24946 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
People:
Date:
1974-1977
1974-1977
Title:
Minaki Lodge, Renovations, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
Minaki Lodge, Renovations, Minaki, Ontario (1974-1977)
Actions:
AP018.S1.1974.PR17
Description:
This project series documents renovations to the Minaki Lodge in Minaki, Ontario from 1974-1977. The office identified the project number as 7422. The Minaki Lodge, owned by the Government of Ontario at the time of this project, was located on the banks of the Winnipeg River and was originally built in 1914 by the Grand Trunk Pacific Railway. The site included an X-shaped main lodge, a motor lodge and power house, a ski chalet and Holst Point on a nearby island. This project, which was phase I of the work, consisted of renovations to the main lodge including a complete reimagining of the interior layouts and the addition of a new convention hall and approximately 200 new guest rooms. This project mainly consisted of work on the interior layouts, while work for the additions continued under a new project number assigned by the office (see project series AP018.S1.1974.PR18 in this fonds). Drawings in this project series include drawings of the building before this project, at several points in its history. Originals and reprographic copies from 1945 were prepared by architect John Schofield for the Canadian National Railways. Reprographic copies of drawings dating from 1925-1930 were prepared by the Canadian National Railways. Reprographic copies from 1972 were prepared by architect Jack M. Ross. The project is recorded through drawings, photographs and textual records dating primarily from 1974-1977. There are originals of drawings from 1925-1926 prepared by the Canadian National Railways for a different project. The photographs show the building before this project commenced. The textual records include correspondence, conference and site reports, interoffice letters, consultancy files, zoning documentation, financial records, tender documents, change orders, design notes, specifications and supplementary instructions.
Level of archival description:
Project
Project
Date:
1974-1977
1974-1977
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
People:
Date:
1983-2005
1983-2005
Title:
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
National Gallery of Canada, Ottawa, Ontario (1983-1990)
Actions:
AP075.S1.1983.PR01
Description:
Project series documents Cornelia Hahn Oberlander's design for the interior and exterior landscape of National Gallery of Canada in Ottawa. Oberlander worked on this project from 1983-1995 with architects Moshe Safdie and John C. Parkin. Oberlander's overall concept for the landscaping was based on the building organizational pattern of a city. She created "a pathway system that connected the front of the National Gallery to Nepean Point behind the gallery." [1] Oberlander landscape design includes the design of three exterior area and a courtyard. Each space is design in relations to the art displayed in the immediate indoor gallery: the Taiga Garden "flanks the gallery's interior glass-and-concrete collonade that leads to the Canadian and Aboriginal Art galleries." [2]; the Minimalist Courtyard relates to the modern art collection gallery; the zigzag-shaped pathway passes between the National War Museum and the new gallery; and interior courtyard links the restored ninetheeth-century Rideau Chapel relocated inside the National Gallery and provides and church-like atmosphere. The project series contains textual records, including specifications, correspondence, documentation, financial documents, plant lists, press clippings about the project, and Oberlander's concept development notes. The project is also recorded through photographic materials, such as slides and photographs of the construction of the building and the landscape work and the photographs of the completed project. The project series also includes conceptual drawings, design develepment drawings, working drawings and presentation drawings, including landscape plans, planting plans, grading and irrigation plans and building plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 165. [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 166.
Level of archival description:
Project
Project
Date:
1983-2005
1983-2005
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
People:
Date:
1997
1997
Title:
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Level of archival description:
Project
Project
Date:
1997
1997
People:
Actions:
Reference number:
PH1978:0038:001
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (some of them fragments) of the models made for the decoration of the Manège; Palais des Tuileries (south wing, court façade); quay façade); the New Louvre (south wing, Carrousel façade and quay façade); Guichet de l'Empereur; Pavillon de Flore (quay façade); first floor; Lesdiguières, Turgot and Rohan Pavilions and a view of the Pavillon des Tuileries before destruction by fire by the Commune.
PH1978:0038:001
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (some of them fragments) of the models made for the decoration of the Manège; Palais des Tuileries (south wing, court façade); quay façade); the New Louvre (south wing, Carrousel façade and quay façade); Guichet de l'Empereur; Pavillon de Flore (quay façade); first floor; Lesdiguières, Turgot and Rohan Pavilions and a view of the Pavillon des Tuileries before destruction by fire by the Commune.
People:
Subject:
architecture, ornament, sculpture
architecture, ornament, sculpture
Date:
1869-1871
1869-1871
Title:
Palais du Louvre et des Tuileries. Motifs de décorations tirés des constructions exécutées au nouveau Louvre et au palais des Tuileries sous la direction de M.H.-M. Lefuel, architecte de l'empereur.
Actions:
PH1978:0038:001
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (some of them fragments) of the models made for the decoration of the Manège; Palais des Tuileries (south wing, court façade); quay façade); the New Louvre (south wing, Carrousel façade and quay façade); Guichet de l'Empereur; Pavillon de Flore (quay façade); first floor; Lesdiguières, Turgot and Rohan Pavilions and a view of the Pavillon des Tuileries before destruction by fire by the Commune.
Palais du Louvre et des Tuileries. Motifs de décorations tirés des constructions exécutées au nouveau Louvre et au palais des Tuileries sous la direction de M.H.-M. Lefuel, architecte de l'empereur.
Actions:
PH1978:0038:001
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). In this album, views show sculptural and ornamental details (some of them fragments) of the models made for the decoration of the Manège; Palais des Tuileries (south wing, court façade); quay façade); the New Louvre (south wing, Carrousel façade and quay façade); Guichet de l'Empereur; Pavillon de Flore (quay façade); first floor; Lesdiguières, Turgot and Rohan Pavilions and a view of the Pavillon des Tuileries before destruction by fire by the Commune.
Date:
1869-1871
1869-1871
People:
Subject:
architecture, ornament, sculpture
architecture, ornament, sculpture
Form:
photographs
photographs
Reference number:
AP140.S2.SS7.D1.P3
Description:
view of interior of office and personnel including James Stirling and Michael Wilford, views of cake representing James Stirling dated 1984, group portrait of office football team dated 1973, view of James Stirling and Michael Wilford in Salford dated 1992, views of the Bund Deutscher Architekten, Baden-Württemberg, Hugo-Häring-Preis award ceremony in Manhheim in 1988, view of opening of Performing Arts Centre, Cornell University, view of James Stirling and Michael Wilford by photographer Geoff Beeckman, and views of events and visits at various locations
AP140.S2.SS7.D1.P3
Description:
view of interior of office and personnel including James Stirling and Michael Wilford, views of cake representing James Stirling dated 1984, group portrait of office football team dated 1973, view of James Stirling and Michael Wilford in Salford dated 1992, views of the Bund Deutscher Architekten, Baden-Württemberg, Hugo-Häring-Preis award ceremony in Manhheim in 1988, view of opening of Performing Arts Centre, Cornell University, view of James Stirling and Michael Wilford by photographer Geoff Beeckman, and views of events and visits at various locations
People:
Date:
1973-1992
1973-1992
Title:
Views of events and visits at various locations
Actions:
AP140.S2.SS7.D1.P3
Description:
view of interior of office and personnel including James Stirling and Michael Wilford, views of cake representing James Stirling dated 1984, group portrait of office football team dated 1973, view of James Stirling and Michael Wilford in Salford dated 1992, views of the Bund Deutscher Architekten, Baden-Württemberg, Hugo-Häring-Preis award ceremony in Manhheim in 1988, view of opening of Performing Arts Centre, Cornell University, view of James Stirling and Michael Wilford by photographer Geoff Beeckman, and views of events and visits at various locations
Views of events and visits at various locations
Actions:
AP140.S2.SS7.D1.P3
Description:
view of interior of office and personnel including James Stirling and Michael Wilford, views of cake representing James Stirling dated 1984, group portrait of office football team dated 1973, view of James Stirling and Michael Wilford in Salford dated 1992, views of the Bund Deutscher Architekten, Baden-Württemberg, Hugo-Häring-Preis award ceremony in Manhheim in 1988, view of opening of Performing Arts Centre, Cornell University, view of James Stirling and Michael Wilford by photographer Geoff Beeckman, and views of events and visits at various locations
Form:
photographs
photographs
Date:
1973-1992
1973-1992
People:
Form:
photographs
Quantity:
5 photograph(s)
photographs
Quantity:
5 photograph(s)
Actions:
Reference number:
DR1994:0014:006:001-005
Description:
- Photographs DR1994:0014:006:001-005 are copy prints made by the photographic studios Hedrich-Blessing or Williams & Meyer Co.. Among the inscriptions on the verso of each print are the negative numbers of each print as follows: DR1994:0014:006:001 (Hedrich-Blessing negative 10070); DR1994:0014:006:002 (Williams & Meyer Co. negative 3929-D); DR1994:0014:006:003 (Williams & Meyer Co. negative 3929-B); DR1994:0014:006:004 (Williams & Meyer Co. negative 3929-F); and DR1994:0014:006:005 (Hedrich-Blessing negative 9691-S).
DR1994:0014:006:001-005
Description:
- Photographs DR1994:0014:006:001-005 are copy prints made by the photographic studios Hedrich-Blessing or Williams & Meyer Co.. Among the inscriptions on the verso of each print are the negative numbers of each print as follows: DR1994:0014:006:001 (Hedrich-Blessing negative 10070); DR1994:0014:006:002 (Williams & Meyer Co. negative 3929-D); DR1994:0014:006:003 (Williams & Meyer Co. negative 3929-B); DR1994:0014:006:004 (Williams & Meyer Co. negative 3929-F); and DR1994:0014:006:005 (Hedrich-Blessing negative 9691-S).
People:
Subject:
architecture, exhibition design, interior design
architecture, exhibition design, interior design
Date:
negatives exposed between 1938 and 1969
negatives exposed between 1938 and 1969
Title:
Photograph of a plan and exterior and interior views of a Single-Story House, part of the Dwelling of Our Time Exhibit at the Berlin Building Exhibition of 1931, Germany
Actions:
DR1994:0014:006:001-005
Description:
- Photographs DR1994:0014:006:001-005 are copy prints made by the photographic studios Hedrich-Blessing or Williams & Meyer Co.. Among the inscriptions on the verso of each print are the negative numbers of each print as follows: DR1994:0014:006:001 (Hedrich-Blessing negative 10070); DR1994:0014:006:002 (Williams & Meyer Co. negative 3929-D); DR1994:0014:006:003 (Williams & Meyer Co. negative 3929-B); DR1994:0014:006:004 (Williams & Meyer Co. negative 3929-F); and DR1994:0014:006:005 (Hedrich-Blessing negative 9691-S).
Photograph of a plan and exterior and interior views of a Single-Story House, part of the Dwelling of Our Time Exhibit at the Berlin Building Exhibition of 1931, Germany
Actions:
DR1994:0014:006:001-005
Description:
- Photographs DR1994:0014:006:001-005 are copy prints made by the photographic studios Hedrich-Blessing or Williams & Meyer Co.. Among the inscriptions on the verso of each print are the negative numbers of each print as follows: DR1994:0014:006:001 (Hedrich-Blessing negative 10070); DR1994:0014:006:002 (Williams & Meyer Co. negative 3929-D); DR1994:0014:006:003 (Williams & Meyer Co. negative 3929-B); DR1994:0014:006:004 (Williams & Meyer Co. negative 3929-F); and DR1994:0014:006:005 (Hedrich-Blessing negative 9691-S).
Form:
photographs
Quantity:
5 photograph(s)
photographs
Quantity:
5 photograph(s)
Date:
negatives exposed between 1938 and 1969
negatives exposed between 1938 and 1969
People:
Subject:
architecture, exhibition design, interior design
architecture, exhibition design, interior design
Form:
photographs
photographs
Actions:
Reference number:
ARCH275184
Description:
5 documentation binders filed under "Education" containing presentation photographs, slides and negatives for: Simon Fraser University, theatre, married students' residence, womens' residence, classroom block; University of British Columbia, faculty club addition and alterations; Champlain Heights Elementary School; Technical University, Saudi Arabia; Textile School, North Carolina State University; Biological Sciences Unit 2, University of California; Clinical Sciences Building, University of California; Washington State University, Downtown Campus. Also includes digital prints, some project information sheets, copies of plans, printed material and newspaper clippings related to the projects.
ARCH275184
Description:
5 documentation binders filed under "Education" containing presentation photographs, slides and negatives for: Simon Fraser University, theatre, married students' residence, womens' residence, classroom block; University of British Columbia, faculty club addition and alterations; Champlain Heights Elementary School; Technical University, Saudi Arabia; Textile School, North Carolina State University; Biological Sciences Unit 2, University of California; Clinical Sciences Building, University of California; Washington State University, Downtown Campus. Also includes digital prints, some project information sheets, copies of plans, printed material and newspaper clippings related to the projects.
People:
Date:
1 October 1990
1 October 1990
Title:
Presentation slides, project information sheets, plans and paper clippings for various education buildings projects
Actions:
ARCH275184
Description:
5 documentation binders filed under "Education" containing presentation photographs, slides and negatives for: Simon Fraser University, theatre, married students' residence, womens' residence, classroom block; University of British Columbia, faculty club addition and alterations; Champlain Heights Elementary School; Technical University, Saudi Arabia; Textile School, North Carolina State University; Biological Sciences Unit 2, University of California; Clinical Sciences Building, University of California; Washington State University, Downtown Campus. Also includes digital prints, some project information sheets, copies of plans, printed material and newspaper clippings related to the projects.
Presentation slides, project information sheets, plans and paper clippings for various education buildings projects
Actions:
ARCH275184
Description:
5 documentation binders filed under "Education" containing presentation photographs, slides and negatives for: Simon Fraser University, theatre, married students' residence, womens' residence, classroom block; University of British Columbia, faculty club addition and alterations; Champlain Heights Elementary School; Technical University, Saudi Arabia; Textile School, North Carolina State University; Biological Sciences Unit 2, University of California; Clinical Sciences Building, University of California; Washington State University, Downtown Campus. Also includes digital prints, some project information sheets, copies of plans, printed material and newspaper clippings related to the projects.
Form:
photographs
photographs
Date:
1 October 1990
1 October 1990
People:
Form:
textual records
Quantity:
30 file
textual records
Quantity:
30 file
Reference number:
ARCH242705
Description:
Individual Presentations, Correspondence, etc.: Sylviane Agacinski Silvia Arango Akira Asada & Arata Isozaki Beatriz Colomina Alberto Rafael Codiviola & Mauricio Virgens Elizabeth Diller (texts & 2 negatives) Peter Eisenman Jean Franco German Garcia Elizabeth Grosz Fredric Jameson Glenda Kapstein Guillermo Kuitca Jorge Francisco Liernur Greg Lynn Brian Massumi Paulo Mendes da Rocha Masao Miyoshi Enrique Norten Marta Oyhanarte Fernado Pérez Oyarzun John Rajchman Renato Rizzi Armando Silva (texts & 10 photographs) Ignasi de Solà-Morales Justo Solsona Jesus Tenreiro Ben van Berkel Alberto Varas Alejandro Zaera-Polo
ARCH242705
Description:
Individual Presentations, Correspondence, etc.: Sylviane Agacinski Silvia Arango Akira Asada & Arata Isozaki Beatriz Colomina Alberto Rafael Codiviola & Mauricio Virgens Elizabeth Diller (texts & 2 negatives) Peter Eisenman Jean Franco German Garcia Elizabeth Grosz Fredric Jameson Glenda Kapstein Guillermo Kuitca Jorge Francisco Liernur Greg Lynn Brian Massumi Paulo Mendes da Rocha Masao Miyoshi Enrique Norten Marta Oyhanarte Fernado Pérez Oyarzun John Rajchman Renato Rizzi Armando Silva (texts & 10 photographs) Ignasi de Solà-Morales Justo Solsona Jesus Tenreiro Ben van Berkel Alberto Varas Alejandro Zaera-Polo
People:
Date:
1995-1997
1995-1997
Title:
Individual Presentations, Correspondence, etc.
Actions:
ARCH242705
Description:
Individual Presentations, Correspondence, etc.: Sylviane Agacinski Silvia Arango Akira Asada & Arata Isozaki Beatriz Colomina Alberto Rafael Codiviola & Mauricio Virgens Elizabeth Diller (texts & 2 negatives) Peter Eisenman Jean Franco German Garcia Elizabeth Grosz Fredric Jameson Glenda Kapstein Guillermo Kuitca Jorge Francisco Liernur Greg Lynn Brian Massumi Paulo Mendes da Rocha Masao Miyoshi Enrique Norten Marta Oyhanarte Fernado Pérez Oyarzun John Rajchman Renato Rizzi Armando Silva (texts & 10 photographs) Ignasi de Solà-Morales Justo Solsona Jesus Tenreiro Ben van Berkel Alberto Varas Alejandro Zaera-Polo
Individual Presentations, Correspondence, etc.
Actions:
ARCH242705
Description:
Individual Presentations, Correspondence, etc.: Sylviane Agacinski Silvia Arango Akira Asada & Arata Isozaki Beatriz Colomina Alberto Rafael Codiviola & Mauricio Virgens Elizabeth Diller (texts & 2 negatives) Peter Eisenman Jean Franco German Garcia Elizabeth Grosz Fredric Jameson Glenda Kapstein Guillermo Kuitca Jorge Francisco Liernur Greg Lynn Brian Massumi Paulo Mendes da Rocha Masao Miyoshi Enrique Norten Marta Oyhanarte Fernado Pérez Oyarzun John Rajchman Renato Rizzi Armando Silva (texts & 10 photographs) Ignasi de Solà-Morales Justo Solsona Jesus Tenreiro Ben van Berkel Alberto Varas Alejandro Zaera-Polo
Form:
textual records
Quantity:
30 file
textual records
Quantity:
30 file
Date:
1995-1997
1995-1997
People:
Title:
Letters 1975
Letters 1975
Reference number:
PHCON2002:0016:003
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from 1975, a period when he was actively involved in many cut building projects. Documents related to the following realized and unrealized projects are included: Anarchitecture (1973-1974); A W-Hole House (1973), Column Drop (undated); Conical Intersect (1975); Day's End (1975), Doors on all 4's (1975); Fresh Air Cart (1972); and Splitting (1974). Documentation on projects by other artists, including Matta-Clark's brother John Sebastian Matta, are also included. Binder contains photographs and textual records.
PHCON2002:0016:003
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from 1975, a period when he was actively involved in many cut building projects. Documents related to the following realized and unrealized projects are included: Anarchitecture (1973-1974); A W-Hole House (1973), Column Drop (undated); Conical Intersect (1975); Day's End (1975), Doors on all 4's (1975); Fresh Air Cart (1972); and Splitting (1974). Documentation on projects by other artists, including Matta-Clark's brother John Sebastian Matta, are also included. Binder contains photographs and textual records.
People:
Date:
1971-1976
1971-1976
Title:
Letters 1975
Actions:
PHCON2002:0016:003
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from 1975, a period when he was actively involved in many cut building projects. Documents related to the following realized and unrealized projects are included: Anarchitecture (1973-1974); A W-Hole House (1973), Column Drop (undated); Conical Intersect (1975); Day's End (1975), Doors on all 4's (1975); Fresh Air Cart (1972); and Splitting (1974). Documentation on projects by other artists, including Matta-Clark's brother John Sebastian Matta, are also included. Binder contains photographs and textual records.
Letters 1975
Actions:
PHCON2002:0016:003
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from 1975, a period when he was actively involved in many cut building projects. Documents related to the following realized and unrealized projects are included: Anarchitecture (1973-1974); A W-Hole House (1973), Column Drop (undated); Conical Intersect (1975); Day's End (1975), Doors on all 4's (1975); Fresh Air Cart (1972); and Splitting (1974). Documentation on projects by other artists, including Matta-Clark's brother John Sebastian Matta, are also included. Binder contains photographs and textual records.
Date:
1971-1976
1971-1976
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
People:
Subject:
architecture
architecture
Date:
19 March 1999; 14 April 1999
19 March 1999; 14 April 1999
Title:
Group portrait of the original creative team of the Four Seasons Restaurant Grill Room, including Phyllis Lambert and Philip Johnson, Restaurant Four Seasons, Seagram Building, New York City, New York, United States
Actions:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Group portrait of the original creative team of the Four Seasons Restaurant Grill Room, including Phyllis Lambert and Philip Johnson, Restaurant Four Seasons, Seagram Building, New York City, New York, United States
Actions:
PH1999:0172
Description:
Photograph commissioned by Vanity Fair. Published in Vanity Fair, "Season in the Sun", August 1999.Outside the bar, counterclockwise from rear left: former pastry chef Albert Kumin, former press agent Roger Martin, landscape architect Karl Linn, architecture critic Ada Louise Huxtable, project director Phyllis Lambert, architect Philip Johnson, sculptor Richard Lippold, lawyer Lester Klepper, former co-owner Tom Margittai. Inside the bar, from left: former executive chef Seppi Renggli, current chef Hitsch Albin, former press agent Philip Miles, current pastry chef Patrick Lemblé, adman George Lois, food writer Mimi Sheraton, sculptor Marilynn Gelfman Karp, adman Ron Holland, menu and logo designer Emil Antonucci, former director George Lang, current co-directors Alex von Bidder and Julian Niccolini.
Form:
photographs
photographs
Date:
19 March 1999; 14 April 1999
19 March 1999; 14 April 1999
People:
Subject:
architecture
architecture
