books
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119 pages : color illustrations ; 32 cm.
Pero (Milano), Italy : 24 ore cultura, [2011]
Alessandro Mendini / Graziella Leyla Ciagà.
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119 pages : color illustrations ; 32 cm.
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Pero (Milano), Italy : 24 ore cultura, [2011]
books
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559 pages : color illustrations, maps ; 27 cm
Moskva : Bolʹshai︠a︡ Rossiĭskai︠a︡ Ėnt︠s︡iklopedii︠a︡, 1994.
Города России : энциклопедия / главный ред. Г.М. Лаппо. Goroda Rossii : ėnt︠s︡iklopedii︠a︡ / glavnyĭ red. G.M. Lappo.
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559 pages : color illustrations, maps ; 27 cm
books
Moskva : Bolʹshai︠a︡ Rossiĭskai︠a︡ Ėnt︠s︡iklopedii︠a︡, 1994.
books
Description:
336 pages ; 23 cm.
Paris : Payot, 1977.
De l'histoire des sciences à l'histoire de la pensée / Georges Gusdorf.
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336 pages ; 23 cm.
books
Paris : Payot, 1977.
books
Description:
212 pages : illustrations (some color) ; 28 cm
New York : Henry Street Settlement ; Utica, New York : Munson-Williams-Proctor Institute, [1963], ©1963
1913 Armory Show, 50th anniversary exhibition, 1963 / organized by Munson-Williams-Proctor Institute ; sponsored by the Henry Street Settlement, New York.
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212 pages : illustrations (some color) ; 28 cm
books
New York : Henry Street Settlement ; Utica, New York : Munson-Williams-Proctor Institute, [1963], ©1963
books
Description:
1 sheet : illustrations, plans, portrait ; 48 x 68 cm folded to 25 x 17 cm
[Bogotá] : [Museo de Arte Moderno, Departamento de Arquitectura], [1988]
Mario Botta : Museo de Arte Moderno de Bogotá, Departamento de Arquitectura, Embajada de Suiza : Marzo de Abril 1988.
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1 sheet : illustrations, plans, portrait ; 48 x 68 cm folded to 25 x 17 cm
books
[Bogotá] : [Museo de Arte Moderno, Departamento de Arquitectura], [1988]
books
Towards a new architecture, by Le Corbusier; translated from the French by Frederick Etchells.
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269 pages illustrations, plans 22 cm
London, Architectural Press 1946
Towards a new architecture, by Le Corbusier; translated from the French by Frederick Etchells.
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269 pages illustrations, plans 22 cm
books
London, Architectural Press 1946
books
Description:
244, [42] pages : illustrations ; 30 cm.
Oxford : B.A.R., 1982.
Funerary monuments in Dacia Superior and Dacia Porolissensis / Lucia Țeposu Marinescu ; translated from the Romanian by Nubar Hampartumian.
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244, [42] pages : illustrations ; 30 cm.
books
Oxford : B.A.R., 1982.
books
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213 pages, 64 unnumbered pages of plates : illustrations, portraits ; 30 cm
Stuttgart : Wittwer, 1925.
Festschrift aus Anlass des Fünfig-jährigen Bestehens der Wayss & Freytag A.G., 1875-1925.
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213 pages, 64 unnumbered pages of plates : illustrations, portraits ; 30 cm
books
Stuttgart : Wittwer, 1925.
books
Description:
320 pages : illustrations (some color) ; 25 cm.
London : M. Joseph, 1993.
The architectural heritage of Britain and Ireland : an illustrated A-Z of terms and styles / written and photographed by Michael Jenner.
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320 pages : illustrations (some color) ; 25 cm.
books
London : M. Joseph, 1993.
$39.95
(available to order)
Summary:
From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the(...)
Art Theory
March 2015
Art and f word reflections on the browning of Europe
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$39.95
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Summary:
From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project “Beginning as Well as We Can (How Do We Talk about Fascism?).” Focusing on the startling increase of nationalism across Europe—made palpable in manifestations of fascist tendencies and the cult of heritage—the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production—investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics.
Art Theory