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Cet ouvrage propose de construire une histoire animale de Paris en articulant deux principaux objectifs. D’une part, il s’agit de rendre visibles le rôle et la place des bêtes dans l’histoire de la ville et de révéler que ce sont aussi les vaches, les mésanges, les loups, les fouines, les faucons, les girafes, les chevaux, les brochets et les cerfs qui ont fait le Paris(...)
Paris animal : Histoire et récits d'une ville vivante
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Cet ouvrage propose de construire une histoire animale de Paris en articulant deux principaux objectifs. D’une part, il s’agit de rendre visibles le rôle et la place des bêtes dans l’histoire de la ville et de révéler que ce sont aussi les vaches, les mésanges, les loups, les fouines, les faucons, les girafes, les chevaux, les brochets et les cerfs qui ont fait le Paris d’aujourd’hui. Alors que les animaux ont longtemps été effacés ou minorés des récits dominants, l’histoire que nous campons tente de mettre en lumière ce que la présence animale a généré dans la capitale. D’autre part, en menant cette enquête sur le temps long, en observant les lieux de partage entre l’humain et l’animal, qu’ils soient l’expression de tension, de collaboration ou de domination, il s’agit de dégager des indices pour imaginer ce que pourrait être un Paris à même de créer une altérité avec l’animal ; pour reprendre les mots de la philosophe Donna Haraway : « Nous devons apprendre ainsi, au coeur d’un présent épais, à bien vivre et à bien mourir, ensemble. »
Urban Landscapes
Loving the High Line
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As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming(...)
Loving the High Line
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As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea. These processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured. The High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.
Urban Landscapes
Résister et fleurir
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Printemps 2020. En plein confinement, un professeur donne un cours sur l’utopie et la dystopie en s’inspirant d’une lutte menée dans le quartier Hochelaga à Montréal. Les résident·e·s du secteur se mobilisent pour défendre un terrain vague, où la nature a repris ses droits, contre la construction d’un terminal de transbordement de conteneurs. Bruit, poussière et(...)
Résister et fleurir
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Printemps 2020. En plein confinement, un professeur donne un cours sur l’utopie et la dystopie en s’inspirant d’une lutte menée dans le quartier Hochelaga à Montréal. Les résident·e·s du secteur se mobilisent pour défendre un terrain vague, où la nature a repris ses droits, contre la construction d’un terminal de transbordement de conteneurs. Bruit, poussière et vibrations 24 heures sur 24… Le projet de Ray-Mont Logistiques, emblématique de la mondialisation économique, fait craindre le pire. Quel pourrait être le point de bascule dans cette lutte citoyenne ? En quoi les utopies peuvent-elles être le moteur d’une communauté ? Comment contrer la destruction des écosystèmes ? Alors que les « zones à défendre » se multiplient, ''Résister et fleurir'' livre une réflexion profonde sur le monde que nous voulons bâtir... ou détruire.
Urban Landscapes
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The unresolved limits of the post-capitalist city give rise to interventions in the city and the contemporary landscape in which the planner has to rely on a knowledge of other fields. The inevitable multidisciplinary activity at these frontiers has been an object of study during recent decades. This book brings together these reflections and some of their achievements(...)
Alongside boundaries, borders and frontiers
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The unresolved limits of the post-capitalist city give rise to interventions in the city and the contemporary landscape in which the planner has to rely on a knowledge of other fields. The inevitable multidisciplinary activity at these frontiers has been an object of study during recent decades. This book brings together these reflections and some of their achievements in projects whose common denominator is their condition of marginality, of contiguity with prior structures with which they try to establish connections and continuities. The four parts into which the book is divided make reference to projectural policies conditioned by work on the boundaries of the pre-existing and to the interpretation of their settings: stretches of water, infrastructures, cultural and artificial natures. Analysed here are border zones, edges, frontiers and fringes of the contemporary city with itself, with nature, and with the boundaries between the natural and the colonised landscape.
Urban Landscapes
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"Walkscapes" deals with strolling as an architecture of landscape, with walking as an autonomous form of art, a primary act in the symbolic transformation of the territory, an aesthetic instrument of knowledge and a physical transformation of the "negotiated" space, which is converted into an urban intervention. From primitive nomadism to Dada and Surrealism, from the(...)
Walkscapes : walking as an aesthetic practice
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"Walkscapes" deals with strolling as an architecture of landscape, with walking as an autonomous form of art, a primary act in the symbolic transformation of the territory, an aesthetic instrument of knowledge and a physical transformation of the "negotiated" space, which is converted into an urban intervention. From primitive nomadism to Dada and Surrealism, from the Lettrist to the Situationist International, and from Minimalism to Land Art, this book narrates the perception of landscape through a history of the traversed city.
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January 1900, Barcelona
Urban Landscapes
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This book provides an in-depth overview of graphic and visual communication styles for conveying climate change and climate action within the landscape architectural profession and in academia. The book features visualizations of climate adaptation and resilience, developed by award-winning landscape architects and academics from Canada, the United States, the United(...)
Representing landscapes: Visualizing climate action
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This book provides an in-depth overview of graphic and visual communication styles for conveying climate change and climate action within the landscape architectural profession and in academia. The book features visualizations of climate adaptation and resilience, developed by award-winning landscape architects and academics from Canada, the United States, the United Kingdom, The Netherlands, Denmark, Germany, Italy, France, Finland, South Africa, Singapore, and China. ''Representing Landscapes: Visualizing Climate Action'' illustrates the imaginative ways in which climate action and climate resilient concepts are visually presented, communicated, and perceived. The book will be especially valuable for students and practitioners in landscape architecture, urban planning, and related fields to understand how to visually capture climate change issues and design solutions, and to deliver this message to the public.
Urban Landscapes
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"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and(...)
Groundswell : constructing the contemporary landscape
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"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and abandonment. The projects, found throughout North America, Europe, Asia, and the Middle East, were selected for their design, and for their variety of contexts, materials, scale, and types of spaces. This fully illustrated volume includes an essay by Peter Reed, Curator in the Department of Architecture and Design at The Museum of Modern Art, that demonstrates how these innovative projects expand the definition of the modernist landscape while responding to a variety of conditions such as program, social function, and the transformation and reclamation previously industrial areas. The essay is followed by a full-color plate section featuring the selected projects. Catalogue entries for each project provide a succinct description of the site, its transformation, and design concepts illustrated by photographs, drawings, and models.
Urban Landscapes
Urban wild ecology
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Following the calamitous events of 2011 in Japan, Fuminori Nousaku and Mio Tsuneyama began to look at the link between materials and energy related to daily life, such as household goods, homes, food, and waste. They sought ways to reinvent how we live, from dependence on infrastructure and industry to another relationship: off-grid homes that generate solar power,(...)
Urban wild ecology
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Following the calamitous events of 2011 in Japan, Fuminori Nousaku and Mio Tsuneyama began to look at the link between materials and energy related to daily life, such as household goods, homes, food, and waste. They sought ways to reinvent how we live, from dependence on infrastructure and industry to another relationship: off-grid homes that generate solar power, gardens that harness the power of microbes in the soil, shared homes in vacant buildings, and construction using discarded materials. The wildness that survives the city enjoys fluctuation and overcomes inconvenience. This book introduces the collectives involved in these activities along with practices and resources.
Urban Landscapes
Socrates sculpture park
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and(...)
Urban Landscapes
October 2006, New Haven, London
Socrates sculpture park
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Socrates Sculpture Park is a public art spaces. The Park opened in 1986 and has been an outdoor studio to over 500 artists, a venue presenting more than 40 exhibitions of large-scale sculpture, and a vital park attracting a diverse audience to Long Island City’s East River waterfront. This book is published to celebrate the 20th anniversary of Socrates Sculpture Park, and it is the first major publication on this unique outdoor museum. Sculptor Mark di Suvero founded the Park with the assistance of fellow artists, community members, and city officials who transformed an abandoned lot into an award-winning urban renewal project. The history, spirit, and nature of this collaborative enterprise is presented through photographs and essays that reveal the beauty, energy, and import of this successful public art space.
Urban Landscapes
$46.95
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Hester argues that it is only by combining the powerful forces of ecology and democracy that the needed revolution in design will take place. Democracy bestows freedom; ecology creates responsible freedom by explaining our interconnectedness with all creatures. Hester's new design principles are founded on three fundamental issues that integrate democracy and ecology:(...)
Design for ecological democracy
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Hester argues that it is only by combining the powerful forces of ecology and democracy that the needed revolution in design will take place. Democracy bestows freedom; ecology creates responsible freedom by explaining our interconnectedness with all creatures. Hester's new design principles are founded on three fundamental issues that integrate democracy and ecology: enabling form, resilient form, and impelling form. Urban design must enable us to be communities rather than zoning-segregated enclaves and to function as informed democracies. A simple bench at a centrally located post office, for example, provides an opportunity for connection and shared experience. Cities must be ecologically resilient rather than ecologically imperiled, adaptable to the surrounding ecology rather than dependent on technological fixes. Resilient form turns increased urban density, for example, into an advantage. And cities should impel us by joy rather than compel us by fear; good cities enrich us rather than limit us. Design for Ecological Democracy is essential reading for designers, planners, environmentalists, community activists, and anyone else who wants to improve a local community.
Urban Landscapes