27564 Results
Form:
drawings
Quantity:
825 reprographic copy(ies)
drawings
Quantity:
825 reprographic copy(ies)
Actions:
Reference number:
ARCH194458
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Chiat/Day offices -- 3rd & 4th floor, plans and schedules -- 3rd & 4th floor details -- 3-337 -- 5th, 6th & 8th floor, plans and schedules -- 5th, 6th & 8th floor, details -- 9th & 10th floor plans & schedules -- 9th & 10th floor details -- Club floor -- 11th floor, plans and schedules -- 11th floor, details -- 11-300 -- 11-333 -- Roof areas -- Trade show exhibit -- Banquet equipment -- Presentation drawings -- Title 19 requirements.
ARCH194458
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Chiat/Day offices -- 3rd & 4th floor, plans and schedules -- 3rd & 4th floor details -- 3-337 -- 5th, 6th & 8th floor, plans and schedules -- 5th, 6th & 8th floor, details -- 9th & 10th floor plans & schedules -- 9th & 10th floor details -- Club floor -- 11th floor, plans and schedules -- 11th floor, details -- 11-300 -- 11-333 -- Roof areas -- Trade show exhibit -- Banquet equipment -- Presentation drawings -- Title 19 requirements.
People:
Date:
1976 - 1980
1976 - 1980
Title:
Plans, sections, schedules, axonometrics, elevations and details
Actions:
ARCH194458
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Chiat/Day offices -- 3rd & 4th floor, plans and schedules -- 3rd & 4th floor details -- 3-337 -- 5th, 6th & 8th floor, plans and schedules -- 5th, 6th & 8th floor, details -- 9th & 10th floor plans & schedules -- 9th & 10th floor details -- Club floor -- 11th floor, plans and schedules -- 11th floor, details -- 11-300 -- 11-333 -- Roof areas -- Trade show exhibit -- Banquet equipment -- Presentation drawings -- Title 19 requirements.
Plans, sections, schedules, axonometrics, elevations and details
Actions:
ARCH194458
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Chiat/Day offices -- 3rd & 4th floor, plans and schedules -- 3rd & 4th floor details -- 3-337 -- 5th, 6th & 8th floor, plans and schedules -- 5th, 6th & 8th floor, details -- 9th & 10th floor plans & schedules -- 9th & 10th floor details -- Club floor -- 11th floor, plans and schedules -- 11th floor, details -- 11-300 -- 11-333 -- Roof areas -- Trade show exhibit -- Banquet equipment -- Presentation drawings -- Title 19 requirements.
Form:
drawings
Quantity:
825 reprographic copy(ies)
drawings
Quantity:
825 reprographic copy(ies)
Date:
1976 - 1980
1976 - 1980
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
People:
Date:
between 1999 and 2001
between 1999 and 2001
Title:
Ring binder with photographic materials related to six projects by Abalos & Herreros
Actions:
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
Ring binder with photographic materials related to six projects by Abalos & Herreros
Actions:
ARCH268880
Description:
Contains photographic materials on 6 projects by Abalos & Herreros: - Paseo marítimo Torrevieja, AP164.S1.1999.D3 (4 slides: aerial views of the port); - Centro universitario en Mérida, AP164.S1.1999.D4 (39 slides: interior/exterior, close-up of structure, plans, model, and construction views); - Estación Zaragoza, AP164.S1.1999.D5 (59 slides: views of plans, model and presentation drawings); - El mirador: torre mixta en la bahía de Algeciras, AP164.S1.1999.D10 (58 slides: views of model, landscape, plans and maps); - Jardines Valdemingómez, AP164.S1.2000.D4 (53 slides: interior/exterior views, plans, and model); - Museo de la Banla? de Algendras? y el estrecho de Gibraltar (31 slides: plans).
Form:
photographs
photographs
Date:
between 1999 and 2001
between 1999 and 2001
People:
Level of archival description:
Project
Project
Title:
Phun City
Phun City
Reference number:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
People:
Date:
1970-1971
1970-1971
Title:
Phun City
Actions:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
Phun City
Actions:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
Level of archival description:
File 77
File 77
Date:
1970-1971
1970-1971
People:
Form:
events
events
Title:
Visiting Scholar Seminar: Aglaya Glebova
Revolution on a Human Scale: Photography and Vkhutemas
Visiting Scholar Seminar: Aglaya Glebova
Revolution on a Human Scale: Photography and Vkhutemas
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
29 June 2017, 6pm
29 June 2017, 6pm
Title:
Visiting Scholar Seminar: Aglaya Glebova
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Visiting Scholar Seminar: Aglaya Glebova
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Form:
events
events
Date:
29 June 2017
6pm
29 June 2017
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
exhibitions
exhibitions
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Location:
Hall cases
Hall cases
Date:
5 September 2013 to 5 December 2013
5 September 2013 to 5 December 2013
Title:
H-BLOCK: Social Housing – Ilse Bing
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
H-BLOCK: Social Housing – Ilse Bing
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Form:
exhibitions
exhibitions
Date:
5 September 2013 to
5 December 2013
5 September 2013 to
5 December 2013
Location:
Hall cases
Hall cases
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
People:
Date:
2005-2007
2005-2007
Title:
Correspondence related to Melvin Charney's projects
Actions:
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
Correspondence related to Melvin Charney's projects
Actions:
DR2012:0015:021:022
Description:
File containing documents in English and French, including correspondence (primarily printouts of emails) regarding the appraisal and donation of the following works to the Musée d'art contemporain de Montréal: - Square Berri: concours d'art public : Falaises - cascades d'eau, plan urbaine, 1:400 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, plan d'implementation et système de canalisation de l'eau, 1:100 scale; - Square Berri: concours d'art public : Falaises - cascades d'eau, 1:50 scale; - Gratte-ciel, cascades d'eau / rues, ruisseaux... une construction, maquette du projet final, 1:20 scale; Also: - This must be the place, by Roy Lichtenstein. Original folder inscribed in graphite: 2006 MACM / CULT PROP
Form:
textual records
textual records
Date:
2005-2007
2005-2007
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Hal Ingberg fonds
Hal Ingberg fonds
Actions:
Reference number:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
People:
Date:
1991-2002
1991-2002
Title:
Hal Ingberg fonds
Actions:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Hal Ingberg fonds
Actions:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1991-2002
1991-2002
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
People:
Date:
1994-2007
1994-2007
Title:
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Level of archival description:
Project
Project
Date:
1994-2007
1994-2007
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
People:
Date:
1988-1996
1988-1996
Title:
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Level of archival description:
Project
Project
Date:
1988-1996
1988-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
People:
Date:
2006-2007
2006-2007
Title:
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Level of archival description:
Project
Project
Date:
2006-2007
2006-2007
People:
