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Throughout the twentieth century, housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation – from domestic space to urban visions – this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or(...)
The housing project: discourses, ideals, models and politics in 20th century exhibitions
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Throughout the twentieth century, housing displays have proven to be a singular genre of architectural and design exhibitions. By crossing geographies and adopting multiple scales of observation – from domestic space to urban visions – this volume investigates a set of unexplored events devoted to housing and dwelling, organised by technical, professional, cultural or governmental institutions from the interwar years to the Cold War. The book offers a first critical assessment of twentieth-century housing exhibits and explores the role of exhibitions in the codification of notions of domesticity, social models, policies, and architectural and urban discourse. At the intersection of housing studies and the history of exhibitions, ''The Housing Project'' not only offers a novel angle on architectural history but also enriches scholarly perspectives in urban studies, cultural and media history, design, and consumption studies.
Collective Housing
Adelaide Cioni: on patterns
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This volume chronicles a recent solo exhibition by Italian artist Adelaide Cioni (born 1976). Including works across illustration, textile design, spatial installation and performance, the book showcases Cioni’s research on the origin of patterns and their ubiquitous imagery.
Adelaide Cioni: on patterns
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This volume chronicles a recent solo exhibition by Italian artist Adelaide Cioni (born 1976). Including works across illustration, textile design, spatial installation and performance, the book showcases Cioni’s research on the origin of patterns and their ubiquitous imagery.
Contemporary Art Monographs
Open 24 : politics of things
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In 2005, Bruno Latour and Peter Weibel produced Making Things Public: Atmospheres of Democracy, an exhibition and publication about the role of art and design in democratic processes. Open 24 looks at their representation in the public domain.
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February 2013
Open 24 : politics of things
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In 2005, Bruno Latour and Peter Weibel produced Making Things Public: Atmospheres of Democracy, an exhibition and publication about the role of art and design in democratic processes. Open 24 looks at their representation in the public domain.
Magazines
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The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate(...)
Graphic Designers, Monographs
March 2011
Max Huber
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The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate typography and identity design. Three essays cover Huber's entire career from the early 1940s, including his wide-ranging work in the fields of magazine, identity and exhibition design as well as expanding on his close links with a circle of brilliant artists, designers and intellectuals such as Josef Muller-Brockmann, Achille Castiglioni and Italo Calvino, among others.
Graphic Designers, Monographs
books
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Catalogue for the CCA exhibition on view from 26 November, 2008, until April 19, 2009. The catalogue presents original research and writing that further examines the exhibition's exploration of how the design and experience of contemporary cities can be
CCA Publications
November 2008, Montréal, Amsterdam
Actions: what you can do with the city
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Catalogue for the CCA exhibition on view from 26 November, 2008, until April 19, 2009. The catalogue presents original research and writing that further examines the exhibition's exploration of how the design and experience of contemporary cities can be
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November 2008, Montréal, Amsterdam
CCA Publications
Teaching/Practice
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Jonathan Sergison is an architect and cofounder of the London and Zurich-based Sergison Bates Architects. Since 2008, in addition to design work, Sergison has taught as professor of design and construction at the Academy of Architecture in Mendrisio, Switzerland. In an exhibition on the relationship between teaching and practice for the Sixteenth International(...)
Teaching/Practice
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Jonathan Sergison is an architect and cofounder of the London and Zurich-based Sergison Bates Architects. Since 2008, in addition to design work, Sergison has taught as professor of design and construction at the Academy of Architecture in Mendrisio, Switzerland. In an exhibition on the relationship between teaching and practice for the Sixteenth International Architecture Exhibition of the Venice Biennale, he shows how deeply connected these two passions are. Published to coincide with the Venice Biennale, "Teaching/Practice" takes the form of an interview on the interplay between these two fundamental aspects of Sergison’s practice, conducted by Irina Davidovici, an architect and senior research assistant at ETH Zurich’s Institute for the History and Theory of Architecture.
Architectural Theory
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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum(...)
Light up: The potential of light in museum architecture
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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum architecture – not only in terms of design practice, but also in terms of real-time spatial experiences. Computer-controlled lighting technologies are breaking boundaries, allowing the individual to take full control of lighting design. ''Light Up'' explores the potential of dynamic artificial lighting technologies in museum architecture, offering new insights into the use of light in exhibition spaces.
Materials and Lighting
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Actions: What You Can Do With the City presents original research and writing that explores how the design and experience of contemporary cities can be shaped by human actions. Published in conjunction with the 2008 CCA exhibition of the same name, the publication features 30 original essays. International in scope, the essays include personal observations by a range(...)
Actions: what you can do with the city
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Actions: What You Can Do With the City presents original research and writing that explores how the design and experience of contemporary cities can be shaped by human actions. Published in conjunction with the 2008 CCA exhibition of the same name, the publication features 30 original essays. International in scope, the essays include personal observations by a range of activists as well as scholarly reflections on the positive impact these individual initiatives have on the city. The series of texts is interspersed with a selection of 34 specific actions drawn from the exhibition. The actions are represented by colour images with short descriptions highlighting the actors, tools, and locations involved. Introductory essays by the editors and exhibition co-curators Mirko Zardini and Giovanna Borasi give historical perspective and establish the curatorial framework for the exhibition and publication.
CCA Publications
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This issue of Mousse explores the ways in which concerns surrounding exhibition display and elements derived from exhibition architecture have been appropriated by contemporary artworks and art practices, and how artistic modes and attitudes have played a significant role in shaping the lexicon of exhibition design. We asked a diverse pool of guest contributors — artists,(...)
Mousse 61
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This issue of Mousse explores the ways in which concerns surrounding exhibition display and elements derived from exhibition architecture have been appropriated by contemporary artworks and art practices, and how artistic modes and attitudes have played a significant role in shaping the lexicon of exhibition design. We asked a diverse pool of guest contributors — artists, curators, writers, art and architecture critics — to select illuminating cases of cross-pollination, and to compile extended captions for their chosen images. Many more images are interspersed in the issue, and captioned in groups every few pages. The ordering is not chronological, nor by any means hierarchic. Mousse 61 is a partial mood board for this analysis of a significant and special relationship.
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books
Description:
293 pages, 7 unnumbered pages : illustrations (chiefly color), facsimiles, map, portraits (some color), plans (chiefly color) ; 28 cm
Paris : Bibliothèque nationale de France : Institut national d'histoire de l'art, 2017., ©2017
Richelieu : quatre siècles d'histoire architecturale au coeur de Paris / sous la direction d' Aurélien Conraux, Anne-Sophie Haquin et Christine Mengin.
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293 pages, 7 unnumbered pages : illustrations (chiefly color), facsimiles, map, portraits (some color), plans (chiefly color) ; 28 cm
books
Paris : Bibliothèque nationale de France : Institut national d'histoire de l'art, 2017., ©2017