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The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The(...)
Olafur Eliasson: your chance encounter
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The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The installations were developed especially for the exhibition. They are arranged in a tight context with the spatial structure of the museum and extend the concept of architecture by the Japanese architecture practice SANAA. Olafur Eliasson does not work only in the museum galleries, but also in the corridors in between and the adjacent courtyards, thus linking the indoor and outdoor areas closely and examining this museum’s unique qualities. The artist’s book was created in close co-operation with Olafur Eliasson’s studio. Its elaborate design with an extensive pictorial section offers a comprehensive record of the exhibition and an important analysis of this artist’s work. An essay by art historian Eve Blau interprets the exhibition in relation to its surroundings and contrasts the experimental approaches of Olafur Eliasson and SANAA, while curator Hiromi Kurosawa introduces the history and context of the museum in Kanazawa.
Contemporary Art Monographs
The grammar of ornament: a visual reference of form and colour in architecture and decorative arts
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First published in 1856, ''The Grammar of Ornament'' remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the(...)
The grammar of ornament: a visual reference of form and colour in architecture and decorative arts
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First published in 1856, ''The Grammar of Ornament'' remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources.
Ornementation
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
July 2011
Avant-garde art in everyday life: early twentieth-century european modernism
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
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Art and film are the subject of a recent exhibition at one of the leading Swiss art museums, Aargauer Kunsthaus, featuring works by internationally acclaimed artists who engaged with themes surrounding film in art. "Cinéma mon amour" brings together works by Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff and George(...)
Architecture and Film, Set Design
August 2017
Cinéma mon amour: film in art
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Art and film are the subject of a recent exhibition at one of the leading Swiss art museums, Aargauer Kunsthaus, featuring works by internationally acclaimed artists who engaged with themes surrounding film in art. "Cinéma mon amour" brings together works by Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff and George Bures Miller, collectif_fact, Tacita Dean, Stan Douglas, Thomas Galler, Christoph Girardet and Matthias Müller, Douglas Gordon, Teresa Hubbard and Alexander Birchler, Samson Kambalu, Daniela Keiser, Urs Lüthi, Philippe Parreno, Julian Rosefeldt, Hiroshi Sugimoto, Sam Taylor-Johnson, and Mark Wallinger, alongside essays that discuss topics such as the film industry, found footage, specific movies and genres, the mechanisms of film, cinema as space, and the filmmaker’s gaze.
Architecture and Film, Set Design
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Carlo Scarpa (1906 1978) was denied the appropriate appreciation during his lifetime. His work was dismissed as just being art and only after his death people began to understand the high quality contained. This book shows the development of his individual architectural language by linking aspects of the arts with architecture. From his sensitive consideration of the(...)
Scarpa
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Carlo Scarpa (1906 1978) was denied the appropriate appreciation during his lifetime. His work was dismissed as just being art and only after his death people began to understand the high quality contained. This book shows the development of his individual architectural language by linking aspects of the arts with architecture. From his sensitive consideration of the urban context to the composition of stunning details; the author manages to give the reader an insight into the architect s work. Especially the investigation in his exhibition designs illustrate Scarpa s knowledge of material and his solving of complex problems. Places like the Castelvecchio Museum in Verona became a Mekka for everybody seeking the ultimate refinement in exhibition design and restoring old buildings.
Architecture Monographs
a+u 554 : Hermann Czech
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Hermann Czech gained recognition in Europe in the 1970s with projects based on a strategy of continuation and convention instead of contrast. His work includes homes, hotels, schools, and urban planning, as well as small-scale interventions and exhibition design. In rejecting facile connections between theory and practice, he developed a multidimensional, critical and(...)
a+u 554 : Hermann Czech
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Hermann Czech gained recognition in Europe in the 1970s with projects based on a strategy of continuation and convention instead of contrast. His work includes homes, hotels, schools, and urban planning, as well as small-scale interventions and exhibition design. In rejecting facile connections between theory and practice, he developed a multidimensional, critical and early postmodern position amid a climate of reformation and avant-gardism. Guest-edited by Christian Kühn of Technische Universität Wien, this issue explores the many facets of Czech’s architectural thought and practice through works ranging from furniture design to urban-scale infrastructure.
Magazines
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Architect Angela Pang brings together design, research, and teaching. Her Rational Form Making approach explores a fundamental question: How can we build more with less? Operating from her studio, PangArchitect, in Hong Kong and Boston, and as an Assistant Professor at the Harvard Graduate School of Design, she combines precise analysis, digital methods, and experimental(...)
PangArchitect: Rational form making
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Architect Angela Pang brings together design, research, and teaching. Her Rational Form Making approach explores a fundamental question: How can we build more with less? Operating from her studio, PangArchitect, in Hong Kong and Boston, and as an Assistant Professor at the Harvard Graduate School of Design, she combines precise analysis, digital methods, and experimental modeling to drive architectural innovations. In search of objectivity in form-making, Pang’s approach merges creative freedom with explorations between natural forces and material-conscious efficiency to discover a new design process. At the heart of the exhibition at Aedes is a striking experimental prototype—a 3D-printed pavilion at the scale of 1:2.5 of an ongoing project for a public space in Hong Kong.
Architecture Monographs
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
Moholy-Nagy: laboratory of vision
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
Contemporary Art Monographs
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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Architects on stage
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"Architects on Stage" brings together material seldom published before, featuring exhibition design and scenography projects from the 90s by architects of recognized international prestige such as Coop. Himmelb(l)au, Diller & Scofidio, Frank Gehry, Toyo Ito, Jean Nouvel and John Pawson. The works presented cover a broad spectrum of ephemeral interventions,(...)
Commercial interiors, Building types
September 1999, Barcelona
Architects on stage
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"Architects on Stage" brings together material seldom published before, featuring exhibition design and scenography projects from the 90s by architects of recognized international prestige such as Coop. Himmelb(l)au, Diller & Scofidio, Frank Gehry, Toyo Ito, Jean Nouvel and John Pawson. The works presented cover a broad spectrum of ephemeral interventions, both interior and exterior, for shows and events both large and small in theaters, in museums and in the city.
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September 1999, Barcelona
Commercial interiors, Building types