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"Small Strawbale" is a meditative exploration of the innumerable reasons to consider strawbale as a viable building material. Environmentally friendly, super insulative, economical, and natural, strawbale can be used to build everything from garden walls to small homes. "Small Strawbale" tells the stories of people who have successfully created structures out of this(...)
Green Architecture
April 2005, Layton, Utah
Small strawbale : natural homes, projects & designs
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"Small Strawbale" is a meditative exploration of the innumerable reasons to consider strawbale as a viable building material. Environmentally friendly, super insulative, economical, and natural, strawbale can be used to build everything from garden walls to small homes. "Small Strawbale" tells the stories of people who have successfully created structures out of this easily replenishable building material, reminding us that our human roots are ultimately grounded and dependent upon the earth and its bounties. This practical guide is filled with rich photos of homes, greenhouses, studios, sheds, open-air structures and more, each pulsating with unique yet subtle creativity. Both a pragmatic construction manual and a philosophical, artistic guidebook, "Small Strawbale" is an inspirational starting point for a strawbale dreamer, and a great source of information for those who are ready to get bailing.
Green Architecture
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The intuitive design, sun-lit spaces, and tranquil vibe of modernist houses have an enduring appeal today. But can these homes be updated for contemporary living while maintaining the integrity of the original architecture? "The new modernist house" presents twenty-one mid-century homes respectfully restored and renewed for future generations to enjoy. Designs by some of(...)
The new modernist house: Mid-century homes renewed for contemporary living
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The intuitive design, sun-lit spaces, and tranquil vibe of modernist houses have an enduring appeal today. But can these homes be updated for contemporary living while maintaining the integrity of the original architecture? "The new modernist house" presents twenty-one mid-century homes respectfully restored and renewed for future generations to enjoy. Designs by some of the period’s heavyweights- including Anatol Kagan, Alistair Knox, and Ernest Fooks- have been sensitively updated by today’s creative innovators. Alongside stories of the passionate homeowners, architects, and collaborators who have given these homes new life, a historical overview and section on practical considerations inform those drawn to a modernist dream house. This colorful volume is both a useful resource for those embarking on their own renovation journey, and a sourcebook of inspiration for delighting in moments of nostalgia.
Residential Architecture
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This issue identifies the critical role played by public bodies in carving out public space and celebrates new public spaces around the world shortlisted in the second edition of the AR Public awards. Five public spaces are revisited in the issue, to ask how their original designers envisaged their use and how their role in public life has changed with time and shifting(...)
The Architectural Review 1513, jul/aug 2024
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This issue identifies the critical role played by public bodies in carving out public space and celebrates new public spaces around the world shortlisted in the second edition of the AR Public awards. Five public spaces are revisited in the issue, to ask how their original designers envisaged their use and how their role in public life has changed with time and shifting incentives. Some are success stories: Copacabana beach in Rio de Janeiro ‘attracts the richest and the poorest‘, while in Paris’s Le Cent Quatre, artists rehearse in a convivial, open atmosphere. In New York, the High Line’s ‘successes and shortcomings are as much a product of the neoliberal economy as of its designers’, while entrance to Meskel Square in Addis Ababa has become subject to an entrance fee.
Magazines
Walks with Walser
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After a nervous breakdown in 1929, Robert Walser spent the remaining twenty-seven years of his life in mental asylums, closed off from the rest of the world in almost complete anonymity. While at the Herisau sanitarium, instead of writing, Walser practiced another favorite activity: walking. Starting in 1936, Carl Seelig, Walser’s friend and literary executor, visited and(...)
Walks with Walser
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After a nervous breakdown in 1929, Robert Walser spent the remaining twenty-seven years of his life in mental asylums, closed off from the rest of the world in almost complete anonymity. While at the Herisau sanitarium, instead of writing, Walser practiced another favorite activity: walking. Starting in 1936, Carl Seelig, Walser’s friend and literary executor, visited and accompanied him on these walks, meticulously recording their conversations. As they strolled, Walser told stories, shared his daily experiences of the sanatorium, and expressed his opinions about books and art, writing and history. When Seelig asked why he no longer wrote, Walser famously replied: “I’m not here to write, I’m here to be mad.” Filled with lively anecdotes and details, Walks with Walser offers the fullest available account of this wonderful writer’s inner and outer life.
Literature and poetry
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing,(...)
Code and clay, data and dirt: five thousand years of urban media
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Urban Theory
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Set somewhere between here and the heat-death of the universe, Jim Oaten’s debut collection serves up random samples of literal and literary truth scooped up at top speed. Whether peeking out from the backseat of Mom and Dad’s car or surveying the grimy wings of mental wards, Accelerated Paces hurdles that uneasy terrain between creative fact and honest fiction. These(...)
Accelerated paces: travels across borders and other imaginary boundaries
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Set somewhere between here and the heat-death of the universe, Jim Oaten’s debut collection serves up random samples of literal and literary truth scooped up at top speed. Whether peeking out from the backseat of Mom and Dad’s car or surveying the grimy wings of mental wards, Accelerated Paces hurdles that uneasy terrain between creative fact and honest fiction. These short stories and pieces ignore borders as they jaunt thorough external trips and internal voyages. This is both creative non-fiction and creative fiction, which follows the idea of crossing boundaries and blurring borders. Think part of this collection will be an explicit demonstration of how the two genres interplay, of how a non-fiction event can inspire a fictional piece, and, interestingly enough, the reverse as well.
Architectural Theory
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a(...)
What you see- Luciano Rigolini
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Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a grammar of seeing and perception. Les instantanés anonymes sont des surfaces de projection idéales : ils incitent l'imagination à inventer des histoires. Artiste photographe, Luciano Rigolini révèle que, même détachées de leur contexte, ces images peuvent transmettre une expérience visuelle. En fouillant dans les marchés aux puces, les archives et l'Internet, il trouve tout un matériel qu'il assemble ensuite pour en faire une œuvre nouvelle, autonome, une grammaire de la vision et de la perception.
Photography Periods and Styles
Carpet sweeper tales
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Julie Doucet is an artist who has mastered many voices and styles, from her landmark and medium-defining early work in comics with her comic-book series Dirty Plotte and the classic graphic novel My New York Diary, to her linocut and collage work in Lady Pep and Long Time Relationship. Most recently, Doucet has focused primarily on collage, crafting impeccable zines,(...)
Carpet sweeper tales
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Julie Doucet is an artist who has mastered many voices and styles, from her landmark and medium-defining early work in comics with her comic-book series Dirty Plotte and the classic graphic novel My New York Diary, to her linocut and collage work in Lady Pep and Long Time Relationship. Most recently, Doucet has focused primarily on collage, crafting impeccable zines, prints, and other ephemera. In Carpet Sweeper Tales, her first new book in a decade, we see this multi-faceted artist combine her many talents into one genre-defying masterwork. This book is the first to combine Doucet's love of collage with her gift at comics storytelling. The result is a collection of lighthearted stories that play upon the disconnects between 1970s imagery and our modern world.
Illustration
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It is an architectural concept as alluring as it is elusive, as futuristic as it is primordial. Megastructure is what it sounds like: a vastly scaled edifice that can contain potentially countless uses, contexts, and adaptations. Theorized and briefly experimented with in built form in the 1960s, megastructures almost as quickly went out of fashion in the profession. But(...)
Megastructure: urban futures of the recent past
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It is an architectural concept as alluring as it is elusive, as futuristic as it is primordial. Megastructure is what it sounds like: a vastly scaled edifice that can contain potentially countless uses, contexts, and adaptations. Theorized and briefly experimented with in built form in the 1960s, megastructures almost as quickly went out of fashion in the profession. But Reyner Banham's 1976 book compiled the origin stories and ongoing mythos of this visionary movement, seeking to chart its lively rise, rapid fall, and ongoing meaning. Now back in print after decades Megastructure: Urban Futures of the Recent Past is part of the recent surge in attention to this quixotic form, of which some examples were built but to this day remains--decades after its codification--more of a poetic idea than a real architectural type.
Modernism
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its(...)
An accidental masterpiece : Mies Van Der Rohe's Barcelona-Pavillion
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement- up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986.
Architecture Monographs