Living as nature?
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In a world where artificial intelligence has and increasingly important place in our daily lives, and more and more of our time is spent on screens, what does "Living as Nature" mean anymore? We wanted to answer this question in a two eyed seeing approach, a term coined by Mi’kmaw elder Albert Marshall referring to seeing from one eye with strengths of Indigenous ways of(...)
September 2025
Living as nature?
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$17.00
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In a world where artificial intelligence has and increasingly important place in our daily lives, and more and more of our time is spent on screens, what does "Living as Nature" mean anymore? We wanted to answer this question in a two eyed seeing approach, a term coined by Mi’kmaw elder Albert Marshall referring to seeing from one eye with strengths of Indigenous ways of knowing, and from the other eye with the strengths of Western ways of knowing, and to use both of these eyes together to move forward. This can be seen through the pairing of Wendat values and the principles of the Montréal Declaration for a Responsible Development of Artificial Intelligence. We offer a mirrored reflection on this topic, from the perspectives of a researcher in AI for biodiversity conservation (Mélisande) and an Indigenous landscape architect (Carling): How can AI researchers working on applications in biodiversity reconcile Western science with Indigenous knowledge and ways of knowing of "Living as Nature?"
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255 pages : illustrations (some color) ; 29 cm
Berlin : Jovis, ©2007.
Werner Ruhnau : der Raum, das Spiel und die Künste = space, play, and the art / [Herausgeber, Stadt Gelsenkirchen, M:AI, Museum für Architektur und Ingenieurkunst NRW ; Konzept und autorenschaft, Dorothee Lehmann-Kopp].
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255 pages : illustrations (some color) ; 29 cm
books
Berlin : Jovis, ©2007.
books
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279 pages : illustrations (some color) ; 29 cm
Bielefeld : Transcript, ©2010.
Auf den zweiten Blick : Architektur der Nachkriegszeit in Nordrhein-Westfalen / Sonja Hnilica, Markus Jager, Wolfgang Sonne (Hg.).
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279 pages : illustrations (some color) ; 29 cm
books
Bielefeld : Transcript, ©2010.
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Le Stade olympique est devenu le symbole de Montréal. La Tour penchée (qui reste encore la plus haute au monde), le toit mobile, je les ai conçus alors que tes nobliaux me faisaient la guerre. Pourquoi cette guerre ? Quels en sont encore, trente-quatre années après, les enjeux ? Roger Taillibert racontre cette aventure de la conception, du chantier et du devenir de cet ouvrage.
Stade olympique de Montréal, mythes et scandales
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Le Stade olympique est devenu le symbole de Montréal. La Tour penchée (qui reste encore la plus haute au monde), le toit mobile, je les ai conçus alors que tes nobliaux me faisaient la guerre. Pourquoi cette guerre ? Quels en sont encore, trente-quatre années après, les enjeux ? Roger Taillibert racontre cette aventure de la conception, du chantier et du devenir de cet ouvrage.
Do it: the compendium
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This publication includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken,(...)
Do it: the compendium
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$35.00
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This publication includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken, Theaster Gates, Sarah Lucas, David Lynch, Rivane Neuenschwander and Ai Weiwei, among many others.
Art Theory
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and(...)
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and more, we express almanacs as projects of persistence between past, present, and future—and even of spell-casting.
Magazines
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Since Marcel Duchamp created his “readymades” a century ago, the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many(...)
Uncommon goods: global dimensions of the readymade
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Since Marcel Duchamp created his “readymades” a century ago, the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many others, Ai Weiwei, Cory Arcangel, Thomas Hirschhorn, and Santiago Sierra, reading their artistic explorations as overlapping with debates about how common goods hold us and our world in common.
Art Theory
$69.00
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In the form of a dystopian fable describing the world after the advent of AI, "The third atlas" goes beyond the astonishment or rejection aroused by these images of a new kind. It is a reflection on the way in which artificial intelligence calls into question our way of seeing and, beyond that, our perception of the real, leading us to formulate the hypothesis that this(...)
Eric Tabuchi: The third atlas
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In the form of a dystopian fable describing the world after the advent of AI, "The third atlas" goes beyond the astonishment or rejection aroused by these images of a new kind. It is a reflection on the way in which artificial intelligence calls into question our way of seeing and, beyond that, our perception of the real, leading us to formulate the hypothesis that this modified vision will shape the future forms of architecture, but also of design, sculpture and painting, perhaps even more than those of photography.
Photography monographs
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In issue 005 of Digital Frontier, meet the Outlier people, projects and ideas reimaging what our future will look like. The founders of New Computer are attempting to code a computerised soul; Kenyan builders leapfrog ahead using DIYed infrastructure; and multi-hyphenate creatives Danielle Baskin and Damjanski are turning random thoughts into engaging experiences. We also(...)
Digital Frontier 005 : Our future decoded
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In issue 005 of Digital Frontier, meet the Outlier people, projects and ideas reimaging what our future will look like. The founders of New Computer are attempting to code a computerised soul; Kenyan builders leapfrog ahead using DIYed infrastructure; and multi-hyphenate creatives Danielle Baskin and Damjanski are turning random thoughts into engaging experiences. We also explore a DeepMind researcher’s suggestion that AI needs a body to attain superintelligence and dive into the weird world of virtual fantasy via Berlin’s Cybrothel. We hope the youthful optimism of everyone featured is contagious.
Magazines
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai(...)
Hans Ulrich Obrist : a post-Olympic Beijing mini-marathon
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$24.00
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.
Art Theory