11176 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
People:
Date:
1991-1992
1991-1992
Title:
Marc Laurent Store, Phase 4 Hugo Boss Store, Toronto (1991-1992)
Actions:
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
Marc Laurent Store, Phase 4 Hugo Boss Store, Toronto (1991-1992)
Actions:
AP056.S1.1991.PR08
Description:
This project series documents an expansion of the Marc Laurent store at 110 Bloor Street West in Toronto in 1989. The office identified the project number as 9109. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space was made to accommodate the Hugo Boss Store within the Marc Laurent Store. The store consisted of a street level space connected by stairs to a lower concourse level, with the new store space added at the street level. The new space extended the architectural style already established in earlier phases of the store's development. The new area had granite and honed area stone flooring, aluminum racks and display cases, sandblasted glass display walls, and imbuya veneer change rooms and panel doors. This project is considered Phase 4 of the store's development, with 1 future phase to be completed by KPMB Architects soon after. The project is recorded through drawings dating from 1991-1992. The drawings are mostly originals and include sections, elevations, floor and ceiling plans, details, axonometric studies and perspectives. Also present are drawings of custom furnishings designed for the store such as display cases, racks and counters, and architectural elements such as walls, doors and stairs.
Level of archival description:
Project
Project
Date:
1991-1992
1991-1992
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
People:
Date:
1992-1996
1992-1996
Title:
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Level of archival description:
Project
Project
Date:
1992-1996
1992-1996
People:
Form:
drawings
drawings
Title:
Basilique Notre-Dame du Cap
Basilique Notre-Dame du Cap
Actions:
Reference number:
ARCH276365
Description:
Façades et perspectives de la Basilique. Dessins produits par Adrien Dufresne au Cap-de-la-Madelaine.
ARCH276365
Description:
Façades et perspectives de la Basilique. Dessins produits par Adrien Dufresne au Cap-de-la-Madelaine.
People:
Date:
1954 - 1955
1954 - 1955
Title:
Basilique Notre-Dame du Cap
Actions:
ARCH276365
Description:
Façades et perspectives de la Basilique. Dessins produits par Adrien Dufresne au Cap-de-la-Madelaine.
Basilique Notre-Dame du Cap
Actions:
ARCH276365
Description:
Façades et perspectives de la Basilique. Dessins produits par Adrien Dufresne au Cap-de-la-Madelaine.
Form:
drawings
drawings
Date:
1954 - 1955
1954 - 1955
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH266080
Description:
Site plans, sections, floor plans, elevations and perspectives for the Palais des Congrès de Montréal.
ARCH266080
Description:
Site plans, sections, floor plans, elevations and perspectives for the Palais des Congrès de Montréal.
People:
Title:
Plans for the Palais des Congrès de Montréal in Montréal, Québec
Actions:
ARCH266080
Description:
Site plans, sections, floor plans, elevations and perspectives for the Palais des Congrès de Montréal.
Plans for the Palais des Congrès de Montréal in Montréal, Québec
Actions:
ARCH266080
Description:
Site plans, sections, floor plans, elevations and perspectives for the Palais des Congrès de Montréal.
Form:
drawings
drawings
People:
Quantity:
32 drawing(s)
32 drawing(s)
Actions:
Reference number:
AP160.D3.P3
Description:
conceptual and design development drawings including, site plan and bird's-eye perspectives for the cemetery, plans for the ceremonial plaza, plans, elevations, interior and exterior perspectives for Chapel of Holy Cross, Chapel of Faith, Chapel of Hope, Waiting Room
AP160.D3.P3
Description:
conceptual and design development drawings including, site plan and bird's-eye perspectives for the cemetery, plans for the ceremonial plaza, plans, elevations, interior and exterior perspectives for Chapel of Holy Cross, Chapel of Faith, Chapel of Hope, Waiting Room
People:
Date:
1935-1940
1935-1940
Title:
Woodland Cemetery and crematorium: conceptual and design development drawings
Actions:
AP160.D3.P3
Description:
conceptual and design development drawings including, site plan and bird's-eye perspectives for the cemetery, plans for the ceremonial plaza, plans, elevations, interior and exterior perspectives for Chapel of Holy Cross, Chapel of Faith, Chapel of Hope, Waiting Room
Woodland Cemetery and crematorium: conceptual and design development drawings
Actions:
AP160.D3.P3
Description:
conceptual and design development drawings including, site plan and bird's-eye perspectives for the cemetery, plans for the ceremonial plaza, plans, elevations, interior and exterior perspectives for Chapel of Holy Cross, Chapel of Faith, Chapel of Hope, Waiting Room
Quantity:
32 drawing(s)
32 drawing(s)
Date:
1935-1940
1935-1940
People:
Level of archival description:
Series
Series
Title:
Dessins et tableaux
Dessins et tableaux
Actions:
Reference number:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
People:
Date:
1917-1955
1917-1955
Title:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Level of archival description:
Série 1
Série 1
Date:
1917-1955
1917-1955
People:
Form:
photographs
photographs
Actions:
Reference number:
AP140.S2.SS1.D15.P2
Description:
views by James Stirling of a no longer extant model of the house, axonometrics and plans of the house at successive stages, interior and exterior perspectives of the second and final stages, and freehand sketch perspectives for the first and final stages of the house
AP140.S2.SS1.D15.P2
Description:
views by James Stirling of a no longer extant model of the house, axonometrics and plans of the house at successive stages, interior and exterior perspectives of the second and final stages, and freehand sketch perspectives for the first and final stages of the house
People:
Date:
1957 or after
1957 or after
Title:
Views by James Stirling of a no longer extant model of the house
Actions:
AP140.S2.SS1.D15.P2
Description:
views by James Stirling of a no longer extant model of the house, axonometrics and plans of the house at successive stages, interior and exterior perspectives of the second and final stages, and freehand sketch perspectives for the first and final stages of the house
Views by James Stirling of a no longer extant model of the house
Actions:
AP140.S2.SS1.D15.P2
Description:
views by James Stirling of a no longer extant model of the house, axonometrics and plans of the house at successive stages, interior and exterior perspectives of the second and final stages, and freehand sketch perspectives for the first and final stages of the house
Form:
photographs
photographs
Date:
1957 or after
1957 or after
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1995:0210:098-115
Description:
plans, some with annotations, axonometric drawings, perspectives, and sketches, of existing conditions and proposed alterations
DR1995:0210:098-115
Description:
plans, some with annotations, axonometric drawings, perspectives, and sketches, of existing conditions and proposed alterations
People:
Title:
Plans, some with annotations, axonometric drawings
Actions:
DR1995:0210:098-115
Description:
plans, some with annotations, axonometric drawings, perspectives, and sketches, of existing conditions and proposed alterations
Plans, some with annotations, axonometric drawings
Actions:
DR1995:0210:098-115
Description:
plans, some with annotations, axonometric drawings, perspectives, and sketches, of existing conditions and proposed alterations
Form:
drawings
drawings
People:
Form:
drawings
drawings
Actions:
Reference number:
AP140.S2.SS1.D85.P17
Description:
Also includes plans, sections and axonometrics for alternative schemes, including a few perspectives and elevations.
AP140.S2.SS1.D85.P17
Description:
Also includes plans, sections and axonometrics for alternative schemes, including a few perspectives and elevations.
People:
Date:
circa 1984-1989
circa 1984-1989
Title:
Conceptual and design development drawings, mostly sketch and schematic site plans, Walt Disney Concert Hall Competition, Los Angeles, California
Actions:
AP140.S2.SS1.D85.P17
Description:
Also includes plans, sections and axonometrics for alternative schemes, including a few perspectives and elevations.
Conceptual and design development drawings, mostly sketch and schematic site plans, Walt Disney Concert Hall Competition, Los Angeles, California
Actions:
AP140.S2.SS1.D85.P17
Description:
Also includes plans, sections and axonometrics for alternative schemes, including a few perspectives and elevations.
Form:
drawings
drawings
Date:
circa 1984-1989
circa 1984-1989
People:
Form:
photographs
Quantity:
14 negative(s)
photographs
Quantity:
14 negative(s)
Actions:
Reference number:
AP140.S2.SS1.D22.P4
Description:
views of drawings, including the rendered development plan for the College site, a sectional perspective for the first stage residential building, a typical floor plan, and a side elevationl; views by James Stirling of a model (which is not otherwise present in the project documents) for the first stage residential building; also includes a view of a site plan (not otherwise present in the project documents), dated 26 October 1959, showing the first stage residential building, a colonnade, and married members flats
AP140.S2.SS1.D22.P4
Description:
views of drawings, including the rendered development plan for the College site, a sectional perspective for the first stage residential building, a typical floor plan, and a side elevationl; views by James Stirling of a model (which is not otherwise present in the project documents) for the first stage residential building; also includes a view of a site plan (not otherwise present in the project documents), dated 26 October 1959, showing the first stage residential building, a colonnade, and married members flats
People:
Date:
1959 or after
1959 or after
Title:
Views of drawings, including the rendered development plan for the College site
Actions:
AP140.S2.SS1.D22.P4
Description:
views of drawings, including the rendered development plan for the College site, a sectional perspective for the first stage residential building, a typical floor plan, and a side elevationl; views by James Stirling of a model (which is not otherwise present in the project documents) for the first stage residential building; also includes a view of a site plan (not otherwise present in the project documents), dated 26 October 1959, showing the first stage residential building, a colonnade, and married members flats
Views of drawings, including the rendered development plan for the College site
Actions:
AP140.S2.SS1.D22.P4
Description:
views of drawings, including the rendered development plan for the College site, a sectional perspective for the first stage residential building, a typical floor plan, and a side elevationl; views by James Stirling of a model (which is not otherwise present in the project documents) for the first stage residential building; also includes a view of a site plan (not otherwise present in the project documents), dated 26 October 1959, showing the first stage residential building, a colonnade, and married members flats
Form:
photographs
Quantity:
14 negative(s)
photographs
Quantity:
14 negative(s)
Date:
1959 or after
1959 or after
People:
