Renzo Piano
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Renzo Piano has been a leading protagonist on the stage of world architecture since the 1970s. His work combines the best building traditions of his native land with the most advanced technological achievements of the late 20th century. Amongst his most celebrated creations are the Pompidou Centre in Paris, built together with Richard Rogers, the de Menil collection in(...)
Renzo Piano
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Renzo Piano has been a leading protagonist on the stage of world architecture since the 1970s. His work combines the best building traditions of his native land with the most advanced technological achievements of the late 20th century. Amongst his most celebrated creations are the Pompidou Centre in Paris, built together with Richard Rogers, the de Menil collection in Houston, the redevelopment of the historical port of Genoa, Kansai International Airport in Osaka, the redevelopment scheme for the Potsdamer Platz in Berlin, not to mention his much praised Beyeler Museum in Basel and cultural centre in Noumea, New Caledonia.
Architecture Monographs
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The MOVE conflict. On May 13, a bomb was dropped on a rowhouse in West Philadelphia. The bomb was an attempt to forcibly evict the residents of 6221 Osage Avenue, the home of a radical organization called MOVE. The MOVE organization was founded in the early 1970s by a man who called himself John Africa. The MOVE bombing was one of the most tragedic events in(...)
Pamphlet architecture # 23 : move / sites of trauma
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The MOVE conflict. On May 13, a bomb was dropped on a rowhouse in West Philadelphia. The bomb was an attempt to forcibly evict the residents of 6221 Osage Avenue, the home of a radical organization called MOVE. The MOVE organization was founded in the early 1970s by a man who called himself John Africa. The MOVE bombing was one of the most tragedic events in Philadelphia's long history, a tragedy that was only intensified by the city's response. The loss of life is permanent. The bond between people and place can be reforged through deliberate, sensitive intervention.
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Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
Contemporary Art Monographs
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''Fiction Non Fiction'' is a series of readers edited by Bruno Zhu that pairs voices in literary criticism with the material histories of labor, gender, and race. Each volume offers a close reading of fictional and theoretical works to explore how identity politics have been narrativized by liberal institutions across different times and spaces. Volume 1, published in(...)
Fiction, non-fiction. Volume 1
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''Fiction Non Fiction'' is a series of readers edited by Bruno Zhu that pairs voices in literary criticism with the material histories of labor, gender, and race. Each volume offers a close reading of fictional and theoretical works to explore how identity politics have been narrativized by liberal institutions across different times and spaces. Volume 1, published in conjunction with Bruno Zhu's commission ''License to Live'' at Chisenhale Gallery, London, delves into the concept of space. Spanning Martinique and colonial Algeria, Jamaican plantations, and 1970s Lisbon, the collection examines the enduring impact of colonial projects that continue to underpin extractive systems today.
Literature and poetry
B.C. Binning
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Artist, educator and architectural innovator —Bertram Charles (B.C.) Binning was all of these. From the early 1930s through the mid-1970s, Binning was at the forefront of West Coast modern art, architecture and arts education. He is perhaps best known for the groundbreaking design of his Modernist home, which has been recognized by the Historic Sites and Monuments Board(...)
Architecture in Canada
April 2006, Vancouver, Toronto
B.C. Binning
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Artist, educator and architectural innovator —Bertram Charles (B.C.) Binning was all of these. From the early 1930s through the mid-1970s, Binning was at the forefront of West Coast modern art, architecture and arts education. He is perhaps best known for the groundbreaking design of his Modernist home, which has been recognized by the Historic Sites and Monuments Board of Canada. Built in 1940, the Binning residence captures the spirit of early Modernism in Canada. Binning is equally well known for his lively line drawings and his geometric, non-figurative abstract paintings that often reflect his fascination with boats and maritime activity.
Architecture in Canada
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In Architecture or Techno-Utopia, Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s. Scott examines projects, conceptual work, exhibitions, publications, pedagogical initiatives, and agitprop performances that had as their(...)
Architectural Theory
November 2007, Cambridge, London
Architecture or Techno-utopia : politics after modernism
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In Architecture or Techno-Utopia, Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s. Scott examines projects, conceptual work, exhibitions, publications, pedagogical initiatives, and agitprop performances that had as their premise the belief that architecture could be ethically and politically relevant. Although most of these strategies were far from the mainstream of American architectural practice, Scott suggests that their ambition-the demonstration of architecture's ongoing potential for social and political engagement-was nonetheless remarkable.
Architectural Theory
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In this revealing autobiographical account, Jean Nouvel, one of today's most interesting international architects, looks at his work from his debut at the end of the 1970s up to his most recent projects, giving a detailed description of his planning philosophy and, in certain passages, proposing his own ideas regarding the future of architecture. The book is handsomely(...)
Ungers : O.M. Ungers, S. Vieths. The Dialectic City
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In this revealing autobiographical account, Jean Nouvel, one of today's most interesting international architects, looks at his work from his debut at the end of the 1970s up to his most recent projects, giving a detailed description of his planning philosophy and, in certain passages, proposing his own ideas regarding the future of architecture. The book is handsomely illustrated by photographs from the architect's personal archive and focuses in particular on Nouvel's principal works, including the Institute du Monde Arabe and Fondation Cartier in Paris, the restructuring of the Lyons Opera House and the recently completed Lafayette Department Store in Berlin
Urban Theory
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This book unites the pioneering work of six artists and designers: Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, Sheila Hicks. Inspired by both local traditions and modern methods, these women made art that reflected and contributed to Mexico’s rich artistic landscape at the height of the modern period. Their work was rooted in modernism and(...)
In a cloud, in a wall, in a chair: six modernists in Mexico at midcentury
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This book unites the pioneering work of six artists and designers: Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, Sheila Hicks. Inspired by both local traditions and modern methods, these women made art that reflected and contributed to Mexico’s rich artistic landscape at the height of the modern period. Their work was rooted in modernism and grounded in abstraction.This constellation of like-minded practitioners shared an affinity for Mexico, a country all lived in or visited between the 1940s and the 1970s. In bringing their works together, this book offers a new lens on modernism in Mexico.
Modernism
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Gleaned from texts written from the 1970s onwards, this volume collects practical information on the construction of roofs and shelters that were intended to meet the material needs of impoverished peoples in the Global South. It is representative of architect Yona Friedman’s foresight in those years, as he had already decided to focus his interventions on how to include(...)
Roofs: local materials, simple technology, sophisticated ideas
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Gleaned from texts written from the 1970s onwards, this volume collects practical information on the construction of roofs and shelters that were intended to meet the material needs of impoverished peoples in the Global South. It is representative of architect Yona Friedman’s foresight in those years, as he had already decided to focus his interventions on how to include the inhabitants in the design of their habitat and dwellings. Besides being tested for UNESCO, Friedman’s manuals include essential 'blackboard' sketches. Ultimately, ''Roofs'' highlights the fact that the various issues facing modern cities are the result of irresponsible attitudes towards our planet.
Architecture Monographs
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The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro, Joyce Kozloff, Robert Kushner, and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting,(...)
With pleasure : Pattern and Decoration in American Art 1972–1985
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The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro, Joyce Kozloff, Robert Kushner, and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This book showcases works by more than 40 artists from across the United States, examining the movement’s defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art.
Design, Periods and Styles