Cultural cues
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Cutural Cues is the sixth book featured the work of the Louis I. Kahn Visiting Assistant Professorship, which brings young innovators in architectural design to the Yale School of Architecture. This book includes the studio research and projects of Joe Day of Deegan Day Design in “NOWplex” a cinema in L.A., Tom Wiscombe of Tom Wiscombe Architecture in “The Broad Redux,”(...)
Contemporary Architecture
September 2015
Cultural cues
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Cutural Cues is the sixth book featured the work of the Louis I. Kahn Visiting Assistant Professorship, which brings young innovators in architectural design to the Yale School of Architecture. This book includes the studio research and projects of Joe Day of Deegan Day Design in “NOWplex” a cinema in L.A., Tom Wiscombe of Tom Wiscombe Architecture in “The Broad Redux,” for a new interpretation of the Broad Museum in L.A., and Adib Cure & Carie Penabad of Cure Penabade in the studio “Havana: Housing in the Historic Center.” The studios explore contemporary interpretations of the implications of cinema, the museum, and housing, taking cues from their complex cultural and urban contexts. Along with student work, interviews with the architects about the work of their professional offices and essays framing the themes of the work are combined with insight into the pedagogical approach of these practitioner-educators.
Contemporary Architecture
I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is(...)
I am Inuit
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Inuit indigenous ethnic groups inhabit an area stretching from North-East Siberia across the Bering Strait to Alaska up to Northern Canada all the way to Greenland. Climate change is already causing significant transformations having all kinds of impacts. For around four million people, the Arctic region is neither a curiosity, nor is it untouched wilderness: It is home. Since 2015, photographer Brian Adams from the Inupiaq ethnic group has been traveling through Alaska, capturing the Inuit and their individual stories and finding out how they spend their individual lives in the 21st century. Visiting around 20 communities, he took portraits of the residents and recorded their narratives, sharing these across social media. This project I am Inuit as well as this book has the aim of promoting understanding, dismantling stereotypes as well as misperceptions and connecting the world with Alaskan Inuits, and the Arctic, through common humanity.
Photography monographs
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This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to(...)
De-/signing the urban : techno-genesis and the urban image
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This book represents the fruits of a year long forum carried out in the Delft School of Design (Faculty of Architecture, University of Technology Delft). The papers in this collection are gathered from renowned visiting scholars, faculty members, and doctoral candidates who contributed to workshops, seminars and lectures. The essays contained in this volume contribute to matters which have come to increasingly shift our understanding of architecture and urbanism. The authors offer insight on urban processes and the aesthetic challenge for contemporary design in relation to image, technology and life sciences. Contributions include discussion on : the structure of the network city in terms of temporal manipulations; the virtual emergence and resilience of contemporary urban place in the context of Beijing; the practice of the 'production of space' is detailed with a study of Nowa Huta, Poland, a post communist city and a phenomenological account of habitat and the urban body is presented in relation to Bogotá.
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December 2006, Rotterdam
Urban Theory
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Luis Barragán’s house, Louis Kahn wrote after visiting it, is a place that “could have been built a hundred years ago or a hundred years from now.” So, in more ways than one, is The Air is Blue, an exhibition orchestrated in the master's house and studio by Hans Ulrich Obrist and Pedro Reyes, over the course of three years. The ever-growing list of participants comprised(...)
The air is blue: insights on art and architecture. Luis Barragan revisited
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Luis Barragán’s house, Louis Kahn wrote after visiting it, is a place that “could have been built a hundred years ago or a hundred years from now.” So, in more ways than one, is The Air is Blue, an exhibition orchestrated in the master's house and studio by Hans Ulrich Obrist and Pedro Reyes, over the course of three years. The ever-growing list of participants comprised at the end forty-seven artists and contributors, including Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, and Niele Toroni. Their interventions collided visions and conversations about poetry, urbanism, music, sexuality, art, and architecture. A catalogue was published in 2006, but never circulated. After ten years, this reprint consists on an integral black-and-white scan of the original book, with a small appendix of previously unpublished images and a new afterword written by Reyes. All on blue paper.
Architecture Monographs
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Mary Heilmann is one of the most important abstract painters of her generation. Her distinctively fluid, humorous, and bright canvases combine the modes of Abstract Expressionism with a vibrant Pop sensibility. Heilmannn's 1979 painting in hot pink and black, evocatively titled Save the Last Dance for Me, marked a shift in the artist's perspective. Heilmann describes it:(...)
Mary Heilmann: save the last dance for me
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Mary Heilmann is one of the most important abstract painters of her generation. Her distinctively fluid, humorous, and bright canvases combine the modes of Abstract Expressionism with a vibrant Pop sensibility. Heilmannn's 1979 painting in hot pink and black, evocatively titled Save the Last Dance for Me, marked a shift in the artist's perspective. Heilmann describes it: "Now the work came from a different place. Instead of working out of modernist non-image formalism, I began to see that the choices in the work depended more on content for their meaning." This beautifully illustrated study of Save the Last Dance for Me explores the development of Heilmann's work, and the way it continues to engage us—psychologically, sensually, and socially. Terry R. Myers is a lecturer, critic, and independent curator based in Los Angeles, Visiting Lecturer at the School of the Art Institute of Chicago, and Adjunct Associate Professor at Art Center College of Design in Pasadena.
Art Theory
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Becoming Water takes the reader on a tour of Canada’s glaciers, describing the stories they tell and educating the reader about how glaciers came to be, how they work and what their future holds in our warming world. By visiting Canada’s high and low Arctic and the mountain West, the reader will learn how varied and complex our glaciers really are, how they are measured(...)
Becoming water: glaciers in a warming world
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Becoming Water takes the reader on a tour of Canada’s glaciers, describing the stories they tell and educating the reader about how glaciers came to be, how they work and what their future holds in our warming world. By visiting Canada’s high and low Arctic and the mountain West, the reader will learn how varied and complex our glaciers really are, how they are measured and how they figure into the national and global story of inevitable change. The reader will learn to think like a scientist, in particular how to look at climate-related data that contains cycles, trends and shifts, and then ponder what questions to ask in the face of our dramatically changing environment. This book encourages Canadians to explore upstream from ourselves, learning about our origins and how climate change and encroaching human settlement are drastically affecting our glaciers and therefore the natural and human landscapes that lie below—and are dependent upon—them.
Architecture in Canada
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How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia(...)
April 2012
The last art college: Nova Scotia College of Art and Design, 1968-1978
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How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would include: Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Lucy Lippard, John Baldessari, Jenny Holzer and Eric Fischl. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg.
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In 1969 and 1970, Louis I. Kahn (1901–1974) participated in a series of interviews with a young German architectural historian, Heinrich Klotz, then a visiting professor at Yale University, and John W. Cook, who was teaching architecture at the Yale Divinity School. Louis I. Kahn in Conversation provides the first full edited transcript of these candid, illuminating(...)
Architectural Theory
November 2014
Louis I. Kahn in conversation: interviews with John W. Cook and Heinrich Klotz, 1969–70
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In 1969 and 1970, Louis I. Kahn (1901–1974) participated in a series of interviews with a young German architectural historian, Heinrich Klotz, then a visiting professor at Yale University, and John W. Cook, who was teaching architecture at the Yale Divinity School. Louis I. Kahn in Conversation provides the first full edited transcript of these candid, illuminating interviews, which provide insights into Kahn’s philosophy of architecture. The conversations touch on many of his iconic works, including the unbuilt City Tower Project for Philadelphia, the Yale University Art Gallery, the First Unitarian Church in Rochester, and major international projects then under construction, as well as the Yale Center for British Art, Kahn’s final building, on which he was beginning work at the time. Illustrated with dozens of plans, drawings, and photographs, the book also features an introduction by Jules David Prown, the first director of the Yale Center for British Art, who recommended Kahn as its architect.
Architectural Theory
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The Phaidon Atlas of Contemporary World Architecture: Travel Edition, presents all of the best works of architecture completed in the last five years in a convenient mini format. Each of the 1,052 projects from the comprehensive edition included a single image per building and a short text to describe it. The project entry gives the name of each building and its(...)
Architecture since 1900, Europe
May 2005, London
The Phaidon atlas of contemporary world architecture : travel edition
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The Phaidon Atlas of Contemporary World Architecture: Travel Edition, presents all of the best works of architecture completed in the last five years in a convenient mini format. Each of the 1,052 projects from the comprehensive edition included a single image per building and a short text to describe it. The project entry gives the name of each building and its architect, the location, address and contact details, and potential visiting hours. There is also a system to indicate which projects are open to the public. In addition to the forty two regional maps from the comprehensive edition, there are 27 new city maps which locate the buildings in more built up areas. The book provides a unique opportunity to visit 1,052 works of contemporary architecture in all parts of the world, from the Arctic Circle to African deserts. The Phaidon Atlas of Contemporary World Architecture, Travel Edition is an essential companion on the travels of all those interested in gaining a first hand understanding of contemporary architecture around the world.
Architecture since 1900, Europe
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have(...)
Dark places: the haunted house in film
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Dark Places" explores the dim, claustrophobic interiors of haunted houses in horror movies, as well as the cinema auditorium itself, and their relation to the 'dark places' of the human pysche. Barry Curtis looks at the long, blood-soaked history of horror films: their fascination with re-animating the dead; the special effects, both sophisticated and crude, which have been contrived in order to bring spirits into the realm of the living; the structures, projections and architecture of horror movie sets; and the complex metaphorical life of 'ghosts' as harbingers of loss, amnesia, injustice and vengeance. A wide range of films is also discussed in which the 'haunted house' is reworked in new scenarios - the road, the apartment, the motel, the spaceship - and visually linked to the troubling archetypes of Gothic fictions. Barry Curtis is Emeritus Professor of Visual Culture at Middlesex University, Fellow of the London Consortium, and Visiting Tutor at the Royal College of Art. He has written widely on film, architecture, art and visual culture for magazines, newspapers and journals.
Architecture and Film, Set Design