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43 pages : illustrations (some color) ; 21 cm
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43 pages : illustrations (some color) ; 21 cm
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[Helsinki] : Suomen rakennustaiteen museo, 1980.
[Helsinki] : Suomen rakennustaiteen museo, 1980.
Title:
Symboli ja tulkinta : oppilastöitä 1979, Cranbrookin taideakatemia, Arkkitehuuriosasto = Symbol and interpretation : student projects 1979, Cranbrook Academy of Art, Department of Architecture / [luettelo, Juhani Pallasmaa ; käännökset, the English Centre, Maija Kärkkäinen, Timo Alanko].
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43 pages : illustrations (some color) ; 21 cm
Symboli ja tulkinta : oppilastöitä 1979, Cranbrookin taideakatemia, Arkkitehuuriosasto = Symbol and interpretation : student projects 1979, Cranbrook Academy of Art, Department of Architecture / [luettelo, Juhani Pallasmaa ; käännökset, the English Centre, Maija Kärkkäinen, Timo Alanko].
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43 pages : illustrations (some color) ; 21 cm
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books
books
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[Helsinki] : Suomen rakennustaiteen museo, 1980.
[Helsinki] : Suomen rakennustaiteen museo, 1980.
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books
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66 pages : illustrations (chiefly color) ; 11 x 15 cm.
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66 pages : illustrations (chiefly color) ; 11 x 15 cm.
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Madrid : Fundación COAM, 2006.
Madrid : Fundación COAM, 2006.
Title:
Concursos COAM : Veteco 2006.
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66 pages : illustrations (chiefly color) ; 11 x 15 cm.
Concursos COAM : Veteco 2006.
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66 pages : illustrations (chiefly color) ; 11 x 15 cm.
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books
books
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Madrid : Fundación COAM, 2006.
Madrid : Fundación COAM, 2006.
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books
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$60.00
(available to order)
Summary:
Accompanying a major exhibition organized by the Farnsworth Art Museum, this book presents a new and authentic perspective on the Shaker community. Specially commissioned photography, archival imagery, essays by prominent scholars, and a firsthand interview with a member of the Sabbathday Lake Shaker community deepen our understanding of this influential movement and style.
$60.00
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Summary:
Accompanying a major exhibition organized by the Farnsworth Art Museum, this book presents a new and authentic perspective on the Shaker community. Specially commissioned photography, archival imagery, essays by prominent scholars, and a firsthand interview with a member of the Sabbathday Lake Shaker community deepen our understanding of this influential movement and style.
Title:
The Shakers: from mount Lebanon to the world
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$60.00
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Accompanying a major exhibition organized by the Farnsworth Art Museum, this book presents a new and authentic perspective on the Shaker community. Specially commissioned photography, archival imagery, essays by prominent scholars, and a firsthand interview with a member of the Sabbathday Lake Shaker community deepen our understanding of this influential movement and style.
The Shakers: from mount Lebanon to the world
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$60.00
(available to order)
Summary:
Accompanying a major exhibition organized by the Farnsworth Art Museum, this book presents a new and authentic perspective on the Shaker community. Specially commissioned photography, archival imagery, essays by prominent scholars, and a firsthand interview with a member of the Sabbathday Lake Shaker community deepen our understanding of this influential movement and style.
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books
books
Publication:
July 2014
July 2014
Subject:
Design, Periods and Styles
Design, Periods and Styles
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books
books
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271 pages : color illustrations ; 31 cm
Description:
271 pages : color illustrations ; 31 cm
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Berlin : Gestalten, 2012.
Berlin : Gestalten, 2012.
Title:
The sky's the limit : applying radical architecture / [edited by Robert Klanten, Sven Ehmann, and Sofia Borges ; text and preface by Sofia Borges].
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271 pages : color illustrations ; 31 cm
The sky's the limit : applying radical architecture / [edited by Robert Klanten, Sven Ehmann, and Sofia Borges ; text and preface by Sofia Borges].
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271 pages : color illustrations ; 31 cm
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books
books
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Berlin : Gestalten, 2012.
Berlin : Gestalten, 2012.
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books
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Gae Aulenti
Gae Aulenti
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$44.95
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This publication illustrates Aulenti's complete oeuvre and includes the world-famous Musée d'Orsay, stage designs for theatre and opera, a villa in St. Tropez, exhibition designs for the 2001 Milan Triennale, and the remodelling of the Palazzo Grassi in Venice.
$44.95
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Summary:
This publication illustrates Aulenti's complete oeuvre and includes the world-famous Musée d'Orsay, stage designs for theatre and opera, a villa in St. Tropez, exhibition designs for the 2001 Milan Triennale, and the remodelling of the Palazzo Grassi in Venice.
Publication:
August 2003, New York
August 2003, New York
Title:
Gae Aulenti
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$44.95
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Summary:
This publication illustrates Aulenti's complete oeuvre and includes the world-famous Musée d'Orsay, stage designs for theatre and opera, a villa in St. Tropez, exhibition designs for the 2001 Milan Triennale, and the remodelling of the Palazzo Grassi in Venice.
Gae Aulenti
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$44.95
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Summary:
This publication illustrates Aulenti's complete oeuvre and includes the world-famous Musée d'Orsay, stage designs for theatre and opera, a villa in St. Tropez, exhibition designs for the 2001 Milan Triennale, and the remodelling of the Palazzo Grassi in Venice.
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books
books
Publication:
August 2003, New York
August 2003, New York
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books
books
Price:
$64.95
(available in store)
Summary:
How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia(...)
$64.95
(available in store)
Summary:
How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia(...)
Publication:
April 2012
April 2012
Title:
The last art college: Nova Scotia College of Art and Design, 1968-1978
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$64.95
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How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would include: Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Lucy Lippard, John Baldessari, Jenny Holzer and Eric Fischl. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg.
The last art college: Nova Scotia College of Art and Design, 1968-1978
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$64.95
(available in store)
Summary:
How did a small art college in Nova Scotia become the epicenter of art education - and to a large extent of the postmimimalist and conceptual art world itself - in the 1960s and 1970s ? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would include: Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Lucy Lippard, John Baldessari, Jenny Holzer and Eric Fischl. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg.
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books
books
Publication:
April 2012
April 2012
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books
books
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483, [6] pages : illustrations ; 11 x 17 cm
Description:
483, [6] pages : illustrations ; 11 x 17 cm
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Como : C. Nani, 1976.
Como : C. Nani, 1976.
Title:
Operazione Arcevia : comunità esistenziale / [a cura di] Ico Parisi ; [scritti di] Italo Bartoletti [and others].
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483, [6] pages : illustrations ; 11 x 17 cm
Operazione Arcevia : comunità esistenziale / [a cura di] Ico Parisi ; [scritti di] Italo Bartoletti [and others].
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483, [6] pages : illustrations ; 11 x 17 cm
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books
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Como : C. Nani, 1976.
Como : C. Nani, 1976.
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audio
audio
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7 audio discs (CD) (408 minutes, 19 sec.) : digital ; 12 cm. consultation copy., 4 audiocassettes (DAT) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master., 4...
Description:
7 audio discs (CD) (408 minutes, 19 sec.) : digital ; 12 cm. consultation copy., 4 audiocassettes (DAT) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master., 4...
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Publication:
[1994]
[1994]
Title:
Montréal : agir dans la ville .
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7 audio discs (CD) (408 minutes, 19 sec.) : digital ; 12 cm. consultation copy., 4 audiocassettes (DAT) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master., 4...
Montréal : agir dans la ville .
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7 audio discs (CD) (408 minutes, 19 sec.) : digital ; 12 cm. consultation copy., 4 audiocassettes (DAT) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master., 4...
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audio
audio
Publication:
[1994]
[1994]
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447 pages : illustrations (some color) ; 23 cm.
Description:
447 pages : illustrations (some color) ; 23 cm.
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Publication:
New York : Monacelli Press, 2002.
New York : Monacelli Press, 2002.
Title:
The light construction reader / Todd Gannon, editor.
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447 pages : illustrations (some color) ; 23 cm.
The light construction reader / Todd Gannon, editor.
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447 pages : illustrations (some color) ; 23 cm.
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books
books
Publication:
New York : Monacelli Press, 2002.
New York : Monacelli Press, 2002.
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books
books
Title:
Billboard : art on the road
Billboard : art on the road
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$30.00
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Summary:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three(...)
$30.00
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Summary:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three(...)
Subject:
Graphic Design and Typography
Graphic Design and Typography
Publication:
July 1999, North Adams
July 1999, North Adams
Title:
Billboard : art on the road
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$30.00
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Summary:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Geneviève Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and colour images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small colour image. The book also contains three essays. In "Disturbances in the Field of Mammon: Toward a History of Artists' Billboards," Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards ("Uncle Sam Wants You"). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not "sell" any political message.
Billboard : art on the road
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$30.00
(available to order)
Summary:
This book accompanies the exhibition of artists' billboards that opens the Massachusetts Museum of Contemporary Art's (MASS MoCA's) inaugural season. The exhibition comprises a twenty-work retrospective of billboards designed by artists over the past three decades as well as five newly commissioned ones. The retrospective includes works by, among others, John Baldessari, Geneviève Cadieux, Felix Gonzalez-Torres, Gran Fury, Group Material, the Guerrilla Girls, Jenny Holzer, Joseph Kosuth, and Barbara Kruger. The new works, made in cooperation with the communities where they will be installed, are by Julie Ault and Martin Beck, Lothar Baumgarten, Sue Coe, Leon Golub, and Gary Simmons. In addition to the descriptions and colour images of the historic and new billboards, the book contains almost three hundred short entries, offering the first broad survey of the medium. More than half of these entries include a small colour image. The book also contains three essays. In "Disturbances in the Field of Mammon: Toward a History of Artists' Billboards," Harriet Senie finds precursors for contemporary billboards in European art posters (Toulouse-Lautrec), modern political posters (Rodchenko), and war billboards ("Uncle Sam Wants You"). She looks at the subject matter of contemporary artists' billboards--racism, feminism, environmental issues, war and peace, consumerism, and AIDS--and at artists' strategies and site choices. Public artist Peggy Diggs discusses the process through which billboards are made and the problems encountered by billboard artists, and curator Laura Heon writes about works in the exhibition, in particular the (often conceptual) billboards that do not "sell" any political message.
Form:
books
books
Publication:
July 1999, North Adams
July 1999, North Adams
Subject:
Graphic Design and Typography
Graphic Design and Typography
