways in three swaths—the Americas, East Asia, and Eurafrica—converging on the Arctic. This book focuses on the Eurafrica flyway and surveys four decades of work. It asks, ''How do we go from visual art to reality?'' Fend answers: ''Through architecture.''
Environment and environmental theory