13682 Results
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books
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Institute of Network Cultures 2014
Institute of Network Cultures 2014
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books
books
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Description:
viii, 122 pages : illustrations (some color) ; 25 cm
Description:
viii, 122 pages : illustrations (some color) ; 25 cm
Title:
Architectural photography / Michael G. Harris.
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viii, 122 pages : illustrations (some color) ; 25 cm
Architectural photography / Michael G. Harris.
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viii, 122 pages : illustrations (some color) ; 25 cm
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books
books
Publication:
Oxford ; Boston : Focal Press, 1995.
Oxford ; Boston : Focal Press, 1995.
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books
books
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xxxvii, 388 pages : illustrations ; 24 cm
Description:
xxxvii, 388 pages : illustrations ; 24 cm
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Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Title:
The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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xxxvii, 388 pages : illustrations ; 24 cm
The American woman's home / Catherine E. Beecher and Harriet Beecher Stowe ; edited and with an introduction by Nicole Tonkovich.
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xxxvii, 388 pages : illustrations ; 24 cm
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books
books
Publication:
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
Hartford, Conn. : Harriet Beecher Stowe Center ; New Brunswick, N.J. : Rutgers University Press, [2002], ©2002.
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books
books
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Description:
20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Description:
20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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Subject:
- Art Early works to 1800.,
- Art Ouvrages avant 1800.,
- Art,
- Early works,
- Woodcuts Italy Milan 1581-1590.,
- Decorations Italy Milan 1581-1590.,
- Vellum bindings (Binding),
- Labels (Binding),
- Marbled papers (Binding),
- Stained edges (Binding),
- Quarto format (Printing) Italy 16th century.,
- Colophons (Printing) Italy 16th century.,
- Printers' devices (Printing) Italy 16th century.,
- Signatures (Printing) Italy 16th century.,
- Signature registers (Printing) Italy 16th century.,
- Integral errata lists (Printing) Italy 16th century.,
- Signing irregularities (Printing) Italy 16th century.,
- Catchwords (Printing) Italy 16th century.,
- Pagination errors (Printing) Italy 16th century.,
- Inscriptions (Provenance) 17th century.,
- Ink stamps (Provenance)
(See more)
Publication:
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
Title:
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
Trattato dell'arte della pittura, scoltura, et architettura / di Gio. Paolo Lomazzo milanese pittore, diuiso in sette libri. Ne' quali si discorre de la proportione, de' moti, de' colori, de' lumi, de la prospettiua, de la prattica de la pittura, et finalmente de le istorie d'essa pittura. Con vna tauola de' nomi de tutti li pitttori [sic], scoltori, architetti, & matematici antichi, & moderni.
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20 preliminary leaves, 700 [i.e. 698] pages ; 21 cm
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books
books
Publication:
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
In Milano : Per Paolo Gottardo Pontio, stampatore regio, a instantia di Pietro Tini, M.D.LXXXV [1585]
Subject:
- Art Early works to 1800.,
- Art Ouvrages avant 1800.,
- Art,
- Early works,
- Woodcuts Italy Milan 1581-1590.,
- Decorations Italy Milan 1581-1590.,
- Vellum bindings (Binding),
- Labels (Binding),
- Marbled papers (Binding),
- Stained edges (Binding),
- Quarto format (Printing) Italy 16th century.,
- Colophons (Printing) Italy 16th century.,
- Printers' devices (Printing) Italy 16th century.,
- Signatures (Printing) Italy 16th century.,
- Signature registers (Printing) Italy 16th century.,
- Integral errata lists (Printing) Italy 16th century.,
- Signing irregularities (Printing) Italy 16th century.,
- Catchwords (Printing) Italy 16th century.,
- Pagination errors (Printing) Italy 16th century.,
- Inscriptions (Provenance) 17th century.,
- Ink stamps (Provenance)
(See more)
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books
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Description:
xix, 416 pages ; 24 cm
Description:
xix, 416 pages ; 24 cm
Subject:
- Deutsch,
- Imagination Musikgruppe : London,
- BMBF-Statusseminar,
- Imagination History.,
- Enlightenment.,
- Romanticism Great Britain.,
- Romanticism Germany.,
- Empiricism History.,
- Creation (Literary, artistic, etc.),
- Enlightenment History.,
- Empiricism history,
- Imagination history,
- Creativity history,
- Imagination Histoire.,
- Siècle des Lumières Histoire.,
- Romantisme Grande-Bretagne.,
- Romantisme Allemagne.,
- Empirisme Histoire.,
- Création littéraire.,
- Siècle des Lumières.,
- Enlightenment (18th-century western movement),
- Empiricism,
- Imagination,
- Romanticism,
- Englisch,
- Literatur,
- Romantik,
- Theorie,
- Creativiteit.,
- Verbeelding.,
- Verbeeldingskracht.,
- Verlichting (cultuurgeschiedenis),
- Romantiek.,
- Germany,
- Great Britain,
- Großbritannien,
- Imagination Theories of Western European writers 1700-1850.,
- History
(See more)
Publication:
Cambridge, Massachusetts : Harvard University Press, 1981.
Cambridge, Massachusetts : Harvard University Press, 1981.
Title:
The creative imagination : Enlightenment to Romanticism / James Engell.
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Description:
xix, 416 pages ; 24 cm
The creative imagination : Enlightenment to Romanticism / James Engell.
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Description:
xix, 416 pages ; 24 cm
Form:
books
books
Publication:
Cambridge, Massachusetts : Harvard University Press, 1981.
Cambridge, Massachusetts : Harvard University Press, 1981.
Subject:
- Deutsch,
- Imagination Musikgruppe : London,
- BMBF-Statusseminar,
- Imagination History.,
- Enlightenment.,
- Romanticism Great Britain.,
- Romanticism Germany.,
- Empiricism History.,
- Creation (Literary, artistic, etc.),
- Enlightenment History.,
- Empiricism history,
- Imagination history,
- Creativity history,
- Imagination Histoire.,
- Siècle des Lumières Histoire.,
- Romantisme Grande-Bretagne.,
- Romantisme Allemagne.,
- Empirisme Histoire.,
- Création littéraire.,
- Siècle des Lumières.,
- Enlightenment (18th-century western movement),
- Empiricism,
- Imagination,
- Romanticism,
- Englisch,
- Literatur,
- Romantik,
- Theorie,
- Creativiteit.,
- Verbeelding.,
- Verbeeldingskracht.,
- Verlichting (cultuurgeschiedenis),
- Romantiek.,
- Germany,
- Great Britain,
- Großbritannien,
- Imagination Theories of Western European writers 1700-1850.,
- History
(See more)
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books
books
Price:
$63.00
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Summary:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
$63.00
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Summary:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
Title:
The last picture show : artists using photography 1960 - 1982
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$63.00
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In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
The last picture show : artists using photography 1960 - 1982
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$63.00
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Summary:
In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
Form:
books
books
Publication:
November 2003, Minneapolis
November 2003, Minneapolis
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Thinking photography
Thinking photography
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$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Title:
Thinking photography
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$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Thinking photography
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$38.95
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Summary:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Form:
books
books
Publication:
April 2003, New York
April 2003, New York
Subject:
Theory of Photography
Theory of Photography
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books
books
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$41.00
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Summary:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
$41.00
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Summary:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own(...)
Title:
Luigi Ghirri: the complete essays, 1973-1991
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$41.00
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Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Luigi Ghirri: the complete essays, 1973-1991
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$41.00
(available to order)
Summary:
Published for the first time in English, 'The Complete Essays 1973–1991' comprises sixty-eight texts in which Luigi Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.
Form:
books
books
Publication:
July 2016
July 2016
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$39.95
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Summary:
"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of(...)
$39.95
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Summary:
"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of(...)
Publication:
August 2018
August 2018
Title:
Our voices: indigeneity and architecture
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$39.95
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"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
Our voices: indigeneity and architecture
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$39.95
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Summary:
"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
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books
books
Publication:
August 2018
August 2018
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books
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Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Title:
Angkor : an introduction / translated and edited by Emily Floyd Gardiner. Photographys by George Bliss.
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Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Angkor : an introduction / translated and edited by Emily Floyd Gardiner. Photographys by George Bliss.
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Description:
118 pages : illustrations, photographs, folded maps ; 19 cm
Form:
books
books
Publication:
Hong Kong ; London ; New York : Oxford University Press, 1963.
Hong Kong ; London ; New York : Oxford University Press, 1963.
