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Friedlander’s nudes show every blemish, every contour that makes each body unique, while his flash often serves to counter this realism with a softening effect that often recedes the body’s shadow right up to its outline. With the publication of Friedlander’s nude portraits of Madonna (prints of which fetch huge sums), the series became among the photographer’s best known(...)
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Friedlander’s nudes show every blemish, every contour that makes each body unique, while his flash often serves to counter this realism with a softening effect that often recedes the body’s shadow right up to its outline. With the publication of Friedlander’s nude portraits of Madonna (prints of which fetch huge sums), the series became among the photographer’s best known(...)
Title:
Lee Friedlander: the nudes, a second look
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Friedlander’s nudes show every blemish, every contour that makes each body unique, while his flash often serves to counter this realism with a softening effect that often recedes the body’s shadow right up to its outline. With the publication of Friedlander’s nude portraits of Madonna (prints of which fetch huge sums), the series became among the photographer’s best known work, and eventually saw publication in 1991, from Jonathan Cape. Lee Friedlander: The Nudes significantly expands on the Cape edition (itself long out of print), with a total of 84 nudes, plus a new layout and design by Katy Homans and new separations by Thomas Palmer.
Lee Friedlander: the nudes, a second look
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Friedlander’s nudes show every blemish, every contour that makes each body unique, while his flash often serves to counter this realism with a softening effect that often recedes the body’s shadow right up to its outline. With the publication of Friedlander’s nude portraits of Madonna (prints of which fetch huge sums), the series became among the photographer’s best known work, and eventually saw publication in 1991, from Jonathan Cape. Lee Friedlander: The Nudes significantly expands on the Cape edition (itself long out of print), with a total of 84 nudes, plus a new layout and design by Katy Homans and new separations by Thomas Palmer.
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books
books
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March 2013
March 2013
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Photography monographs
Photography monographs
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books
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$104.00
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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and(...)
$104.00
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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and(...)
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Photography monographs
Photography monographs
Publication:
November 2016
November 2016
Title:
Lee Friedlander: Western landscapes
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$104.00
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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and Mexico, taken during the 1990s and 2000s. The selection encompasses mountains, deserts, icy plains, and forests alike, capturing the majesty of crashing waves and towering peaks as well as the humble beauty of mottled stones and tangled twigs. Friedlander also showcases in crisp black and white some of the most prominent and treasured American national parks—including Yosemite, Yellowstone, the Grand Canyon, and Zion. The iconic grandeur and isolation of the west provide a counterpoint to Friedlander’s portraits and scenes of modern American life, illustrating another equally compelling dimension of national identity.
Lee Friedlander: Western landscapes
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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and Mexico, taken during the 1990s and 2000s. The selection encompasses mountains, deserts, icy plains, and forests alike, capturing the majesty of crashing waves and towering peaks as well as the humble beauty of mottled stones and tangled twigs. Friedlander also showcases in crisp black and white some of the most prominent and treasured American national parks—including Yosemite, Yellowstone, the Grand Canyon, and Zion. The iconic grandeur and isolation of the west provide a counterpoint to Friedlander’s portraits and scenes of modern American life, illustrating another equally compelling dimension of national identity.
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books
books
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November 2016
November 2016
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Photography monographs
Photography monographs
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books
books
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$82.95
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal(...)
$82.95
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Summary:
Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal(...)
Title:
Lee Friedlander: In the picture / self portraits 1958-2011
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine.
Lee Friedlander: In the picture / self portraits 1958-2011
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine.
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books
books
Publication:
November 2011
November 2011
Subject:
Photography monographs
Photography monographs
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books
books
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$48.00
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'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and(...)
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'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and(...)
Title:
Lee Friedlander: witness number six
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'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist'. - from the text by Maria Friedlander. Witness Number 6 provides a portrait - in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander - of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS s Witness series.
Lee Friedlander: witness number six
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'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist'. - from the text by Maria Friedlander. Witness Number 6 provides a portrait - in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander - of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS s Witness series.
Form:
books
books
Publication:
January 2009
January 2009
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$42.00
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Summary:
Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to(...)
$42.00
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Summary:
Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to(...)
Subject:
Photography monographs
Photography monographs
Publication:
June 2005, New York
June 2005, New York
Title:
Lee Friedlander: self portrait
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$42.00
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Summary:
Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings." Here readers can witness this progression as Friedlander appears in the form of his shadow, or reflected in windows and mirrors, and only occasionally fully visible through his own camera. In some photos he visibly struggles with the notion of self-portraiture, desultorily shooting himself in household mirrors and other reflective surfaces. Soon, though, he begins to toy with the pictures, almost teasingly inserting his shadow into them to amusing and provocative effect--elongated and trailing a group of women seen only from the knees down; cast and bent over a chair as if seated in it; mirroring the silhouette of someone walking down the street ahead of him; or falling on the desert ground, a large bush standing in for hair. These uncanny self-portraits evoke a surprisingly full landscape of the artist's life and mind. This reprint edition of Lee Friedlander: Self Portrait contains nearly 50 duotone images and an afterword by John Szarkowski, former Director of the Department of Photography at The Museum of Modern Art.
Lee Friedlander: self portrait
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Summary:
Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings." Here readers can witness this progression as Friedlander appears in the form of his shadow, or reflected in windows and mirrors, and only occasionally fully visible through his own camera. In some photos he visibly struggles with the notion of self-portraiture, desultorily shooting himself in household mirrors and other reflective surfaces. Soon, though, he begins to toy with the pictures, almost teasingly inserting his shadow into them to amusing and provocative effect--elongated and trailing a group of women seen only from the knees down; cast and bent over a chair as if seated in it; mirroring the silhouette of someone walking down the street ahead of him; or falling on the desert ground, a large bush standing in for hair. These uncanny self-portraits evoke a surprisingly full landscape of the artist's life and mind. This reprint edition of Lee Friedlander: Self Portrait contains nearly 50 duotone images and an afterword by John Szarkowski, former Director of the Department of Photography at The Museum of Modern Art.
Form:
books
books
Publication:
June 2005, New York
June 2005, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Lee Friedlander : Staglieno
Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
$97.95
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Summary:
The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
Title:
Lee Friedlander : Staglieno
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$97.95
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
Lee Friedlander : Staglieno
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$97.95
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
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books
books
Publication:
January 1900, Tucson
January 1900, Tucson
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Lee Friedlander: Signs
Lee Friedlander: Signs
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$105.00
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For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs,(...)
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Summary:
For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs,(...)
Title:
Lee Friedlander: Signs
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For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs, "Lee Friedlander: Signs" presents a cacophony of wheat-paste posters, Coca-Cola ads, prices for milk, road signs, stop signs, neon lights, movie marquees and graffiti. The book collects 144 photographs made in New York and other places across the US, and features self-portraits, street photographs and work from series including "The American Monument and America by Car", among others.
Lee Friedlander: Signs
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For more than five decades, Lee Friedlander has repeatedly been drawn to the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Incorporating these markings with precision and sly humor, Friedlander’s photographs record a kind of found poetry of desire and commerce. Focusing on one of the artist’s key motifs, "Lee Friedlander: Signs" presents a cacophony of wheat-paste posters, Coca-Cola ads, prices for milk, road signs, stop signs, neon lights, movie marquees and graffiti. The book collects 144 photographs made in New York and other places across the US, and features self-portraits, street photographs and work from series including "The American Monument and America by Car", among others.
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books
books
Publication:
May 2019
May 2019
Subject:
Photography monographs
Photography monographs
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books
books
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Description:
560 pages : illustrations (some color) ; 26 cm
Description:
560 pages : illustrations (some color) ; 26 cm
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Publication:
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
Title:
Modern contemporary : art at MoMA since 1980 / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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Description:
560 pages : illustrations (some color) ; 26 cm
Modern contemporary : art at MoMA since 1980 / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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560 pages : illustrations (some color) ; 26 cm
Form:
books
books
Publication:
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
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audio
audio
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1 audiocassette (DAT) (approximately 66 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 audio disc (approximately 66 min.) ; 12 cm consultation copy
Description:
1 audiocassette (DAT) (approximately 66 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 audio disc (approximately 66 min.) ; 12 cm consultation copy
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Publication:
[1996]
[1996]
Title:
La naissance du mouvement des parcs : réponse visionnaire aux problèmes du XIXe siècle.
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1 audiocassette (DAT) (approximately 66 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 audio disc (approximately 66 min.) ; 12 cm consultation copy
La naissance du mouvement des parcs : réponse visionnaire aux problèmes du XIXe siècle.
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1 audiocassette (DAT) (approximately 66 min.) ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 audio disc (approximately 66 min.) ; 12 cm consultation copy
Form:
audio
audio
Publication:
[1996]
[1996]
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books
books
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$54.00
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Summary:
The photographer best known for his extensive, insightful documentation of "the American social landscape"-from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards-has recently been spending more time looking at the literal, natural landscape. His 2005 MoMA retrospective showed, for the first time, a new series of(...)
$54.00
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Summary:
The photographer best known for his extensive, insightful documentation of "the American social landscape"-from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards-has recently been spending more time looking at the literal, natural landscape. His 2005 MoMA retrospective showed, for the first time, a new series of(...)
Title:
Lee Friedlander : apples and olives
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$54.00
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The photographer best known for his extensive, insightful documentation of "the American social landscape"-from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards-has recently been spending more time looking at the literal, natural landscape. His 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American west, while for "Olives and apples", he has looked back over the last decade’s work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree’s furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.
Lee Friedlander : apples and olives
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$54.00
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Summary:
The photographer best known for his extensive, insightful documentation of "the American social landscape"-from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards-has recently been spending more time looking at the literal, natural landscape. His 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American west, while for "Olives and apples", he has looked back over the last decade’s work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree’s furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.
Form:
books
books
Publication:
September 2005, New York
September 2005, New York
Subject:
Photography monographs
Photography monographs
