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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
Title:
Parables for the virtual: movement, affect, sensation
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
Parables for the virtual: movement, affect, sensation
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Summary:
Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
Subject:
Critical Theory
Critical Theory
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$48.99
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
Title:
Architecture of life: Soviet modernism and the human sciences
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Architecture of life: Soviet modernism and the human sciences
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Summary:
During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Subject:
Architectural Theory
Architectural Theory
Title:
In praise of copying
In praise of copying
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$29.95
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This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
$29.95
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Summary:
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
Title:
In praise of copying
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This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
In praise of copying
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$29.95
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Summary:
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
Subject:
Critical Theory
Critical Theory
Title:
In praise of copying
In praise of copying
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$24.95
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Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
$24.95
(available to order)
Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
Title:
In praise of copying
Actions:
Price:
$24.95
(available to order)
Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means — historically, culturally, philosophically — and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
In praise of copying
Actions:
Price:
$24.95
(available to order)
Summary:
This book is devoted to a deceptively simple but original argument : that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means — historically, culturally, philosophically — and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
Subject:
Critical Theory
Critical Theory
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$47.50
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Summary:
In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it.(...)
$47.50
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Summary:
In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it.(...)
Title:
Ethics of the urban: the city and the spaces of the political
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In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it. With contributors from a variety of fields, Ethics of the Urban discusses these urban spaces of the political. "How do we move about the city?", "How does memory of the past inspire the future of cities?" and "What makes a city a home?" are only some of the many questions that Ethics of the Urban addresses. The publication gathers experts from history, sociology, art, political theory, planning, law and design to emphasize the complexity of the meaning that urban space has today. Urban spaces are on one hand political spaces, since buildings, streets and people moving around all mirror political decisions in one way or another. On the other hand, the urban space is also a designed space, conceptualized, planned and sometimes gentrified. Complimented by stunning photography, Ethics of the Urban is a vibrant intellectual journey straight into the bone marrow of every contemporary city around the globe.
Ethics of the urban: the city and the spaces of the political
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$47.50
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Summary:
In times where global matters such as the climate, currencies and places of residence become increasingly volatile, the urban public space we live in is an area where power, identity and belonging are negotiated. Cities have always been melting pots of history, society, art and politics, which is why the way a city is shaped tells us a lot about the people who live in it. With contributors from a variety of fields, Ethics of the Urban discusses these urban spaces of the political. "How do we move about the city?", "How does memory of the past inspire the future of cities?" and "What makes a city a home?" are only some of the many questions that Ethics of the Urban addresses. The publication gathers experts from history, sociology, art, political theory, planning, law and design to emphasize the complexity of the meaning that urban space has today. Urban spaces are on one hand political spaces, since buildings, streets and people moving around all mirror political decisions in one way or another. On the other hand, the urban space is also a designed space, conceptualized, planned and sometimes gentrified. Complimented by stunning photography, Ethics of the Urban is a vibrant intellectual journey straight into the bone marrow of every contemporary city around the globe.
Subject:
Urban Theory
Urban Theory
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books
books
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$76.95
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Summary:
This volume deals with the complex themes of construction and Vacchini's personal theory of architecture, and lays particular stress on the most significant phases in the development of one of the most celebrated of Swiss architects.
$76.95
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Summary:
This volume deals with the complex themes of construction and Vacchini's personal theory of architecture, and lays particular stress on the most significant phases in the development of one of the most celebrated of Swiss architects.
Title:
Livio Vacchini : works and projects
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This volume deals with the complex themes of construction and Vacchini's personal theory of architecture, and lays particular stress on the most significant phases in the development of one of the most celebrated of Swiss architects.
Livio Vacchini : works and projects
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This volume deals with the complex themes of construction and Vacchini's personal theory of architecture, and lays particular stress on the most significant phases in the development of one of the most celebrated of Swiss architects.
Form:
books
books
Publication:
August 1999, Barcelona
August 1999, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
- Library main 309263 | BIB 254533 | Available
- Library main 309777 | BIB 254533 | accompanying material | Available
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Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
Author:
Subject:
- Experimental Jetset (Design studio),
- Graphic arts Netherlands Amsterdam.,
- Site-specific installations (Art) New York (State) New York.,
- Arts graphiques Pays-Bas Amsterdam.,
- Installations in situ (Art) New York (État) New York.,
- Site-specific installations (Art),
- Graphic arts,
- Kunst,
- New York (State) New York,
- Netherlands Amsterdam
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Publication:
Amsterdam : Roma Publications, 2019.
Amsterdam : Roma Publications, 2019.
Title:
Full scale, false scale / Experimental Jetset.
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Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
Full scale, false scale / Experimental Jetset.
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Holdings:
- Library main 309263 | BIB 254533 | Available
- Library main 309777 | BIB 254533 | accompanying material | Available
(See more)
Description:
275 pages : illustrations (some color), facsimiles, portraits ; 18 cm + 1 booklet (24 pages : illustrations ; 18 x 11 cm)
Form:
books
books
Publication:
Amsterdam : Roma Publications, 2019.
Amsterdam : Roma Publications, 2019.
Subject:
- Experimental Jetset (Design studio),
- Graphic arts Netherlands Amsterdam.,
- Site-specific installations (Art) New York (State) New York.,
- Arts graphiques Pays-Bas Amsterdam.,
- Installations in situ (Art) New York (État) New York.,
- Site-specific installations (Art),
- Graphic arts,
- Kunst,
- New York (State) New York,
- Netherlands Amsterdam
(See more)
Form:
books
books
Holdings:
Description:
132 pages : illustrations, maps, plans ; 30 cm
Description:
132 pages : illustrations, maps, plans ; 30 cm
Subject:
- Sinan, Mimar, 1489 or 1490-1588 Criticism and interpretation.,
- Sinan, Mimar, 1489 or 1490-1588.,
- Sinan 1489-1588,
- Sinan, Mimar, (1489-1588),
- Sinan.,
- Architecture, Ottoman Turkey.,
- Islamic architecture Turkey.,
- Architecture Turkey.,
- Architecture, Ottoman Turkey Greek influences.,
- Islamic architecture Turkey Greek influences.,
- Architecture Turquie.,
- Architecture.,
- Architecture, Ottoman.,
- Islamic architecture.,
- Architektur,
- Osmanische Architektur,
- Bouwkunst.,
- Architects Turkey 16th century.,
- Architecture Turquie Istanbul (Turquie) 16e siècle.,
- Architecture ottomane Turquie.,
- Architecture islamique Turquie.,
- Architecture ottomane Turquie Influence grecque.,
- Turkey.,
- Osmanisches Reich,
- Criticism, interpretation, etc.
(See more)
Publication:
London : Saqi Books, 1993.
London : Saqi Books, 1993.
Title:
Sinan : Ottoman architecture and its values today / Godfrey Goodwin.
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Description:
132 pages : illustrations, maps, plans ; 30 cm
Sinan : Ottoman architecture and its values today / Godfrey Goodwin.
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Description:
132 pages : illustrations, maps, plans ; 30 cm
Form:
books
books
Publication:
London : Saqi Books, 1993.
London : Saqi Books, 1993.
Subject:
- Sinan, Mimar, 1489 or 1490-1588 Criticism and interpretation.,
- Sinan, Mimar, 1489 or 1490-1588.,
- Sinan 1489-1588,
- Sinan, Mimar, (1489-1588),
- Sinan.,
- Architecture, Ottoman Turkey.,
- Islamic architecture Turkey.,
- Architecture Turkey.,
- Architecture, Ottoman Turkey Greek influences.,
- Islamic architecture Turkey Greek influences.,
- Architecture Turquie.,
- Architecture.,
- Architecture, Ottoman.,
- Islamic architecture.,
- Architektur,
- Osmanische Architektur,
- Bouwkunst.,
- Architects Turkey 16th century.,
- Architecture Turquie Istanbul (Turquie) 16e siècle.,
- Architecture ottomane Turquie.,
- Architecture islamique Turquie.,
- Architecture ottomane Turquie Influence grecque.,
- Turkey.,
- Osmanisches Reich,
- Criticism, interpretation, etc.
(See more)
Form:
books
books
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Description:
1152 pages, 16 unnumbered pages : illustrations (some color), plans ; 35 cm
Description:
1152 pages, 16 unnumbered pages : illustrations (some color), plans ; 35 cm
Author:
Subject:
- Arets, W. M. J. Catalogs.,
- Arets, W. M. J. Criticism and interpretation.,
- Arets, W. M. J.,
- Architecture, Dutch 21st century.,
- Architectural design Netherlands.,
- Architecture Environmental aspects.,
- Architecture Philosophy.,
- Design architectural Pays-Bas.,
- Architecture Aspect de l'environnement.,
- Architecture Philosophie.,
- Architectural design,
- Architecture, Dutch,
- Netherlands,
- catalogs (documents),
- architectural drawings (visual works),
- Architectural drawings,
- Art criticism,
- Catalogs,
- Criticism, interpretation, etc.,
- Essays,
- Catalogues.,
- Dessins d'architecture.,
- Critiques d'art.
(See more)
Publication:
Seoul, Korea : C3 Seoul, [2022], Seoul : Art Printing
Seoul, Korea : C3 Seoul, [2022], Seoul : Art Printing
Title:
Wiel Arets : nature is nature.
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Description:
1152 pages, 16 unnumbered pages : illustrations (some color), plans ; 35 cm
Wiel Arets : nature is nature.
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Description:
1152 pages, 16 unnumbered pages : illustrations (some color), plans ; 35 cm
Form:
books
books
Publication:
Seoul, Korea : C3 Seoul, [2022], Seoul : Art Printing
Seoul, Korea : C3 Seoul, [2022], Seoul : Art Printing
Subject:
- Arets, W. M. J. Catalogs.,
- Arets, W. M. J. Criticism and interpretation.,
- Arets, W. M. J.,
- Architecture, Dutch 21st century.,
- Architectural design Netherlands.,
- Architecture Environmental aspects.,
- Architecture Philosophy.,
- Design architectural Pays-Bas.,
- Architecture Aspect de l'environnement.,
- Architecture Philosophie.,
- Architectural design,
- Architecture, Dutch,
- Netherlands,
- catalogs (documents),
- architectural drawings (visual works),
- Architectural drawings,
- Art criticism,
- Catalogs,
- Criticism, interpretation, etc.,
- Essays,
- Catalogues.,
- Dessins d'architecture.,
- Critiques d'art.
(See more)
Form:
video
video
Actions:
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Description:
1 videodisc (approximately 97 min.) : sound, color ; 4 3/4 in.
Description:
1 videodisc (approximately 97 min.) : sound, color ; 4 3/4 in.
Author:
Subject:
- Koolhaas, Rem.,
- Koolhaas, Rem Criticism and interpretation.,
- Architects Netherlands Biography.,
- Architecture, Modern 20th century.,
- Architecture, Modern 21st century.,
- Architectes Pays-Bas Biographies.,
- Architecture 20e siècle.,
- Architecture 21e siècle.,
- Architects,
- Architecture, Modern,
- Netherlands,
- Documentary films.,
- Biographical films.,
- Nonfiction films.,
- Documentaries and Factual Films,
- Biography,
- Informational DVD.,
- Biographies.,
- Interviews.,
- Video recordings (physical artifacts),
- Optical disks.,
- DVDs.,
- documentary film.,
- video recordings (physical artifacts),
- Video recordings,
- Feature films,
- Criticism, interpretation, etc.,
- Biographical Feature.,
- Films biographiques.,
- Documentaires.,
- Films autres que de fiction.,
- Vidéos.
(See more)
Publication:
[New York] : Distributed by New Video Group, [2010]
[New York] : Distributed by New Video Group, [2010]
Title:
Rem Koolhaas : a kind of architect / Arthouse Films and Curiously Bright Entertainment ; ein Film von Heidingsfelder Tesch ; Regie, Markus Heidingsfelder, Min Tesch ; Buch, Markus Heidingsfelder.
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Description:
1 videodisc (approximately 97 min.) : sound, color ; 4 3/4 in.
Rem Koolhaas : a kind of architect / Arthouse Films and Curiously Bright Entertainment ; ein Film von Heidingsfelder Tesch ; Regie, Markus Heidingsfelder, Min Tesch ; Buch, Markus Heidingsfelder.
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Description:
1 videodisc (approximately 97 min.) : sound, color ; 4 3/4 in.
Form:
video
video
Publication:
[New York] : Distributed by New Video Group, [2010]
[New York] : Distributed by New Video Group, [2010]
Subject:
- Koolhaas, Rem.,
- Koolhaas, Rem Criticism and interpretation.,
- Architects Netherlands Biography.,
- Architecture, Modern 20th century.,
- Architecture, Modern 21st century.,
- Architectes Pays-Bas Biographies.,
- Architecture 20e siècle.,
- Architecture 21e siècle.,
- Architects,
- Architecture, Modern,
- Netherlands,
- Documentary films.,
- Biographical films.,
- Nonfiction films.,
- Documentaries and Factual Films,
- Biography,
- Informational DVD.,
- Biographies.,
- Interviews.,
- Video recordings (physical artifacts),
- Optical disks.,
- DVDs.,
- documentary film.,
- video recordings (physical artifacts),
- Video recordings,
- Feature films,
- Criticism, interpretation, etc.,
- Biographical Feature.,
- Films biographiques.,
- Documentaires.,
- Films autres que de fiction.,
- Vidéos.
(See more)