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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration,(...)
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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration,(...)
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Giovanni Chiaramonte: Realismo infinito
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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration, Italy offers a privileged vantage point: its territory, which appears as a stratification of cultures and civilizations, tells the story of the whole of the West at a glance. Italy is therefore a ''contemporary space,'' as it encompasses different eras that are visible simultaneously. The Italian landscape serves as the matrix for reading and understanding the West as a whole—its culture and destiny. It is the lens through which Chiaramonte explores.
Giovanni Chiaramonte: Realismo infinito
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''Infinite realism'' brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection. In this exploration, Italy offers a privileged vantage point: its territory, which appears as a stratification of cultures and civilizations, tells the story of the whole of the West at a glance. Italy is therefore a ''contemporary space,'' as it encompasses different eras that are visible simultaneously. The Italian landscape serves as the matrix for reading and understanding the West as a whole—its culture and destiny. It is the lens through which Chiaramonte explores.
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books
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March 2023
March 2023
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Photography monographs
Photography monographs
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$61.00
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on(...)
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on(...)
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Walead Beshty: natural histories
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on isolated highway medians, or abandoned shopping malls. More recently, Beshty's adventures in "the in-between" have become a means of production, as he makes creative use of such mundane procedures as air travel or sending a package. This monograph presents a ten-year overview of Walead Beshty's approach to photographic and sculptural representation, and contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty.
Walead Beshty: natural histories
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Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of "in-between" time that fascinates Walead Beshty and supplies material for his photographs. "In-between time" applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition, plants, weeds and vegetation on isolated highway medians, or abandoned shopping malls. More recently, Beshty's adventures in "the in-between" have become a means of production, as he makes creative use of such mundane procedures as air travel or sending a package. This monograph presents a ten-year overview of Walead Beshty's approach to photographic and sculptural representation, and contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty.
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books
books
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June 2011
June 2011
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Photography monographs
Photography monographs
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books
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and(...)
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and(...)
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Un sedicesimo 23: borderlands
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and burns. Gianluigi Colin works with the precision of an archaeologist to highlight fragments of words, signs and figures within the fissures of our everyday existence. Gianluigi Colin was born in Pordenone in 1956. For many years he has been conducting artistic research touching upon two systems that only appear different: words and pictures. His work is an investigation of the meaning of representation, the importance of memory, and the layering of vision.
Un sedicesimo 23: borderlands
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This issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives; it is a collection of tracks and traces represented through collages, charcoals drawings, watercolours, shellac and burns. Gianluigi Colin works with the precision of an archaeologist to highlight fragments of words, signs and figures within the fissures of our everyday existence. Gianluigi Colin was born in Pordenone in 1956. For many years he has been conducting artistic research touching upon two systems that only appear different: words and pictures. His work is an investigation of the meaning of representation, the importance of memory, and the layering of vision.
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books
books
Publication:
November 2011
November 2011
Subject:
Illustration
Illustration
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$66.95
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
Title:
The realisms of Berenice Abbott: Documentary photography and political action
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
The realisms of Berenice Abbott: Documentary photography and political action
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
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books
books
Publication:
November 2010
November 2010
Subject:
Photography monographs
Photography monographs
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books
books
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$68.95
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the(...)
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the(...)
Title:
Franco Fontana: life in photos
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the opportunity to create unforgettable images that are universally praised.Franco Fontana was born in Modena, in 1933, where he lives and works. His works are displayed in many private and public collections all over the world, including the MoMA, New York; Metropolitan Museum, Tokyo; Pushkin Museum of Fine Arts, Moscow; Palazzo Reale, Milan; and Maison Europeenne de la Photographie, Paris. His works have been published in more than sixty books in various editions and languages.
Franco Fontana: life in photos
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Franco Fontana is one of the most renowned Italian photographers, unanimously considered as the pioneer of color photography. During the 1970s he was able to fully exploit the inner potentialities of color photography through photos which might be situated beetween representation and abstraction. His daring sense of color and his skillfulness with composition gave him the opportunity to create unforgettable images that are universally praised.Franco Fontana was born in Modena, in 1933, where he lives and works. His works are displayed in many private and public collections all over the world, including the MoMA, New York; Metropolitan Museum, Tokyo; Pushkin Museum of Fine Arts, Moscow; Palazzo Reale, Milan; and Maison Europeenne de la Photographie, Paris. His works have been published in more than sixty books in various editions and languages.
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books
books
Publication:
April 2015
April 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Halka / Haiti: 18°48'05
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
$46.50
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Summary:
The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and(...)
Title:
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
Halka / Haiti: 18°48'05
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The Polish Pavilion at the 56th Venice Biennale will have the pleasure of presenting a panoramic film projection of the opera Halka by Stanislaw Moniuszko, as it was staged in February for the inhabitants of Cazale, a village situated in the mountains of Haiti. The winners of this year's contest for the official Polish representation in Venice, artists C.T. Jasper and Joanna Malinowska and curator Magdalena Moskalewicz, decided to stage the opera in Haiti inspired by the mad plan of Werner Herzog's Fitzcarraldo, who wanted to build an opera house in the Amazon. Fascinated by Fitzcarraldo's faith in the universal power of opera, but not uncritical of the colonizing aspect of his actions, they decided to reveal and undercut its romanticism by confronting a set of very specific geographic, historical, and sociopolitical realities.
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books
books
Publication:
July 2015
July 2015
Subject:
Art Theory
Art Theory
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$43.95
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest(...)
$43.95
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest(...)
Title:
Things beyond ressemblance: James Welling photographs
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photographs. Shot on location in Pennsylvania and Maine-in the same areas where Wyeth painted throughout his life--this major series includes photographs from 2010 through 2014. In addition to including never-before-seen works from the completed Wyeth series, the book explores the mechanisms of influence of one artist upon another- even across media--ranging from subconscious borrowings to more direct appropriations.
Things beyond ressemblance: James Welling photographs
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This illustrated book examines a series of color photographs by Los Angeles- based artist James Welling, who turned to the painter Andrew Wyeth for inspiration. As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photographs. Shot on location in Pennsylvania and Maine-in the same areas where Wyeth painted throughout his life--this major series includes photographs from 2010 through 2014. In addition to including never-before-seen works from the completed Wyeth series, the book explores the mechanisms of influence of one artist upon another- even across media--ranging from subconscious borrowings to more direct appropriations.
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books
books
Publication:
September 2015
September 2015
Subject:
Photography monographs
Photography monographs
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Description:
x, 284 pages : illustrations (some color) ; 24 cm
Description:
x, 284 pages : illustrations (some color) ; 24 cm
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Cambridge, Massachusetts : The MIT Press, [2018], ©2018
Cambridge, Massachusetts : The MIT Press, [2018], ©2018
Title:
Flintstone modernism : or, The crisis in postwar American culture / Jeffrey Lieber.
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x, 284 pages : illustrations (some color) ; 24 cm
Flintstone modernism : or, The crisis in postwar American culture / Jeffrey Lieber.
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x, 284 pages : illustrations (some color) ; 24 cm
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books
books
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Cambridge, Massachusetts : The MIT Press, [2018], ©2018
Cambridge, Massachusetts : The MIT Press, [2018], ©2018
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297 pages : illustrations (chiefly color), maps, plans ; 27 cm
Description:
297 pages : illustrations (chiefly color), maps, plans ; 27 cm
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Publication:
Ljubljana : Museum of Architecture and Design (MAO), [2018]
Ljubljana : Museum of Architecture and Design (MAO), [2018]
Title:
Living with water : Slovenian pavilion at the 16th International Architecture Exhibition, La Biennale di Venezia / editors-in-chief, Nina Granda, Matevž Granda ; translation, Tina Škoberne, Benja Pavlin.
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297 pages : illustrations (chiefly color), maps, plans ; 27 cm
Living with water : Slovenian pavilion at the 16th International Architecture Exhibition, La Biennale di Venezia / editors-in-chief, Nina Granda, Matevž Granda ; translation, Tina Škoberne, Benja Pavlin.
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297 pages : illustrations (chiefly color), maps, plans ; 27 cm
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books
books
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Ljubljana : Museum of Architecture and Design (MAO), [2018]
Ljubljana : Museum of Architecture and Design (MAO), [2018]
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xi, 356 pages : illustrations (black and white and color), maps, plans ; 30 cm
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xi, 356 pages : illustrations (black and white and color), maps, plans ; 30 cm
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London : Paul Mellon Centre for Studies in British Art, 2022., New Haven : Yale University Press, ©2022
London : Paul Mellon Centre for Studies in British Art, 2022., New Haven : Yale University Press, ©2022
Title:
Building Greater Britain : architecture, imperialism, and the Edwardian Baroque Revival, c.1885 - 1920 / G.A. Bremner.
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xi, 356 pages : illustrations (black and white and color), maps, plans ; 30 cm
Building Greater Britain : architecture, imperialism, and the Edwardian Baroque Revival, c.1885 - 1920 / G.A. Bremner.
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xi, 356 pages : illustrations (black and white and color), maps, plans ; 30 cm
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books
books
Publication:
London : Paul Mellon Centre for Studies in British Art, 2022., New Haven : Yale University Press, ©2022
London : Paul Mellon Centre for Studies in British Art, 2022., New Haven : Yale University Press, ©2022
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