books
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ix, 204 pages ; 21 cm
Minneapolis : University of Minnesota Press, 1996.
Cosmos & hearth : a cosmopolite's viewpoint / Yi-fu Tuan.
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ix, 204 pages ; 21 cm
books
Minneapolis : University of Minnesota Press, 1996.
books
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vi, 410 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm
Cambridge, Mass. : MIT Press, ©2011.
Imagery in the 21st century / edited by Oliver Grau with Thomas Veigl.
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vi, 410 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm
books
Cambridge, Mass. : MIT Press, ©2011.
books
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209 pages, 6 unnumbered pages of plates : illustrations (some color) ; 23 cm
Gent : A & S Books, Department of Architecture & Urban Planning, Ghent University, 2009.
Architecture, disciplinarity, and the arts / edited by Andrew Leach ; John MacArthur.
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209 pages, 6 unnumbered pages of plates : illustrations (some color) ; 23 cm
books
Gent : A & S Books, Department of Architecture & Urban Planning, Ghent University, 2009.
books
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xxvi, 404 pages : illustrations (some color), maps ; 25 cm.
Leiden : Brill, 2012.
Investing in the early modern built environment : Europeans, Asians, settlers and Indigenous societies / edited by Carole Shammas.
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xxvi, 404 pages : illustrations (some color), maps ; 25 cm.
books
Leiden : Brill, 2012.
$36.95
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Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting(...)
Film X Autochthonous struggles today
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$36.95
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Summary:
"Film X Autochthonous struggles today" brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.
Art Theory
$50.00
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In his previous project Migropolis, Wolfgang Scheppe proposed Venice, Italy, as a prototype of the increasingly globalized city. Here, the German philosopher reexamines the city from another perspective. Done. Book is an "inquiry into the depth of visual archives," and how the archives of a city can aid an understanding of its society. Under this rubric, Scheppe compares(...)
Done. Book, picturing the city of society
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Summary:
In his previous project Migropolis, Wolfgang Scheppe proposed Venice, Italy, as a prototype of the increasingly globalized city. Here, the German philosopher reexamines the city from another perspective. Done. Book is an "inquiry into the depth of visual archives," and how the archives of a city can aid an understanding of its society. Under this rubric, Scheppe compares two obsessive attempts at archiving or summating Venice: the Venetian notebooks of English art critic John Ruskin (1819-1900), compiled for his classic study Stones of Venice, and previously unseen photographs assembled by Alvio Gavagnin (born 1944), a contemporary resident of the city's working-class district. Despite their differences, both projects stem from a similar self-imposed commitment on the part of their makers: to provide a comprehensive representation of the details of an urban network, whose truth can be glimpsed in the minutiae and hidden particulars.
Urban Theory
$24.95
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Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings(...)
The ruin of exchange and other writings on art
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$24.95
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Summary:
Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here - such as his contributions to the German magazine Texte zur Kunst - appear in English for the first time.
Art Theory
$44.95
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Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key(...)
Hollywood cinema and the real Los Angeles
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$44.95
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Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key contributions to its rapid growth and frequent crises in economic, social, political and cultural life. Whether filmmakers engaged with the real city on location or recreated it on a studio set, Los Angeles shaped the films that were made there and circulated influentially worldwide. The book pays particular attention to early cinema, slapstick comedy, movies about the movies and film noir, which are each explored in new ways, with an emphasis on urban and architectural space and its representation, as well as filmmaking style and technique.
Architecture and Film, Set Design
$55.00
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Summary:
A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In this volume scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. The volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors(...)
Place matters: critical topographies in word and image
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$55.00
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Summary:
A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In this volume scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. The volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here?
Architectural Theory
$45.00
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Summary:
Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United(...)
Photography monographs
February 2018
A way to disconnect and connect
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$45.00
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Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United States. Cristian explores his surroundings and boundaries to find details that provide memories to a place that still feels new to him. He often put myself in situations where he wanders alone through unknown places, without any specific plan in mind - exploring, improvising and letting himself drift and flow to record elements that drive his attention, discovering cultures and local information that manifests along the way as evidence, providing a representation of the area and somehow activating memories of other places he has lived in.
Photography monographs