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Confessions offers an insight into the mind of Future Systems architect Jan Kaplicky - his ideas, opinions and sources of inspiration. It is a book about an architectural life, private and professional. Written and selected by the architect himself, it is a highly personal account that avoids the speculations and intellectualisations of critical theory. This is a(...)
Confessions : principles, architecture, process, life
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Confessions offers an insight into the mind of Future Systems architect Jan Kaplicky - his ideas, opinions and sources of inspiration. It is a book about an architectural life, private and professional. Written and selected by the architect himself, it is a highly personal account that avoids the speculations and intellectualisations of critical theory. This is a collection of comments on architects, architecture, design, politics, beauty, people and the future and will give architects stimulus about workings of practice, building and design.
Architectural Theory
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Updated to cover all the latest developments, "Architecture in the age of artificial intelligence" introduces AI for designers and explores its seismic impact on the future of architecture and design. From ChatGPT and smart assistants to groundbreaking diffusion models for video and 3D modelling, this updated new edition investigates the profound effects of AI(...)
Architecture in the age of artficial intelligence: An introduction to AI for architects
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Updated to cover all the latest developments, "Architecture in the age of artificial intelligence" introduces AI for designers and explores its seismic impact on the future of architecture and design. From ChatGPT and smart assistants to groundbreaking diffusion models for video and 3D modelling, this updated new edition investigates the profound effects of AI technologies on architectural practice. It explores how AI transforms every part of the process-from the inspiration and brief, to regulations and copyright, to performance-driven design- and looks beyond discussions of software and functionality to ask more fundamental questions too: How did AI evolve? How does it work? What does it tell us about creativity? And what does it mean for the very future of the profession itself?
Digital Architecture
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The third volume in a four-part series on ALICE's teachings, ''Beyond the Object: The Imagination of Space'' follows up on ''The House 1 Catalogue'' and ''The Invention of Space'', proposing an alternative cultural history of architecture derived from the notion of spatial design rather than technical engineering and construction. Among the topics discussed are the common(...)
Contemporary Architecture
March 2019
Beyond the object: the imagination of space. All about space, vol.3
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The third volume in a four-part series on ALICE's teachings, ''Beyond the Object: The Imagination of Space'' follows up on ''The House 1 Catalogue'' and ''The Invention of Space'', proposing an alternative cultural history of architecture derived from the notion of spatial design rather than technical engineering and construction. Among the topics discussed are the common and scientific understandings of space and how they can be applied to contemporary architectural practice. Using Zurich as an exemplar of urban planning and development, the new volume combines fact with fiction to broaden the view upon future scenarios.
Contemporary Architecture
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This book proposes two goals: to analyze the innovations that the twenty-first century is introducing to the world of design, to the passage from the strong and concentrated modernity of the twentieth century to the weak and diffuse current one, and to investigate whether there is, in this passage, the possibility of imagining a future for non-figurative architecture. An(...)
Weak and diffuse modernity : the world of projects at the beginning of the 21st century
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This book proposes two goals: to analyze the innovations that the twenty-first century is introducing to the world of design, to the passage from the strong and concentrated modernity of the twentieth century to the weak and diffuse current one, and to investigate whether there is, in this passage, the possibility of imagining a future for non-figurative architecture. An architecture that becomes an urban semiosphere, surpassing its constructing limits and becoming a producer of immaterial qualities that change over time. […] Today’s urban condition is made up of services, information technologies networks, product systems, environmental componential practice, microclimates, commercial information, and above all perceptive structures that produce systems of sensorial and intelligent tunnels that are contained within architecture, but cannot be represented by architecture’s figurative codes. […] It’s not the first time that architecture attempts to go ‘beyond architecture’, but in the twenty-first century this utopia seems to be for the most part realized within the contemporary city.” This is a long essay comprising a decade of reflections and designs, in an attempt to reconcile conceptual reflections on architecture and the contemporary city, with a constant inclination towards a vision for the future. With this text, Andrea Branzi gives us a courageous act of faith and optimism towards an architecture that is still capable of listening to the city’s heart, while at the same time giving never-before-seen answers for the future of living together.
Architecture since 1900, Europe
Deleuze and architecture
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and(...)
Deleuze and architecture
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Fifteen essays by interdisciplinary scholars, including John Rajchman (Columbia University), Elizabeth Grosz (Rutgers University), and Brian Massumi (European Graduate School) trace, among other concerns, Deleuze's influence on the emerging biotechnological paradigm and new practices of participatory design. They engage with contemporary approaches to the theory and practice of architecture and outline radical agendas for the future practice of Deleuzian thought.
Architectural Theory
AD narrative architecture
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Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative(...)
AD narrative architecture
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Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative Architecture explores the potential for narrative as a way of interpreting buildings from ancient history through to the present, deals with architectural background, analysis and practice as well as its future development.
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At a moment when the word “design” has come to refer to everything and thus nothing, this issue examines the hidden mechanics and visible output of design practice in order to track the shifting role of designers in society and to gauge the capacity of designers to effect change in a world of mounting crises. The issue’s title, ''Instruments of Service'', carries a(...)
Harvard Design Magazine no. 52 : Instruments of service
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At a moment when the word “design” has come to refer to everything and thus nothing, this issue examines the hidden mechanics and visible output of design practice in order to track the shifting role of designers in society and to gauge the capacity of designers to effect change in a world of mounting crises. The issue’s title, ''Instruments of Service'', carries a double meaning. As defined in standard American Institute of Architects contracts, “Instruments of Service are representations, in any medium of expression now known or later developed, of the tangible and intangible creative work performed by the Architect and the Architect’s consultants under their respective professional services agreements. Instruments of Service may include, without limitation, studies, surveys, models, sketches, drawings, specifications, and other similar materials.” Instruments of service are the instruction manuals that architects—and other designers—make so that others can make something. They define the architect’s relationships with labor, construction, clients, and society. And these relationships—along with the agency of architectural practice—are changing as a growing number of external pressures force instruments of service to change. Architects and designers can also be seen as instruments of service to society, responsible to a continually shifting set of values. At a fundamental level, the designer’s job is to imagine and articulate a better future. In a time of crisis and competing value systems—market returns, cultural relevance, environmental response, social equity, automation—the role of the designer in society is ever more important and increasingly accountable to divergent interests that call into question the raison d’être of design practice itself.
Magazines
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What role does drawing play in architectural education? How is drawing used as an instrument for communication, investigation, and representation in architecture and the construction industry? This book assembles contributions to the 2021 edition of the Lucerne Talks, the bi-annual Symposium on Pedagogy in Architecture at the Lucerne School of Engineering and(...)
Architectural Drawing
October 2023
Drawing in architecture, education and research: Lucerne talks
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What role does drawing play in architectural education? How is drawing used as an instrument for communication, investigation, and representation in architecture and the construction industry? This book assembles contributions to the 2021 edition of the Lucerne Talks, the bi-annual Symposium on Pedagogy in Architecture at the Lucerne School of Engineering and Architecture. ''Drawing in architecture education and research'' offers a closer look at the importance of drawing culture in the curricula of Swiss schools of architecture and in the practice of architecture firms. Conceived as a compendium and reference book for students, teachers, and practitioners alike, this book explores the potential of drawing as a universal tool for communication and understanding among different societies, language groups, and professional communities. It considers drawing in its dual function as an object and a method for theory and practice in architecture and features strategies for a future transdisciplinary language of drawing that enables narrations and representations of new spatial concepts.
Architectural Drawing
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Architecture and Film, Set Design
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can(...)
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future.
Architectural Theory