Jean-Michel Frank
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Assouline presents a portrait of an iconic yet somewhat mysterious artist whose work illuminated the decorative arts in the twentieth century. Jean-Michel Frank never attended a school of architecture or design, yet during the 1920s and 1930s this self-made interior designer honed and perfected his own unique style, which became a benchmark of Art Deco sophistication.(...)
Jean-Michel Frank
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Assouline presents a portrait of an iconic yet somewhat mysterious artist whose work illuminated the decorative arts in the twentieth century. Jean-Michel Frank never attended a school of architecture or design, yet during the 1920s and 1930s this self-made interior designer honed and perfected his own unique style, which became a benchmark of Art Deco sophistication. Gold, silk, marble, and fine wood veneers were employed alongside straw marquetry, parchment, plaster, leather, canvas, and distressed oak. Collaborating with the best artists of the time, including Alberto Giacometti and Christian Bérard, Frank designed and art directed streamlined yet sumptuous interiors for notable patrons from Marie-Laure and Charles de Noailles, Nelson Rockefeller, and Elsa Schiaparelli to French institutions like the Comédie Française and the Hôtel Crillon.
Design Monographs
Concrete Oslo
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''Concrete Oslo'' gives the reader an opportunity to explore a great number of buildings, structures and objects through curated tours across the city. But more than mere tourist guide, this book is an opportunity to reflect upon an enigmatic building tradition and to engage with the city, in literal and physical ways. Accompanying the tours are a number of theoretical(...)
Brutalism
December 2018
Concrete Oslo
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''Concrete Oslo'' gives the reader an opportunity to explore a great number of buildings, structures and objects through curated tours across the city. But more than mere tourist guide, this book is an opportunity to reflect upon an enigmatic building tradition and to engage with the city, in literal and physical ways. Accompanying the tours are a number of theoretical essays, original drawings, unique photos and other historic documentation, combining historical accounts and theory with 1:1 field studies. The book springs from a master studio course, taught by the three editors of this volume, at the Oslo School of Architecture and Design. The format escapes the confines of academia and invites everyone to indulge in an architectural treasure hunt in Oslo.
Brutalism
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Has architectural criticism disappeared for good or has it adapted to the pressures, exigencies, and fashions of the present? Its demise may be due to fibrillation or asthenia, to excessive sharp judgment, condemnation, and critique, or, conversely, to a resigned acceptance of reality. But should the eclipse of criticism today be regarded as lamentable? Might not its lack(...)
Architectural Theory
June 2026
Future or eclipse of criticism
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Has architectural criticism disappeared for good or has it adapted to the pressures, exigencies, and fashions of the present? Its demise may be due to fibrillation or asthenia, to excessive sharp judgment, condemnation, and critique, or, conversely, to a resigned acceptance of reality. But should the eclipse of criticism today be regarded as lamentable? Might not its lack be hailed as a new phase of rigor and objectivity? The objective of both the lecture series "The future or the eclipse of criticism" presented at the MAXXI Museum in Rome, and the eponymous symposium which took place at the University of Pisa’s School of Engineering was to identify those figures, exhibitions, publication projects, and paradigmatic constructions that have either supported or directed particular critical approaches.
Architectural Theory
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In 2019 the Bauhaus will celebrate its hundredth anniversary! Preparations for the centenary have raised a host of questions: To what extent is the Bauhaus tied to a place, and how can its essence be conveyed in a museum? How can the tension between school and museum — in particular the Bauhaus and its everyday presence — be given a productive role in fashioning new(...)
Bauhaus news: contemporary remarks
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In 2019 the Bauhaus will celebrate its hundredth anniversary! Preparations for the centenary have raised a host of questions: To what extent is the Bauhaus tied to a place, and how can its essence be conveyed in a museum? How can the tension between school and museum — in particular the Bauhaus and its everyday presence — be given a productive role in fashioning new models of cultural education? What stimuli can the Bauhaus provide for a critical practice in today’s globalized world? In the process of compiling Bauhaus News, international Bauhaus experts, curators, historians, philosophers, artists, architects, educators, and teachers were asked to consider the Bauhaus from a twenty-first-century perspective. The book presents contrasting contemporary and historical statements and stories about the Bauhaus world heritage.
Architectural Theory
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In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid-twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea(...)
The experimenters: chance and design at Black Mountain College
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In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid-twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea Rockburne, Aaron Siskind, Cy Twombly—the list goes on and on. Yet scholars have tended to view these artists’ time at the College as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Díaz reveals the importance of Black Mountain College—and especially of three key teachers, Josef Albers, John Cage, and R. Buckminster Fuller—to be much greater than that.
Architectural Theory
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series(...)
Unboxed : engagements in social space
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" Unboxed : engagements in social space " is a collection of critical essays about and by artists who work across the borders of art, architecture and performance. This collection is loosely based upon the lecture series that Gallery 101 and the Carleton University School of Architecture co-hosted throughout the fall and winter of 2002-2003. The goal of that series (entitled "unboxed : dialogues on art & architecture") was, in part, to engage both architecture students and practicing visual artists with this vital yet under-explored arena of interstitial practices. The anthology, which is an attempt to further broaden the audience for this work and thereby increase the number of potential participants, includes transcriptions of lectures by international artists : Vito Acconci, Lucy Orta, Jan-Erik Andersson and Marko Peljhan, as well as commissioned essays by Canadian artists: Ana Rewakowicz, Eduardo Aquino, Marie-Paule Macdonald, Jean-François Prost, Luc Lévesque, Steve Topping, and Adrian Blackwell. Each text adds a mode of thinking about notions of space; directing us to consider the local and social connections between individuals and environments and, in their variety, they mirror the various ways we move in and around communities, rural and urban. Together, forming a challenging, engaging and accessible anthology that enlightens our way of seeing and our sense of being. It provides rare and exceptional information on interdisciplinary practices for students in art and architecture departments everywhere.
Urban Theory
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30 buildings from the 1970s and 80s, 30 built manifestos, densely gathered in two halves of a divided city: transformer station, hotel and airport terminal, diving tower, school, and animal laboratory. Not only do their functions and purposes differ fundamentally, but their forms and architectural means of expression are even more diverse. What distinguishes the(...)
Postmodern non-residential Berlin
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30 buildings from the 1970s and 80s, 30 built manifestos, densely gathered in two halves of a divided city: transformer station, hotel and airport terminal, diving tower, school, and animal laboratory. Not only do their functions and purposes differ fundamentally, but their forms and architectural means of expression are even more diverse. What distinguishes the architecture of these years is the search for a visualization of content beyond function: of fictions, themes and narratives, of history, typological continuities, and contradictions. While postmodern is the underlying formula, it does not result in a uniform “style”. The building forms are emblematic or rational, familiar or absolutely new. Claudia Kromrei presents these 30 buildings and describes them in their concrete form, their genesis, and against the background of the theoretical imaginary worlds of their designers.
Post-modernism
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists(...)
The Bauhaus group : six masters of modernism
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Nicholas Fox Weber, for thirty-four years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he was a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists and teachers, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, as well as with these figures' lesser-known wives and girlfriends. In thisgroup biography, Weber brings to life the pioneering art school in Germany's Weimar and Dessau in the 1920s and early 1930s, and captures the spirit and flair with which these Bauhaus geniuses lived, as well as their consuming goal of making art and architecture.
Modernism
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For the past decade, the Los Angeles architect Michael Maltzan has designed multiunit housing in a city known for its proliferation of single-family residences. Working with the Skid Row Housing Trust, these projects advance new forms of supportive housing that address the services and infrastructures needed for their particular populations of inhabitants. For Maltzan,(...)
Social transparency: projects on housing
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For the past decade, the Los Angeles architect Michael Maltzan has designed multiunit housing in a city known for its proliferation of single-family residences. Working with the Skid Row Housing Trust, these projects advance new forms of supportive housing that address the services and infrastructures needed for their particular populations of inhabitants. For Maltzan, housing manifests an incredibly complex set of spatial problems—social, economic, political, typological, aesthetic, and urban—that recast architecture's role in framing the social relationships and individual challenges of everyday urban life. Social Transparency includes a recent lecture by Maltzan at Columbia University's Graduate School of Architecture, Planning and Preservation, as well as reflections from fellow practitioners—Amale Andraos, Hilary Sample, Florian Idenburg, and Níall McLaughlin—on this sustained engagement with housing and the city.
Collective Housing
Liam Gillick: all books
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Collected here for the first time are Liam Gillick’s major fictional texts: ‘McNamara Papers’, Ibuka’, ‘Discussion Island/Big Conference Centre’, ‘The Winter School’, with Erasmus is Late and Literally No Place. Within each history and the utopias and alternative visions of society envisioned by writers, filmmakers, philosophers, and scientists are presented and(...)
Liam Gillick: all books
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Collected here for the first time are Liam Gillick’s major fictional texts: ‘McNamara Papers’, Ibuka’, ‘Discussion Island/Big Conference Centre’, ‘The Winter School’, with Erasmus is Late and Literally No Place. Within each history and the utopias and alternative visions of society envisioned by writers, filmmakers, philosophers, and scientists are presented and speculated on, often through the fictionalised voices of secondary historical characters. Traversing genres of fiction and critical discourse, ideas are explored in a nonlinear, open-ended discursive format, in which the textual structure mirrors the structuring of the presented ideas. In each text Gillick’s concern is to explore complex, paradoxical historical moments and the ideologies that shaped, reflecting on how the redundant utopian elements of the past continue to structure contemporary society and remain impulses within speculations of our post-utopian future.
Architectural Theory