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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien,(...)
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien,(...)
Title:
Artaud 1937 Apocalypse: letters from Ireland
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several 'magic spells,' intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through.
Artaud 1937 Apocalypse: letters from Ireland
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several 'magic spells,' intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through.
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books
books
Publication:
May 2019
May 2019
Subject:
Journeys
Journeys
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books
books
Title:
On freedom
On freedom
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In this book, New York Times bestselling author Cass Sunstein asks us to rethink freedom. He shows that freedom of choice isn't nearly enough. To be free, we must also be able to navigate life. People often need something like a GPS device to help them get where they want to go- whether the issue involves health, money, jobs, children, or relationships. In both rich and(...)
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In this book, New York Times bestselling author Cass Sunstein asks us to rethink freedom. He shows that freedom of choice isn't nearly enough. To be free, we must also be able to navigate life. People often need something like a GPS device to help them get where they want to go- whether the issue involves health, money, jobs, children, or relationships. In both rich and(...)
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On freedom
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In this book, New York Times bestselling author Cass Sunstein asks us to rethink freedom. He shows that freedom of choice isn't nearly enough. To be free, we must also be able to navigate life. People often need something like a GPS device to help them get where they want to go- whether the issue involves health, money, jobs, children, or relationships. In both rich and poor countries, citizens often have no idea how to get to their desired destination. That is why they are unfree. People also face serious problems of self-control, as many of them make decisions today that can make their lives worse tomorrow. And in some cases, we would be just as happy with other choices, whether a different partner, career, or place to live- which raises the difficult question of which outcome best promotes our well-being.
On freedom
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In this book, New York Times bestselling author Cass Sunstein asks us to rethink freedom. He shows that freedom of choice isn't nearly enough. To be free, we must also be able to navigate life. People often need something like a GPS device to help them get where they want to go- whether the issue involves health, money, jobs, children, or relationships. In both rich and poor countries, citizens often have no idea how to get to their desired destination. That is why they are unfree. People also face serious problems of self-control, as many of them make decisions today that can make their lives worse tomorrow. And in some cases, we would be just as happy with other choices, whether a different partner, career, or place to live- which raises the difficult question of which outcome best promotes our well-being.
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books
books
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February 2019
February 2019
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books
books
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A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs(...)
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A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs(...)
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The death and life of great American cities
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A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.
The death and life of great American cities
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A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.
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books
books
Publication:
December 1992, New York
December 1992, New York
Subject:
Urban Theory
Urban Theory
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books
books
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$24.00
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
Publication:
February 2007, London
February 2007, London
Title:
The destruction of memory : Architecture at war
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
The destruction of memory : Architecture at war
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
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books
books
Publication:
February 2007, London
February 2007, London
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books
books
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$58.50
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even(...)
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even(...)
Title:
Architecture and its ethical dilemmas
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even if they're not necessary or part of the clients' design brief? Who is architecture for? As the products of the architect's work are often in the public domain and reflect society's values, are architects too merely servants of society? What place does the professional architect-client relationship have in the 21st century? Can aesthetics be disassociated from ethics in a visual medium? A cast of leading writers and practitioners tackle these questions from a range of perspectives across architecture, the building and design industries, social theory and philosophy to contribute to the growing literature in the sociology of the professions.
Architecture and its ethical dilemmas
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"Architecture and its ethical dilemmas" examines the changing role of architects and the particular professional dilemmas they face. Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even if they're not necessary or part of the clients' design brief? Who is architecture for? As the products of the architect's work are often in the public domain and reflect society's values, are architects too merely servants of society? What place does the professional architect-client relationship have in the 21st century? Can aesthetics be disassociated from ethics in a visual medium? A cast of leading writers and practitioners tackle these questions from a range of perspectives across architecture, the building and design industries, social theory and philosophy to contribute to the growing literature in the sociology of the professions.
Form:
books
books
Publication:
December 2005, London, New York
December 2005, London, New York
Subject:
Architectural Theory
Architectural Theory
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books
books
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not(...)
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not(...)
Title:
The remittance landscape: spaces of migration in rural Mexico and urban USA
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Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas.
The remittance landscape: spaces of migration in rural Mexico and urban USA
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Summary:
Immigrants in the United States send more than $20 billion every year back to Mexico one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Architectural Theory
Architectural Theory
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books
books
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$61.95
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything(...)
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything(...)
Title:
John Lehr: the island position
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The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads, floor-to-ceiling decals of fanned money or flowing hair, haphazard product displays, and desperate, hand-scrawled invitations. Masquerading as a typology of storefronts, the surfaces in ''The Island Position'' embody something unseen: the people who constructed them. The signage is not simply an appeal to consumption, but a typography of emotion: vulnerability, ingenuity, distress, and hope-the language of capitalism as a form of public address. Lehr is not interested in what is for sale. He is interested in what is at stake.
John Lehr: the island position
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$61.95
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Summary:
The "Island Position" is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In ''The Island Position,'' John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads, floor-to-ceiling decals of fanned money or flowing hair, haphazard product displays, and desperate, hand-scrawled invitations. Masquerading as a typology of storefronts, the surfaces in ''The Island Position'' embody something unseen: the people who constructed them. The signage is not simply an appeal to consumption, but a typography of emotion: vulnerability, ingenuity, distress, and hope-the language of capitalism as a form of public address. Lehr is not interested in what is for sale. He is interested in what is at stake.
Form:
books
books
Publication:
February 2019
February 2019
Subject:
Photography monographs
Photography monographs
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books
books
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$74.95
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Summary:
Simple, clear, intelligent: the demographic shift brought on by modernity called for and facilitated a new understanding of design. The most critical and social stratum with the most money to spend, the "50+" generation, expects new standards in design and architecture that merge aesthetics, ergonomics, comfort, and bold lines. This is no longer about specific solutions(...)
$74.95
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Summary:
Simple, clear, intelligent: the demographic shift brought on by modernity called for and facilitated a new understanding of design. The most critical and social stratum with the most money to spend, the "50+" generation, expects new standards in design and architecture that merge aesthetics, ergonomics, comfort, and bold lines. This is no longer about specific solutions(...)
Title:
Universal design: solution for a barrier-free living
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Simple, clear, intelligent: the demographic shift brought on by modernity called for and facilitated a new understanding of design. The most critical and social stratum with the most money to spend, the "50+" generation, expects new standards in design and architecture that merge aesthetics, ergonomics, comfort, and bold lines. This is no longer about specific solutions for the few, but about making life comfortable for all: clear menus, spacious rooms and sizeable objects that are easy to use. Oliver Herwig’s book provides design-related and socially conscious answers for designers and architects, for decision-makers and companies, for everyone interested in addressing the needs of this discerning target group on a long-term basis. It examines the personal situation of an ever-aging generation from head to toe and introduces design strategies, product innovations, and architectural solutions for a barrier-free world, which would benefit everyone.
Universal design: solution for a barrier-free living
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$74.95
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Summary:
Simple, clear, intelligent: the demographic shift brought on by modernity called for and facilitated a new understanding of design. The most critical and social stratum with the most money to spend, the "50+" generation, expects new standards in design and architecture that merge aesthetics, ergonomics, comfort, and bold lines. This is no longer about specific solutions for the few, but about making life comfortable for all: clear menus, spacious rooms and sizeable objects that are easy to use. Oliver Herwig’s book provides design-related and socially conscious answers for designers and architects, for decision-makers and companies, for everyone interested in addressing the needs of this discerning target group on a long-term basis. It examines the personal situation of an ever-aging generation from head to toe and introduces design strategies, product innovations, and architectural solutions for a barrier-free world, which would benefit everyone.
Form:
books
books
Publication:
July 2008, Basel, Boston, Berlin
July 2008, Basel, Boston, Berlin
Subject:
Industrial Design
Industrial Design
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books
books
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$39.00
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Summary:
The art that has been produced in the last fifteen years has generated virtually no theoretical reflection or historial contextualization. The contrast with the previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art,(...)
$39.00
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Summary:
The art that has been produced in the last fifteen years has generated virtually no theoretical reflection or historial contextualization. The contrast with the previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art,(...)
Title:
Right about now: art & theory since the 1990s
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$39.00
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The art that has been produced in the last fifteen years has generated virtually no theoretical reflection or historial contextualization. The contrast with the previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art, Conceptual Art - they all had to have their own story. In the 1990s it was mainly the art itself and the experience it provided that were key. And yet this 'art without theory' ca, of course, be interpreted theoretically and put into a historical context. In Right about Now: Art and Theory since the 1990s and international group of renowned authors and new comers in the field has accepted the challenge and endeavoured to bring together the art and theory of the recent past. Their thought-provoking contributions revolve around six topical themes: the body, interactivity, engagement, documentary strategies, money, curating.
Right about now: art & theory since the 1990s
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$39.00
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Summary:
The art that has been produced in the last fifteen years has generated virtually no theoretical reflection or historial contextualization. The contrast with the previous decades could scarcely be starker. In the 1960s artists and critics fell over each other to come up with names, complete with theory and genealogy, for each new trend. Pop Art, Op Art, Minimal Art, Conceptual Art - they all had to have their own story. In the 1990s it was mainly the art itself and the experience it provided that were key. And yet this 'art without theory' ca, of course, be interpreted theoretically and put into a historical context. In Right about Now: Art and Theory since the 1990s and international group of renowned authors and new comers in the field has accepted the challenge and endeavoured to bring together the art and theory of the recent past. Their thought-provoking contributions revolve around six topical themes: the body, interactivity, engagement, documentary strategies, money, curating.
Form:
books
books
Publication:
March 2008, Amsterdam
March 2008, Amsterdam
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$106.95
(available to order)
Summary:
The phenomenon we know as "The Hamptons" — the epitome of high society, leisure, and affluence, the place of worldly glamour and every pleasure, natural and unnatural, that money can buy — began as a group of Puritan villages along Long Island's south shore before it was discovered at the end of the 19th century by artists and the fashionably rich. The earliest social(...)
$106.95
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Summary:
The phenomenon we know as "The Hamptons" — the epitome of high society, leisure, and affluence, the place of worldly glamour and every pleasure, natural and unnatural, that money can buy — began as a group of Puritan villages along Long Island's south shore before it was discovered at the end of the 19th century by artists and the fashionably rich. The earliest social(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
July 2007, New York
July 2007, New York
Title:
The Archtiecture of Leisure : Houses of the Hamptons, 1880-1930
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$106.95
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Summary:
The phenomenon we know as "The Hamptons" — the epitome of high society, leisure, and affluence, the place of worldly glamour and every pleasure, natural and unnatural, that money can buy — began as a group of Puritan villages along Long Island's south shore before it was discovered at the end of the 19th century by artists and the fashionably rich. The earliest social Hamptonites, descendents of colonial aristocracy, mingled with the colorful characters of the art colonies. Here the rich built fashionable and expansive summer houses where they enjoyed carefree recreation, artistic endeavors, and elegant social occasions. "Houses of the Hamptons, 1880-1930", explores more than 30 houses, many designed by some of America's leading architects. Less enamored with the showy grandeur typical of Newport's golden age, the wealthy Hamptonites built summer places that were an ensemble of exceptional architectural variety and achievement. Here, American Colonial, half-timbered Tudor, and red brick Georgian vied with shingled cottages and Mediterranean fantasy.
The Archtiecture of Leisure : Houses of the Hamptons, 1880-1930
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$106.95
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Summary:
The phenomenon we know as "The Hamptons" — the epitome of high society, leisure, and affluence, the place of worldly glamour and every pleasure, natural and unnatural, that money can buy — began as a group of Puritan villages along Long Island's south shore before it was discovered at the end of the 19th century by artists and the fashionably rich. The earliest social Hamptonites, descendents of colonial aristocracy, mingled with the colorful characters of the art colonies. Here the rich built fashionable and expansive summer houses where they enjoyed carefree recreation, artistic endeavors, and elegant social occasions. "Houses of the Hamptons, 1880-1930", explores more than 30 houses, many designed by some of America's leading architects. Less enamored with the showy grandeur typical of Newport's golden age, the wealthy Hamptonites built summer places that were an ensemble of exceptional architectural variety and achievement. Here, American Colonial, half-timbered Tudor, and red brick Georgian vied with shingled cottages and Mediterranean fantasy.
Form:
books
books
Publication:
July 2007, New York
July 2007, New York
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
