623 Results
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journals and magazines
journals and magazines
Title:
The British Library journal.
The British Library journal.
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Description:
1 online resource : illustrations
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Publication:
London : British Museum Publications, ©1975-©1999.
London : British Museum Publications, ©1975-©1999.
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journals and magazines
journals and magazines
Publication:
London : British Museum Publications, ©1975-©1999.
London : British Museum Publications, ©1975-©1999.
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Form:
books
books
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Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
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Subject:
Publication:
St. John's : Newfoundland Book Publishers, [©1937]-
St. John's : Newfoundland Book Publishers, [©1937]-
Title:
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
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Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
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Holdings:
Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
Form:
books
books
Publication:
St. John's : Newfoundland Book Publishers, [©1937]-
St. John's : Newfoundland Book Publishers, [©1937]-
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Form:
journals and magazines
journals and magazines
Title:
Littérature.
Littérature.
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Description:
1 online resource (volumes).
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Publication:
Paris : Larousse, ©1971-
Paris : Larousse, ©1971-
Form:
journals and magazines
journals and magazines
Publication:
Paris : Larousse, ©1971-
Paris : Larousse, ©1971-
Author:
Subject:
Form:
books
books
Title:
Steven Shearer
Steven Shearer
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Price:
$49.95
(available to order)
Summary:
Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own(...)
$49.95
(available to order)
Summary:
Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Birmingham, Toronto
January 1900, Birmingham, Toronto
Title:
Steven Shearer
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Price:
$49.95
(available to order)
Summary:
Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own development as a teenaged boy, and issues around teen identity and social class. The 67 works presented here - a mix of paintings, posters, highly intricate photo-collages, drawings and written poems, from his 2007 exhibitions at Ikon and The Power Plant galleries - while animated by the culture of Heavy Metal music, ultimately reveal the - need to belong - that helps define the human condition, especially during adolescence. Excellent interpretive essays by curators Nigel Prince, Helena Reckitt and Nancy Tousley.
Steven Shearer
Actions:
Price:
$49.95
(available to order)
Summary:
Published on the occasion of the exhibition organised by Ikon Gallery, Birmingham and The Power Plant, Toronto. This first monograph on Canadian artist Steven Shearer plunges the reader into the phenomenally versatile work he creates based on material in his extensive image bank of some 36,000 JPEGs of clippings, Xeroxes, and found photos. Shearer's obsession is his own development as a teenaged boy, and issues around teen identity and social class. The 67 works presented here - a mix of paintings, posters, highly intricate photo-collages, drawings and written poems, from his 2007 exhibitions at Ikon and The Power Plant galleries - while animated by the culture of Heavy Metal music, ultimately reveal the - need to belong - that helps define the human condition, especially during adolescence. Excellent interpretive essays by curators Nigel Prince, Helena Reckitt and Nancy Tousley.
Form:
books
books
Publication:
January 1900, Birmingham, Toronto
January 1900, Birmingham, Toronto
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$85.00
(available to order)
Summary:
In 1891, James Beale, a wealthy, middle-class Unitarian solicitor from Birmingham, commissioned architect Philip Webb to design a holiday home in the Sussex countryside. The Beale family remained sole owners of the property until Helen Beale, James and Margaret Beale’s last surviving child, bequeathed the estate to the National Trust in 1972. Although Standen is(...)
$85.00
(available to order)
Summary:
In 1891, James Beale, a wealthy, middle-class Unitarian solicitor from Birmingham, commissioned architect Philip Webb to design a holiday home in the Sussex countryside. The Beale family remained sole owners of the property until Helen Beale, James and Margaret Beale’s last surviving child, bequeathed the estate to the National Trust in 1972. Although Standen is(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
May 2025
May 2025
Title:
Standen: Philip Webb, Morris & Co. and the creation of an Arts and Crafts home
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Price:
$85.00
(available to order)
Summary:
In 1891, James Beale, a wealthy, middle-class Unitarian solicitor from Birmingham, commissioned architect Philip Webb to design a holiday home in the Sussex countryside. The Beale family remained sole owners of the property until Helen Beale, James and Margaret Beale’s last surviving child, bequeathed the estate to the National Trust in 1972. Although Standen is recognised by architectural historians as a fine and complete example of Philip Webb’s Arts and Crafts architecture of the period and is widely celebrated for its Morris & Co. wallpapers and furnishings, little has been written about how the family experienced the house, garden and estate, and the extent to which this shaped Standen’s later life under the National Trust. This book fills the void, focusing on the Beales’ lived experience and how they collaborated with Philip Webb in the creation of Standen.
Standen: Philip Webb, Morris & Co. and the creation of an Arts and Crafts home
Actions:
Price:
$85.00
(available to order)
Summary:
In 1891, James Beale, a wealthy, middle-class Unitarian solicitor from Birmingham, commissioned architect Philip Webb to design a holiday home in the Sussex countryside. The Beale family remained sole owners of the property until Helen Beale, James and Margaret Beale’s last surviving child, bequeathed the estate to the National Trust in 1972. Although Standen is recognised by architectural historians as a fine and complete example of Philip Webb’s Arts and Crafts architecture of the period and is widely celebrated for its Morris & Co. wallpapers and furnishings, little has been written about how the family experienced the house, garden and estate, and the extent to which this shaped Standen’s later life under the National Trust. This book fills the void, focusing on the Beales’ lived experience and how they collaborated with Philip Webb in the creation of Standen.
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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Price:
$74.95
(available to order)
Summary:
Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing(...)
$74.95
(available to order)
Summary:
Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing(...)
Title:
Town: prints and drawings of Britain before 1800
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$74.95
(available to order)
Summary:
Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing in Newmarket, and naval services in Portsmouth. Containing more than one hundred images of country towns in England, Wales, and Scotland, this book draws on the extensive Gough collection in the Bodleian Library. Contemporary prints and drawings provide a powerful visual record of the development of the town in this period, and finely drawn prospects and maps—made with greater accuracy than ever before—reveal their early development. This book also includes perceptive observations from the journals and letters of collector Richard Gough (1735–1809), who traveled throughout the country on the cusp of the industrial age.
Town: prints and drawings of Britain before 1800
Actions:
Price:
$74.95
(available to order)
Summary:
Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing in Newmarket, and naval services in Portsmouth. Containing more than one hundred images of country towns in England, Wales, and Scotland, this book draws on the extensive Gough collection in the Bodleian Library. Contemporary prints and drawings provide a powerful visual record of the development of the town in this period, and finely drawn prospects and maps—made with greater accuracy than ever before—reveal their early development. This book also includes perceptive observations from the journals and letters of collector Richard Gough (1735–1809), who traveled throughout the country on the cusp of the industrial age.
Form:
books
books
Publication:
February 2021
February 2021
Subject:
History until 1900, Great Britain
History until 1900, Great Britain
Form:
books
books
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Price:
$56.95
(available to order)
Summary:
Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
$56.95
(available to order)
Summary:
Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
Title:
Transformative beauty: art museums in industrial Britain
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Price:
$56.95
(available to order)
Summary:
Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
Transformative beauty: art museums in industrial Britain
Actions:
Price:
$56.95
(available to order)
Summary:
Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Museology
Museology
Form:
journals and magazines
journals and magazines
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Description:
1 online resource (volumes)
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Publication:
Madrid : Consejo Superior de Investigaciones Científicas, Instituto Francisco de Vitoria, 1948-
Madrid : Consejo Superior de Investigaciones Científicas, Instituto Francisco de Vitoria, 1948-
Form:
journals and magazines
journals and magazines
Publication:
Madrid : Consejo Superior de Investigaciones Científicas, Instituto Francisco de Vitoria, 1948-
Madrid : Consejo Superior de Investigaciones Científicas, Instituto Francisco de Vitoria, 1948-
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journals and magazines
journals and magazines
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Description:
1 online resource
Author:
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Publication:
Pisa : Tipografia Nistri, 1873-1915.
Pisa : Tipografia Nistri, 1873-1915.
Title:
Annali della R. Scuola normale superiore di Pisa. Filosofia e filologia.
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Description:
1 online resource
Annali della R. Scuola normale superiore di Pisa. Filosofia e filologia.
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Description:
1 online resource
Form:
journals and magazines
journals and magazines
Publication:
Pisa : Tipografia Nistri, 1873-1915.
Pisa : Tipografia Nistri, 1873-1915.
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Subject:
Form:
journals and magazines
journals and magazines
Title:
Arts asiatiques.
Arts asiatiques.
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Description:
1 online resource
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Subject:
Publication:
Paris : Presses Universitaires de France, 1954-, Paris : A. Maisonneuve
Paris : Presses Universitaires de France, 1954-, Paris : A. Maisonneuve
Form:
journals and magazines
journals and magazines
Publication:
Paris : Presses Universitaires de France, 1954-, Paris : A. Maisonneuve
Paris : Presses Universitaires de France, 1954-, Paris : A. Maisonneuve
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Subject:
