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Spirale 275 : Hervé Guibert, le plus que vif
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Après les deux premiers numéros « Pornographie minérale » et « Vegetal Trauma, » le troisième numéro de la collection Spectre invite des artistes contemporains à livrer leur interprétation des ruines contemporaines. La vue des ruines est nécessaire. « C'est un temps pur, non datable, absent de notre monde d'images, de simulacres et de reconstitutions, de notre monde(...)
Spectre n.03 : Ruines contemporaines
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Après les deux premiers numéros « Pornographie minérale » et « Vegetal Trauma, » le troisième numéro de la collection Spectre invite des artistes contemporains à livrer leur interprétation des ruines contemporaines. La vue des ruines est nécessaire. « C'est un temps pur, non datable, absent de notre monde d'images, de simulacres et de reconstitutions, de notre monde violent dont les décombres n'ont plus le temps de devenir des ruines. Un temps perdu qu'il arrive à l'art de retrouver. » (Marc Augé , Le temps en ruines, 2003) Il n'est pas certain que l'histoire à venir soit capable d'engendrer de nouvelles ruines. Si un doute existe sur la capacité contemporaine à laisser des ruines signifiantes, il est évident que notre époque continuera à produire des espaces délaissés, inachevés, détériorés ou rapidement obsolètes. Il est de plus en plus difficile d'avoir une perception du monde présent qui ne soit pas entièrement déterminé par lui-même. La « ruine contemporaine » interroge notre indifférence au passé, notre dépendance au présent, et nos incertitudes futures.
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Real Review 11
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The collective trauma of the pandemic has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. No society in human history has demanded so many people be such active participants in producing the contemporary. No contemporary has ever(...)
Real Review 11
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The collective trauma of the pandemic has become an excuse for global capital to accelerate the total commodification of everyday life. Everything is for sale. There is more merchandise than love, more sponsored content than truth. No society in human history has demanded so many people be such active participants in producing the contemporary. No contemporary has ever been so aggressively monetised. As a coping mechanism, many amongst us have decided to check out from reality altogether; preferring to inhabit tailor-made fantasies and simulations. But only children believe that closing their eyes renders them invisible to monsters. When the monsters are real, closing our eyes rather increases the danger.
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Desired Landscapes, issue 2
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'Desired Landscapes' brings together creatives, writers, tour guides, the people who write the stories of today’s cities, to share their most unique and personal findings. Here’s what we found: a postcard moment cannot be fully replicated, and iconic imageries are just the starting point of a journey. After all, destinations are plain images waiting to be transformed(...)
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May 2021
Desired Landscapes, issue 2
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'Desired Landscapes' brings together creatives, writers, tour guides, the people who write the stories of today’s cities, to share their most unique and personal findings. Here’s what we found: a postcard moment cannot be fully replicated, and iconic imageries are just the starting point of a journey. After all, destinations are plain images waiting to be transformed through one’s experiences. Issue 2 takes you to GRANDE MOTTE – PISA – KUWAIT – BERLIN – ZURICH – ATHENS – SOUR LAKE – CONCRETE ISLAND – ALEXANDRIA – HONG KONG – BARCELONA – FLORENCE
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Desired Landscapes, Issue 3
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When traveling to new places, we usually hunt for the genuine, the truest. Is there a single story to provide a convenient coherency for a city’s identity? While avoiding a call for nostalgia, 'Desired Landscapes' is ever curious about the discontent that stems from the narrative leap affecting contemporary cities: is it possible to connect yesterday to tomorrow and(...)
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May 2021
Desired Landscapes, Issue 3
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When traveling to new places, we usually hunt for the genuine, the truest. Is there a single story to provide a convenient coherency for a city’s identity? While avoiding a call for nostalgia, 'Desired Landscapes' is ever curious about the discontent that stems from the narrative leap affecting contemporary cities: is it possible to connect yesterday to tomorrow and affirm a sense of belonging? Issue 3 takes you to TOKYO – PARIS – ATHENS – BRASÍLIA – VENICE – SINGAPORE – LOS ANGELES – LAMPEDUSA – CAIRO – NEW YORK CITY – LONDON – MEXICO CITY
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'Expériences vécues de design', sous la direction d'Estelle Berger et Pierre Lévy
Sciences du design 2021, no 13
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'Expériences vécues de design', sous la direction d'Estelle Berger et Pierre Lévy
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AV 235: Masters' Memoirs
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The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in(...)
AV 235: Masters' Memoirs
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The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in the form of monologues, the interviews trace the biographical journey of each architect, from family origins, upbringing, and educational training to latest projects at the time of the dialogue, and are illustrated with the most characteristic works and projects of their career.
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In many countries of Southeast Asia, the middle years of the 20th century marked the dawn of a new era. Independence had been won from colonial powers, and young states such as Burma (Myanmar), Indonesia, Cambodia and Singapore were faced with the task of reconstituting themselves as nations and developing an independent postcolonial identity. Architecture and urban(...)
Arch+ 243: Contested modernities: postcolonial architecture and the construction of identities in Southeast sia
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In many countries of Southeast Asia, the middle years of the 20th century marked the dawn of a new era. Independence had been won from colonial powers, and young states such as Burma (Myanmar), Indonesia, Cambodia and Singapore were faced with the task of reconstituting themselves as nations and developing an independent postcolonial identity. Architecture and urban planning played an important role in this process. Local manifestations of modernism emerged that sought to reconcile universal aspirations with specific social conditions. This volume critically examines this architectural and ideological heritage and argues for the preservation and redevelopment of these particular architectures, which are at risk of disappearing amid the rapid urbanization of today.
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Spirale 276 : héroïnes
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Qui sont nos héroïnes? Comme l'explique Chloé Savoie-Bernard, directrice de ce dossier intitulé « Héroïnes », « nous avons souhaité revenir à cette figure qui engage à réfléchir aux exceptions, aux modèles, à celles qui forcent l''aspiration en se demandant à quel type d''émulation elles enjoignent ». Avec les contributions de Chloé Savoie-Bernard, Alex Noël, Fanie(...)
Spirale 276 : héroïnes
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Qui sont nos héroïnes? Comme l'explique Chloé Savoie-Bernard, directrice de ce dossier intitulé « Héroïnes », « nous avons souhaité revenir à cette figure qui engage à réfléchir aux exceptions, aux modèles, à celles qui forcent l''aspiration en se demandant à quel type d''émulation elles enjoignent ». Avec les contributions de Chloé Savoie-Bernard, Alex Noël, Fanie Demeule, Natasha Bissonauth, Martine Delvaux, Myriam Charles, Stéphane Martelly et Florence Ashley. Le portfolio visuel de ce numéro 276 est, quant à lui, consacré à Nadège Grebmeier Forget, dont la présentation est signée par Didier Morelli, alors que Louis-Daniel Godin s'intéresse aux liens entre écologie et psychanalyse dans la rubrique « Psychanalyse du présent. Ce numéro contient également des critiques dédiées au récit, au roman, à l'essai, à la bande dessinée et au théâtre signées par Étienne Bergeron, Laurence Pelletier, Ginette Michaud, Sophie Drouin, Laurence Perron, Thara Charland, Nicolas Lévesque, Katrie Chagnon, Isabelle Décarie, Khalil Khalsi, Luba Markovskaia, Pierre Popovic, Emmanuel Dellile, Camille Toffoli et François Jardon-Gomez.
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Le dernier numéro est maintenant disponible à la librairie.
Les cahiers de l'École de Blois #19 : Le droit au paysage
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