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Sex and jazz, liquor and gambling: Montreal in the early twentieth century was a city that offered an exceptional nighttime scene in North America. By mid-century that scene came under scrutiny, and Montreal’s influential mayor Jean Drapeau would be elected for the first time on a reformist platform that promised to end corruption. Over more than three decades, Drapeau(...)
Montreal after dark: nighttime regulation and the pursuit of a global city
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Sex and jazz, liquor and gambling: Montreal in the early twentieth century was a city that offered an exceptional nighttime scene in North America. By mid-century that scene came under scrutiny, and Montreal’s influential mayor Jean Drapeau would be elected for the first time on a reformist platform that promised to end corruption. Over more than three decades, Drapeau would endeavour to transform Montreal into a world-class global city by regulating its nightlife. "Montreal after dark" chronicles the spaces where nighttime regulations were enforced and contested. City authorities understood the night as enabling disorder, and they reorganized policing and crafted bylaws to gain control over it. Police and politicians mutually reinforced each other’s drive to morally cleanse the urban landscape, especially for international events like Expo 67 and the 1976 Olympics.
Architecture de Montréal
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What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications(...)
Provoking Freeport Magic: Art assemblage in late capitalism
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What is magic? And what can it do? In this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications of understanding the art world through contingent entanglements and practices. Examining the contested site of the freeport, Backsell addresses the dichotomous “culture v. capitalism” debate by showing how magic is not an innate and mysterious quality. Rather, it is a practice, a central yet unexplored element of curatorial toolboxes, that unfolds through what Backsell denotes as the enactment of “conspicuous withdrawal.” This insight, she argues, sheds new light and understanding on broader political issues in contemporary market society.
Art Theory
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This comprehensively revised, illustrated edition discusses recent performance work and takes into consideration changes that have taken place since the book's original publication in 1996. Marvin Carlson guides the reader through the contested definition of performance as a theatrical activity and the myriad ways in which performance has been interpreted by(...)
Performance a critical introduction
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This comprehensively revised, illustrated edition discusses recent performance work and takes into consideration changes that have taken place since the book's original publication in 1996. Marvin Carlson guides the reader through the contested definition of performance as a theatrical activity and the myriad ways in which performance has been interpreted by ethnographers, anthropologists, linguists, and cultural theorists. Topics covered include: *the evolution of performance art since the 1960s *the relationship between performance, postmodernism, the politics of identity, and current cultural studies *the recent theoretical developments in the study of performance in the fields of anthropology, psychoanalysis, linguistics, and technology. With a fully updated bibliography and additional glossary of terms, students of performance studies, visual and performing arts or theatre history will welcome this new version of a classic text.
Architectural Theory
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At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender,(...)
October 2014
Negotiations in a vacant lot: studying the visual in Canada
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At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders.
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most.(...)
Checkpoint 3000: Colonial space in Palestine
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''Checkpoint 300'', the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space, Mark Griffiths reveals ''Checkpoint 300'' as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade.
Arch Middle East
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
Unsettling Canadian Art History
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
Manifest 2: Kingdoms of God
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Issue #2 of Manifest takes a stab in one of the most common, yet contested subjects that underline the Americas: religion. What is the role individual and organized faith play in the creation of American space? How do spirituality and capitalism walk together? Did anything really change since European colonizers set foot in the Kingdom of God? Contributors include:(...)
Manifest 2: Kingdoms of God
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Issue #2 of Manifest takes a stab in one of the most common, yet contested subjects that underline the Americas: religion. What is the role individual and organized faith play in the creation of American space? How do spirituality and capitalism walk together? Did anything really change since European colonizers set foot in the Kingdom of God? Contributors include: Jorge Silvetti and Graciela Silvestri, Tatiana Bilbao, Marlon Blackwell, Kathleen John-Alder, Ian Quate and Colleen Tuite (GRNASFCK), Antonio Petrov, Andrew Chesnut, Brett Culbert, Lynnette Widder and John Caserta, Sergio Galaz, Austin Granger, Molly Hunker, Andrew Kovacs, Assaf Evron, Nicola Pezolet, Mark Hogan, Mara Lepere-Schloop, Jaffer Kolb and Ang Li, Jacob Boswell. With a special feature including works by Aidlin Darling Design, Alfonso Architects, Frank Harmon, McCoy Architects, Riccardo Tossani Architecture, Daniel Bonilla Arquitectos, Ross Barney Architects, Brian Healy Architects, and BNKR Arquitectura.
Magazines
books
Ways of knowing cities / Laura Kurgan & Dare Brawley, editors ; with Isabelle Kirkham-Lewitt.
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276 pages : illustrations ; 23 cm
New York, NY : Columbia Books on Architecture and the City, an imprint of the Graduate School of Architecture, Planning, and Preservation, [2019]
Ways of knowing cities / Laura Kurgan & Dare Brawley, editors ; with Isabelle Kirkham-Lewitt.
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276 pages : illustrations ; 23 cm
books
New York, NY : Columbia Books on Architecture and the City, an imprint of the Graduate School of Architecture, Planning, and Preservation, [2019]
books
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xii, 371 pages : illustrations ; 24 cm
New York : Fromm International, 1997.
Bauhaus : crucible of modernism / Elaine S. Hochman ; foreword by Dore Ashton.
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xii, 371 pages : illustrations ; 24 cm
books
New York : Fromm International, 1997.
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Forced to thrust skywards by the constraints of its position on a narrow strip of land between the sea and high mountains, Hong Kong has developed a breath-taking skyline. One of the most densely populated areas in the world, it has a greater number of high-rise structures than any other major international city: more than 2,300 buildings at over 100 metres high – and(...)
Hong Kong architectural guide
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Forced to thrust skywards by the constraints of its position on a narrow strip of land between the sea and high mountains, Hong Kong has developed a breath-taking skyline. One of the most densely populated areas in the world, it has a greater number of high-rise structures than any other major international city: more than 2,300 buildings at over 100 metres high – and more are completed almost daily. The originally wild and now largely domesticated topography of the island seems exhausted, fully restricted and there is no more land to be taken from the sea. Mainly European and American architects have played a role in creating the buildings of Hong Kong, but local architects maintain their hold with confidence on this hotly contested market. This guide to architecture presents 100 characteristic buildings that define the urban landscape of the former British Crown Colony.