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Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted(...)
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Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted(...)
Title:
Producing futures: a book on post-cyber feminisms
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Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted with the fact that, rather, it multiplied and enforced existing hierarchies and power structures. Thus the question remains of whether the cyberspace can be appropriated when striving for gender justice, emancipation and social equality. As the virtual world(s) and real life are increasingly merging, artists reflect on and productively alienate the tools and platforms on hand to produce a future that is worth living in—offline and online.
Producing futures: a book on post-cyber feminisms
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$85.00
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Summary:
Stemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, ''Producing Futures: A Book on Post-Cyber-Feminisms'' focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted with the fact that, rather, it multiplied and enforced existing hierarchies and power structures. Thus the question remains of whether the cyberspace can be appropriated when striving for gender justice, emancipation and social equality. As the virtual world(s) and real life are increasingly merging, artists reflect on and productively alienate the tools and platforms on hand to produce a future that is worth living in—offline and online.
Form:
books
books
Publication:
July 2019
July 2019
Subject:
Art Theory
Art Theory
Form:
video
video
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$29.99
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Louise Bourgeois: The Spider, the Mistress and the Tangerine is a mesmerizing cinematic journey inside the world of the modern art legend and feminist icon. As an artist, Louise Bourgeois always worked on her own vigorously inventive and disquieting terms. In 1982, at the age of 71, she became the first woman honored with a major retrospective at The Museum of Modern Art.(...)
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Louise Bourgeois: The Spider, the Mistress and the Tangerine is a mesmerizing cinematic journey inside the world of the modern art legend and feminist icon. As an artist, Louise Bourgeois always worked on her own vigorously inventive and disquieting terms. In 1982, at the age of 71, she became the first woman honored with a major retrospective at The Museum of Modern Art.(...)
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Louise Bourgeois: the spider, the mistress and the tangerine
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Louise Bourgeois: The Spider, the Mistress and the Tangerine is a mesmerizing cinematic journey inside the world of the modern art legend and feminist icon. As an artist, Louise Bourgeois always worked on her own vigorously inventive and disquieting terms. In 1982, at the age of 71, she became the first woman honored with a major retrospective at The Museum of Modern Art. She went on to create her most powerful and persuasive work--the massive spider sculptures that have since been exhibited all over the world. Filmed with unparalleled access between 1993 and 2007, this documentary delicately sheds light on the ways in which her childhood traumas and memories became embodied in objects and installations. An intimate and human engagement with an artist’s world, this documentary is a comprehensive and dramatic work of creativity and revelation.
Louise Bourgeois: the spider, the mistress and the tangerine
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Louise Bourgeois: The Spider, the Mistress and the Tangerine is a mesmerizing cinematic journey inside the world of the modern art legend and feminist icon. As an artist, Louise Bourgeois always worked on her own vigorously inventive and disquieting terms. In 1982, at the age of 71, she became the first woman honored with a major retrospective at The Museum of Modern Art. She went on to create her most powerful and persuasive work--the massive spider sculptures that have since been exhibited all over the world. Filmed with unparalleled access between 1993 and 2007, this documentary delicately sheds light on the ways in which her childhood traumas and memories became embodied in objects and installations. An intimate and human engagement with an artist’s world, this documentary is a comprehensive and dramatic work of creativity and revelation.
Form:
video
video
Publication:
July 2012
July 2012
Subject:
DVDs
DVDs
Form:
books
books
Title:
Grandma's story
Grandma's story
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The storyteller is the living memory of her time: at once an oracle, weaver, healer, warrior, witch, protectress, teacher and great mother. Her powers are to do with passing on – not only the stories but transmission itself: "what grandma began, granddaughter completes and passes on to be further completed." In contrast to the idea that a story is "just a story",(...)
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The storyteller is the living memory of her time: at once an oracle, weaver, healer, warrior, witch, protectress, teacher and great mother. Her powers are to do with passing on – not only the stories but transmission itself: "what grandma began, granddaughter completes and passes on to be further completed." In contrast to the idea that a story is "just a story",(...)
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Grandma's story
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The storyteller is the living memory of her time: at once an oracle, weaver, healer, warrior, witch, protectress, teacher and great mother. Her powers are to do with passing on – not only the stories but transmission itself: "what grandma began, granddaughter completes and passes on to be further completed." In contrast to the idea that a story is "just a story", pioneering postcolonial feminist theorist and filmmaker Trinh T. Minh-ha recodes ideas about truth and fantasy to tell a different story about power, civilisation, history, medicine and magic. "Grandma’s Story" shows how creative speech is connected to women’s powers of enchantment, drawing upon and speaking with storytellers including Theresa Hak Kyung Cha, Clarice Lispector, Maxine Hong Kingston, Leslie Marmon Silko and Zora Neale Hurston – all who may be known as ‘'she who breaks open the spell'’.
Grandma's story
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The storyteller is the living memory of her time: at once an oracle, weaver, healer, warrior, witch, protectress, teacher and great mother. Her powers are to do with passing on – not only the stories but transmission itself: "what grandma began, granddaughter completes and passes on to be further completed." In contrast to the idea that a story is "just a story", pioneering postcolonial feminist theorist and filmmaker Trinh T. Minh-ha recodes ideas about truth and fantasy to tell a different story about power, civilisation, history, medicine and magic. "Grandma’s Story" shows how creative speech is connected to women’s powers of enchantment, drawing upon and speaking with storytellers including Theresa Hak Kyung Cha, Clarice Lispector, Maxine Hong Kingston, Leslie Marmon Silko and Zora Neale Hurston – all who may be known as ‘'she who breaks open the spell'’.
Form:
books
books
Publication:
September 2025
September 2025
Subject:
Social
Social
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books
books
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$33.95
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Summary:
In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni(...)
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In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni(...)
Title:
Black gathering: Art, ecology, ungiven life
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In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.
Black gathering: Art, ecology, ungiven life
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Summary:
In this publication, Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Art Theory
Art Theory
Form:
books
books
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$55.00
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
$55.00
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
Title:
Unsettling Canadian Art History
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Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
Unsettling Canadian Art History
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Summary:
Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.
Form:
books
books
Publication:
June 2022
June 2022
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books
books
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$36.00
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
Title:
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Form:
books
books
Publication:
August 2019
August 2019
Subject:
Design Theory
Design Theory
Form:
books
books
Price:
$30.95
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Summary:
In recent years, the rise of research-creation--a scholarly activity that considers art practices as research methods in their own right--has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In this publication, Natalie Loveless draws on diverse(...)
$30.95
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In recent years, the rise of research-creation--a scholarly activity that considers art practices as research methods in their own right--has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In this publication, Natalie Loveless draws on diverse(...)
Title:
How to make art at the end of the world: a manifesto for research-creation
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In recent years, the rise of research-creation--a scholarly activity that considers art practices as research methods in their own right--has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In this publication, Natalie Loveless draws on diverse perspectives--from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students--to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university. Championing experimental, artistically driven methods of teaching, researching, and publication, research-creation works to render daily life in the academy more pedagogically, politically, and affectively sustainable, as well as more responsive to issues of social and ecological justice.
How to make art at the end of the world: a manifesto for research-creation
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$30.95
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Summary:
In recent years, the rise of research-creation--a scholarly activity that considers art practices as research methods in their own right--has emerged from the organic convergences of the arts and interdisciplinary humanities, and it has been fostered by universities wishing to enhance their public profiles. In this publication, Natalie Loveless draws on diverse perspectives--from feminist science studies to psychoanalytic theory, as well as her own experience advising undergraduate and graduate students--to argue for research-creation as both a means to produce innovative scholarship and a way to transform pedagogy and research within the contemporary neoliberal university. Championing experimental, artistically driven methods of teaching, researching, and publication, research-creation works to render daily life in the academy more pedagogically, politically, and affectively sustainable, as well as more responsive to issues of social and ecological justice.
Form:
books
books
Publication:
August 2019
August 2019
Subject:
Art Theory
Art Theory
Form:
books
books
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$38.00
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely(...)
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely(...)
Title:
Red love: a reader on Alexandra Kollontai
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely love" to be an important political force, elemental in shaping social bonds beyond the limitations of property relations. 'Red Love' stems from a yearlong research by CuratorLab at Konstfack University together with Tensta konsthall, that led up to Dora García's exhibition Red Love and its related public programing. A number of artists and thinkers revisit Kollontai's ideas on the politics of love and their relation to current political, social, and feminist struggles. The publication also includes the biographical play Kollontai from 1977 by distinguished Swedish writer Agneta Pleijel.
Red love: a reader on Alexandra Kollontai
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely love" to be an important political force, elemental in shaping social bonds beyond the limitations of property relations. 'Red Love' stems from a yearlong research by CuratorLab at Konstfack University together with Tensta konsthall, that led up to Dora García's exhibition Red Love and its related public programing. A number of artists and thinkers revisit Kollontai's ideas on the politics of love and their relation to current political, social, and feminist struggles. The publication also includes the biographical play Kollontai from 1977 by distinguished Swedish writer Agneta Pleijel.
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Art Theory
Art Theory
Form:
books
books
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$36.95
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In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant(...)
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In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant(...)
Title:
Climate change and the new polar aesthetics: Artists reimagine the Arctic and Antarctic
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In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.
Climate change and the new polar aesthetics: Artists reimagine the Arctic and Antarctic
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$36.95
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Summary:
In this volume, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.
Form:
books
books
Publication:
October 2022
October 2022
Subject:
indigenous
indigenous
Form:
books
books
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$24.00
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a(...)
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a(...)
Title:
Rage in Harlem: June Jordan and architecture
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In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan's "Skyrise for Harlem" project offered a Futuristic vision for Harlem that argued for environmental redesign: "it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience."
Rage in Harlem: June Jordan and architecture
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Summary:
In the tense days leading up to the 2020 American elections, then-candidate for Pennsylvania State Senate Nikil Saval addressed a virtual audience at the Harvard GSD to tell a story about Black feminist writer June Jordan and a little-known project that resulted from the aftermath of the 1964 Harlem riot. The events of police brutality and community grieving made a lasting impression on Jordan, who, while known for her work as a poet, playwright, and activist, responded with a proposal for a multiple-tower housing design. Through an unlikely partnership with R. Buckminster Fuller, Jordan's "Skyrise for Harlem" project offered a Futuristic vision for Harlem that argued for environmental redesign: "it is architecture, conceived of in its fullest meaning as the creation of environment, which may actually determine the pace, pattern, and quality of living experience."
Form:
books
books
Publication:
June 2024
June 2024
Subject:
Urban Theory
Urban Theory
