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Since the late 1990s, artist Tony Oursler (born 1957) has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience and technology. For Oursler, the archive functions as an open visual resource, historical inquiry and--most intriguingly--a family history. One of the collection's many(...)
Contemporary Art Monographs
June 2015
Imponderable: the archives of Tony Oursler
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Since the late 1990s, artist Tony Oursler (born 1957) has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience and technology. For Oursler, the archive functions as an open visual resource, historical inquiry and--most intriguingly--a family history. One of the collection's many digressions records the friendship between the artist's grandfather Charles Fulton Oursler--a famous early 20th-century author and publisher--and magician and escapologist Harry Houdini, and a historic interaction with Arthur Conan Doyle, who, beyond his Sherlock Holmes series, was an important advocate for spiritualism and the paranormal.
Contemporary Art Monographs
books
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xiii, 364 pages : illustrations (some color) ; 24 cm
New York : Alfred A. Knopf, 2019., ©2019
Ballpark : baseball in the American city / Paul Goldberger.
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xiii, 364 pages : illustrations (some color) ; 24 cm
books
New York : Alfred A. Knopf, 2019., ©2019
$43.95
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"The works: anatomy of a city" offers a cross section of this hidden infrastructure, using beautiful, innovative graphic images combined with short, clear text explanations to answer all the questions about the way things work in a modern city. It describes the technologies that keep the city functioning, as well as the people who support them-the pilots that bring the(...)
The works : anatomy of a city
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"The works: anatomy of a city" offers a cross section of this hidden infrastructure, using beautiful, innovative graphic images combined with short, clear text explanations to answer all the questions about the way things work in a modern city. It describes the technologies that keep the city functioning, as well as the people who support them-the pilots that bring the ships in over the Narrows sandbar, the sandhogs who are currently digging the third water tunnel under Manhattan, the television engineer who scales the Empire State Building's antenna for routine maintenance, the electrical wizards who maintain the century-old system that delivers power to subways.
Urban Theory
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
Inherent vice: bootleg histories of videotape and copyright
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
Acoustics
William Pereira
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William Pereira helped define emerging social values: he designed every building type imaginable, from houses to hospitals, as well as inventing some of his own, such as the Television Studios for CBS in Los Angeles, which were the first of their kind. For the expansion of Los Angeles International Airport Pereira convinced authorities to adapt the facility to jet(...)
William Pereira
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William Pereira helped define emerging social values: he designed every building type imaginable, from houses to hospitals, as well as inventing some of his own, such as the Television Studios for CBS in Los Angeles, which were the first of their kind. For the expansion of Los Angeles International Airport Pereira convinced authorities to adapt the facility to jet planes before jet travel was commonplace. This monograph captures Pereira’s talent and influence, featuring in-depth, behind-the-scenes views of his most well known projectcs, including the CBS, USC Masterplan, the University of California (Irvine) campus, the Doha Masterplan, the Transamerica Tower in San Francisco, and the LA Airport.
Architecture Monographs
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no(...)
Photography monographs
December 2007, Stuttgart
Stan Douglas Past Imperfect - works 1986-2007
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no other artist. His work has been presented in numerous major shows all over the world, but a retrospective in Stuttgart unities his key works of the past twenty years in a single exhibition for the first time. This publication offers various readings of the artist's complex oeuvre and his multifaceted interpretations of history, film, and music.
Photography monographs
$65.00
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''frieze A to Z of Contemporary Art'' charts the dynamic, changing landscape of the contemporary art and culture of the past quarter century. Drawing on frieze magazine’s exceptional back catalogue of articles, this book brings together a curated collection of over fifty engaging highlights. It features artist interviews; essays on subjects as varied as museums,(...)
October 2016
Frieze: A to Z of contemporary art
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''frieze A to Z of Contemporary Art'' charts the dynamic, changing landscape of the contemporary art and culture of the past quarter century. Drawing on frieze magazine’s exceptional back catalogue of articles, this book brings together a curated collection of over fifty engaging highlights. It features artist interviews; essays on subjects as varied as museums, photography, pre-historic art and television; and think pieces on broader cultural topics, such as fame, gentrification, nostalgia, and style. The book's content - selected from throughout the magazine's history - offers a guide to this dynamic era of visual culture, revealing the increasing internationalism, popularity, and market dominance of contemporary art.
$42.95
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the(...)
Christoph Schlingensief: German pavillon, 54th Venice Biennale 2011
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the course of the 2011 program. Instead of presenting elements of Schlingensief’s project, Festspielhaus Afrika, which initiated the first “opera village,” curator Susanne Gaensheimer has developed a program and accompanying catalogue that pays tribute to one of Germany’s most radical, experimental, and progressive voices. With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.
Contemporary Art Monographs
$44.00
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans(...)
Little white houses : how the postwar home constructed race in America
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.
Architectural Theory
Michael Schirner : bye bye
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about(...)
Michael Schirner : bye bye
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about images. Magazines, newspapers, films, television, the internet, advertising, and art are his image archives. Schirner works and reworks that which is stored in our collective memory. The goal of his work is to make the invisible visible.
Photography monographs