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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book,(...)
Thomas Schutte : Friedrich Christian Flick collection, volume 2
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of model-maker, and projects avant-garde ideas onto traditional forms of art. With meticulous rigor, Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview is a series of intensive discussions between the author and artist on the genesis and history of particular works. This well-designed book is the most comprehensive monograph of the artist’s work to date, and provides profound insight into Schütte’s work through detailed discussions of the pieces.
Contemporary Art Monographs
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and(...)
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.
Contemporary Art Monographs
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring(...)
The world outside: Louise Nevelson at midcentury
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring new understandings of her drawings and sculptures. A reframing of her travels to Mexico and Guatemala in the early 1950s demonstrates, for the first time, how colonial archaeology haunted her visual language for decades. Other little-known facets of Nevelson’s life—her interest in folk art, architecture, and period furniture—open up a conversation about the artist’s approach to America’s past material culture.The book also reconsiders Nevelson’s work in the context of the environmental movement. Additionally, three contemporary artists relate Nevelson’s role in their careers and lives, a local expert describes her roots and relationship to Maine, and the artist’s granddaughter shares thoughts on Nevelson’s spirituality.
Contemporary Art Monographs
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
Architecture since 1900, Europe
December 2002, Cambridge / London
The glass state : the technology of the spectacle - Paris, 1981-1998
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Architecture since 1900, Europe
Sensing space
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The incorporation of new technology into architecture continues to define our everyday lives, whether it be tiny sensors woven almost invisibly into materials, buildings which communicate with their surroundings via the facades, or "intelligent" houses that adapt to fit their inhabitants. Sensing Space investigates the potential of interactive technologies as an integral(...)
Sensing space
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The incorporation of new technology into architecture continues to define our everyday lives, whether it be tiny sensors woven almost invisibly into materials, buildings which communicate with their surroundings via the facades, or "intelligent" houses that adapt to fit their inhabitants. Sensing Space investigates the potential of interactive technologies as an integral component of contemporary architecture.
History since 1900, Reference Books
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vii, 488 pages, 16 unnumbered pages of plates : illustrations (some color), maps (some color) ; 26 cm.
Philadelphia : University of Pennsylvania Press, [2019]
Iconic planned communities and the challenge of change / edited by Mary Corbin Sies, Isabelle Gournay, Robert Freestone.
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vii, 488 pages, 16 unnumbered pages of plates : illustrations (some color), maps (some color) ; 26 cm.
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Philadelphia : University of Pennsylvania Press, [2019]
Québec in mind
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Quebec in mind is grouped by theme and accompanied by informative captions and descriptions; • Its major attractions, Montréal and Québec City, the St. Lawrence River Valley and its gulf, and the vast Far North. • Its rich architectural heritage, traditional, religious, and contemporary. • Its culture and savoir-vivre, the warmth and hospitality of its people,(...)
Québec in mind
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Quebec in mind is grouped by theme and accompanied by informative captions and descriptions; • Its major attractions, Montréal and Québec City, the St. Lawrence River Valley and its gulf, and the vast Far North. • Its rich architectural heritage, traditional, religious, and contemporary. • Its culture and savoir-vivre, the warmth and hospitality of its people, its unique cuisine and its many outdoor activities. • Its wilderness and wide open spaces, from the countryside to the forests, from the lakes to the mountains, from the river to the sea.
Architecture du Québec
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Audio-CD, playtime 50 minutes, 35 tracks. Including 8-pages booklet with drawings of the recorder, photos, and texts by Oswald Wiener and Jeremy Roht. For these field recordings of the nightly chanting of sled dogs from the Yukon-territory, Oswald Wiener did build a recorder by himself, which is, also at extreme outside temperatures, reacting to acoustic signals: "The(...)
Architecture in Canada
January 2001, Köln
Animal music / tiermusik: team of Jeremy Roht, west dawson, yukon-territory
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Audio-CD, playtime 50 minutes, 35 tracks. Including 8-pages booklet with drawings of the recorder, photos, and texts by Oswald Wiener and Jeremy Roht. For these field recordings of the nightly chanting of sled dogs from the Yukon-territory, Oswald Wiener did build a recorder by himself, which is, also at extreme outside temperatures, reacting to acoustic signals: "The peculiar enjoyability of this music, which - in contrast to much contemporary human music - stands the test of repeated listenings, forces one to the conclusion that, to the dogs at least, an abstract aesthetic experience constitutes the 'figure' of their play." (Oswald Wiener)
Architecture in Canada
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Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs.(...)
Home away from home : the world of camper vans and motorhomes
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Whether representing pioneering spirit, implying large horizons and wide open spaces, or epitomising economic travel with a comfortable change of scenery, camper vans and RVs share a common aspiration: the need to create a ‘home away from home’. This book illustrates the culture, style and philosophy of camper van and RV travel by looking at the owners and their clubs. Stories of road trips, adventures and epic voyages provide an exciting backdrop to the extraordinary history and present status of freewheeling transportation. "Home away from home" explains the cultural and social history of the camper van and RV by looking at a range of phenomena from surf and hippy culture to family holidays and travel in retirement years. A range of iconic vehicles from the VW Bus and the Airstream to the Winnebago will be looked at in detail, within the context of their technical developments as well as the design strategies that dictated their appearances. Finally, "Home away from home" explores future possibilities for independent camper van and RV travel, alongside contemporary approaches to 'compact living'.
Miniature Architecture
Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The(...)
Adolf Loos: The Looshaus
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When it was completed in 1911, the Goldman & Salatsch Building in Vienna, commonly known as the Looshaus, incited controversy for its austerity and plainness. It represented a stark rejection of the contemporary preference for ornamentation, though its architect, Adolf Loos (1870-1933), had intended it to preserve Viennese tradition within a new modernist language. The heated debate that ensued among critics and the public set the project apart, distinguishing it as one of the most important and contentious buildings of the early 20th century. In celebration of the Looshaus's centennial year, Christopher Long, a leading authority on Viennese architectural history, brings to light extensive new research and careful analysis that dispel long-held myths about Loos, his building, and its critical reception. The book, which features new color photography and a vast array of archival materials in print for the first time, tells the remarkable story of the Looshaus's design and construction, the political and social restlessness it reflected, and the building's fundamental role in defining the look of modernism.
Architecture Monographs