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Le Merle est un cahier semi annuel basé à Montréal qui inclut des textes d’artistes et d’auteurs dont l’approche caractérise un souci de l’art et de ses nuances politiques. Le numéro zéro commence à écologiser cette perspective en rassemblant des textes de Hans Haacke, Jacob Wren, Marc G. Couroux, Oriol Vilanova, mark et Érik Bordeleau. Le Merle is a semiannual journal(...)
Le Merle : cahiers sur les mots et les actes Vol. 0, n. 0, Automne 2011
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Le Merle est un cahier semi annuel basé à Montréal qui inclut des textes d’artistes et d’auteurs dont l’approche caractérise un souci de l’art et de ses nuances politiques. Le numéro zéro commence à écologiser cette perspective en rassemblant des textes de Hans Haacke, Jacob Wren, Marc G. Couroux, Oriol Vilanova, mark et Érik Bordeleau. Le Merle is a semiannual journal based out of Montréal including texts by artists and writers whose approches caracterize a care for art and its political nuances. The zero issue attempts at ecologizing this perspective by assembling texts by Hans Haacke, Jacob Wren, Oriol Villanova, Marc G. Couroux, Érik Bordeleau and mark. Édition de 200 copies
Pica 3: processus
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Current issue in store! Dernier numéro en magasin!
Pica 3: processus
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Current issue in store! Dernier numéro en magasin!
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MAP 006: Greenland
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In September 2011, selected teams won a conpetition hosted by the Danish Architecture Center, to exhibit at the Danish Pavilion for the 13th Venice Biennale of Architecture. The theme and aim for the exhibit was to formalize months of research into the many challenges Greenland faces today and in the immediate future. This special issue of MAP is a selection of the work(...)
MAP 006: Greenland
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In September 2011, selected teams won a conpetition hosted by the Danish Architecture Center, to exhibit at the Danish Pavilion for the 13th Venice Biennale of Architecture. The theme and aim for the exhibit was to formalize months of research into the many challenges Greenland faces today and in the immediate future. This special issue of MAP is a selection of the work exhibited at the Biennale in the fall of 2012, a full year of visits, expeditions, collaborations and speculation into the uncertain future of the worlds largest island at the edge of the North Pole.
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February 2014
Surface consciousness
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Rather than seeking to define a new movement, this "Surface consciousness" demonstrates that for architecture surface is now far more than a 'crust' or 'decorative strategy', setting up meaningful relationships between contemporary methods of visioning, making and fabricating. Prompted by digital advancements, surface consciousness represents a whole new way of(...)
Surface consciousness
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Rather than seeking to define a new movement, this "Surface consciousness" demonstrates that for architecture surface is now far more than a 'crust' or 'decorative strategy', setting up meaningful relationships between contemporary methods of visioning, making and fabricating. Prompted by digital advancements, surface consciousness represents a whole new way of conceiving tectonic form. Whereas classical and even Modernist architecture polarised ornament and structure, contemporary techniques allow for an integration and blurring of the inside with the outside. In architectural terms this enables an unparalled freedom of expression and form. This is apparent in the diversity of the work featured here by those such as Herzog & de Meuron, Michael Trudgeon, Ashton Raggatt McDougall(ARM) and Lyons, in which a new delight emerges in patterning and texture as well as the sensuous and the ornamental.
Magazines, Back Issues
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A "new alliance" is being forged between designers and commercial property developers, who are championing progressive design, in projects as diverse as apartment blocks, houses, hotels and offices. While some architects are taking a proactive role in development, others are cutting out a new position for themselves as designer-developers. This is all happening at a time(...)
Property development and progressive architecture : the new alliance
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A "new alliance" is being forged between designers and commercial property developers, who are championing progressive design, in projects as diverse as apartment blocks, houses, hotels and offices. While some architects are taking a proactive role in development, others are cutting out a new position for themselves as designer-developers. This is all happening at a time that property developers are starting to recognise the added value that an architect can bring to a scheme. By taking a truly international look at the projects architects and developers are achieving together, this publication explores the economic and demographic opportunities that are now driving architect-developer alliance in cities as diverse as Amsterdam, Hong Kong, London, Malmo, Melbourne, Montréal, New York, Phoenix and Tokyo. As architects and property developers break boundaries together, they are also beginning to transcend an established pattern of notorious and longstanding ill will. Could this herald a new age of economic saviness in architecture and an appreciation of design input in development?
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GA Houses 77
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Contents : Mack Scogin Merill Elam / Hiroyuki Arima / Residential masterpieces : Le Corbusier / Katsuhiro Miyamoto / M. J. Neal / Osamu Ishiyama / Tokyu Institute of technology Tsukamoto lab. + Atelier Bow-Wow / Yoshio Tanabe, Masahiro Ikeda / Hiroshi Sambuichi.
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January 1900, Tokyo
GA Houses 77
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Contents : Mack Scogin Merill Elam / Hiroyuki Arima / Residential masterpieces : Le Corbusier / Katsuhiro Miyamoto / M. J. Neal / Osamu Ishiyama / Tokyu Institute of technology Tsukamoto lab. + Atelier Bow-Wow / Yoshio Tanabe, Masahiro Ikeda / Hiroshi Sambuichi.
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In the mid 1960s Aldo Rossi launched what in retrospect appears a heroic endeavour: a redefinition of architecture founded in the knowledge of the rules and forms that constitute "the European city". Understanding this type of city as a collective artefact, Rossi sought to lead architecture out of the impasse created by a technocratic interpretation of functionalism after(...)
OASE 62 : architecture and the project of the city
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In the mid 1960s Aldo Rossi launched what in retrospect appears a heroic endeavour: a redefinition of architecture founded in the knowledge of the rules and forms that constitute "the European city". Understanding this type of city as a collective artefact, Rossi sought to lead architecture out of the impasse created by a technocratic interpretation of functionalism after World War II. Tendenza, with Aldo Rossi and Giorgio Grassi as its main protagonists, proposed the study of existing cities as architectural phenomena, intending to identify enduring formal patterns that could be reworked into elements of a new design. In this issue of "OASE" these ideas and their bearings on architectural practice are traced through the work of Carel Weeber, arguably the most controversial and successful architect to adopt the Italian ideas and transform them in the Dutch context. This issue will examine the relevance of the experience of Tendenza now, against the background of the almost complete erosion of the urban nature of much of suburbanized Europe. Is the reference to "the European city" still tenable? The transformation of these ideas and design solutions in Holland allows us to gauge their effect on the architectural discipline and their contribution to rethinking existing cities.
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Cabinet 29 Sloth
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Items of interest for balkers, Bartlebys, benchwarmers, and boondogglers: - Dan Rosenberg on busy idleness - Marina van Zuylen on the intellectual history of lassitude - Christopher Turner on vasectomania and other cures for sloth - A history of the recline of civilization - Sina Najafi interviews Pierre Saint-Amand on the loafers of the Enlightenment - At(...)
Cabinet 29 Sloth
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Items of interest for balkers, Bartlebys, benchwarmers, and boondogglers: - Dan Rosenberg on busy idleness - Marina van Zuylen on the intellectual history of lassitude - Christopher Turner on vasectomania and other cures for sloth - A history of the recline of civilization - Sina Najafi interviews Pierre Saint-Amand on the loafers of the Enlightenment - At long last, a CliffsNotes for Cabinet! And ample additional material for dawdlers, deadbeats, derelicts, dodgers, and do-nothings: - Mark Morris on gingerbread houses - Joshua Foer on time without clocks - Carolyn de la Peña on Gustav Zander’s Stairmaster prototypes - San Keller’s artist project, set in a Rome sunglass shop - Brian Dillon on the water cure - Emily Roysdon opines on opal - Margaret Wertheim interviews Kenneth Libbrecht on snowflake formation - Alexander R. Galloway and McKenzie Wark play a Guy Debord game - Frances Richard and Emilie Clark discuss the lives of women natural historians
Magazines, Back Issues
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Hunch 11 looks at representational labels from species (figure, logo, image, icon, diagram) to techniques (application, enlargement) to activities (practice, politics and work). As we've come to expect, Hunch delves deeply into the theories, meanings and practices of architecture and urbanism, providing a moveable feast of ideas.
Hunch 11: rethinking representation
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Hunch 11 looks at representational labels from species (figure, logo, image, icon, diagram) to techniques (application, enlargement) to activities (practice, politics and work). As we've come to expect, Hunch delves deeply into the theories, meanings and practices of architecture and urbanism, providing a moveable feast of ideas.
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We are at a new moment in architecture, one when many cultures are contributing to the unfolding of modernism. This enriching influence is broadening the mix, extending the range available to architecture, of materials and colours, of evocative forms, of cultural references and of social thinking. In an era of boredom with monocultures and orthodoxies, there is the(...)
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October 2005, London
The new mix : culturally dynamic architecture
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We are at a new moment in architecture, one when many cultures are contributing to the unfolding of modernism. This enriching influence is broadening the mix, extending the range available to architecture, of materials and colours, of evocative forms, of cultural references and of social thinking. In an era of boredom with monocultures and orthodoxies, there is the almost universal expectation that the metroculture, be it in London or Beijing, will provide broadened cultural experiences in food, performance, dress and sound. The new ethnically diverse city is a place of zesty daily encounters/collisions/cohabitation between cultures, a place of mixed signals, contradictions, delightful confusions. Franco-Japanese cuisine, elite schoolchildren wearing doo-rags, jazz performed on gamelans—no matter what one’s mother culture - we’re all getting addicted to varied rhythms, different emotional emphases, ‘other’ ideas of beauty. This change is visible in schools of architecture, at least in the range of students, typically from many ethnicities, none of them constituting a majority. No wonder, then, that there is increased interest in ways that architecture can incorporate a larger compass of riches. A rising group of practitioners is meeting the challenge of this broadening cultural landscape in pursuing strategies of quick switching, layering, reframing. These new architectural expressions of multiple cultures represent an enrichment that ultimately might help create a more robust modernism, helping to rescue it from a ‘potato blight’ of too much sameness.
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