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Including newly commissioned essays by curators and scholars, this book explores how Sottsass’s art and philosophy presaged the dawn of PCs, the service industry, and the gig economy. Ettore Sottsass was an architect, industrial designer, painter, writer, photographer, and founder of the Memphis group, whose designs are undergoing an impressive renaissance. But Sottsass(...)
Ettore Sottsass and the social factory
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Including newly commissioned essays by curators and scholars, this book explores how Sottsass’s art and philosophy presaged the dawn of PCs, the service industry, and the gig economy. Ettore Sottsass was an architect, industrial designer, painter, writer, photographer, and founder of the Memphis group, whose designs are undergoing an impressive renaissance. But Sottsass was more than just an important designer. His approach to object design–marked by bold colors, tactility, and vitality–was a direct response to the world of mass production and the assembly-line economy. This revelatory collection of essays by leading thinkers in the fields of political theory, economics, the media, design history, and cultural theory contextualizes Sottsass’s work in unprecedented arguments that draw a line from his work at Olivetti to the iconoclastic designs he produced at the dawn of the 21st century. Divided into five chronological sections–from the late 1950s to Sottsass’s death in 2007– these essays are illustrated with vibrant images of his work and archival photographs. Deeply researched, the book makes crucial connections between postwar Europe and America, and the way we work and live today.
Design Monographs
Digital-botanic architecture
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Digital-Botanic Architecture (D-B-A) explores physical as well as digital design and architecture based on biological forms—especially plant morphology. Fusing Leibniz’s eighteenth-century metaphysic with Richard Dawkins’ twentieth-century theory of the meme, D-B-A simultaneously interweaves Louis Sullivan’s “botanic architecture,” as developed in his A System of(...)
Digital-botanic architecture
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Digital-Botanic Architecture (D-B-A) explores physical as well as digital design and architecture based on biological forms—especially plant morphology. Fusing Leibniz’s eighteenth-century metaphysic with Richard Dawkins’ twentieth-century theory of the meme, D-B-A simultaneously interweaves Louis Sullivan’s “botanic architecture,” as developed in his A System of Architectural Ornament, with current design, contending that architecture is a waylaid biological extension of its builders—an extended phenotype, as Dawkins would call it.
Architecture since 1900, Europe
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"The Hypospace of Japanese architecture" pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenization than one of cultural invention. The realization that buildings are dynamic events—phenomena of space-in-time, not inert objects(...)
The hypospace of Japanese architecture
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"The Hypospace of Japanese architecture" pushes past clichés of an exotic Japan to confront the modernity of an island nation whose habit of importing foreign ideas is less about assimilation than transformation, less a process of indigenization than one of cultural invention. The realization that buildings are dynamic events—phenomena of space-in-time, not inert objects outside time—continues to inform Japanese architecture and suggests how we can rethink the history, theory, and practice of architecture more generally.
Contemporary Asian Architecture
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she(...)
Museums and the interpretation of visual culture
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she addresses the production of knowledge though exhibitions; and finally touching on psychology she explores the experience of museum visitors.
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February 2001, New York
Museology
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This quarterly aims to act as an international forum for practitioners and academics by publishing cutting-edge work covering all aspects of architectural endeavour. arq is edited with busy practitioners and academics in mind. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and(...)
arq : architectural research quarterly, vol 5 no 4, 2001
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This quarterly aims to act as an international forum for practitioners and academics by publishing cutting-edge work covering all aspects of architectural endeavour. arq is edited with busy practitioners and academics in mind. Contents include building design, urbanism, history, theory, environmental design, construction, materials, information technology, and practice. Other features include interviews, reports, letters pages, book reviews and an end feature, Insight. Discussed in this volume: Old buildings, new meanings; James Stirling reappraised; Realizing computation's potential.
Magazines
Graphic design discourse: evolving theories, ideologies and processes of visual communication
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Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, "Graphic design discourse: Evolving theories, ideologies, and processes of visual communication" establishes a new paradigm for graphic design methodologies for the(...)
Graphic Design and Typography
October 2017
Graphic design discourse: evolving theories, ideologies and processes of visual communication
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Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, "Graphic design discourse: Evolving theories, ideologies, and processes of visual communication" establishes a new paradigm for graphic design methodologies for the twenty-first century. This anthology is for practicing designers, educators, and students trying to understand how to design in a singular, expressive way without forgoing clear and concise visual communication.
Graphic Design and Typography
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Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare,(...)
Archive, library and the digital
August 2016
The book in history, the book as history
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Uniting eighteen leading critics in early modern literary studies, this volume explores book history and the material text. The essays incorporate a broad range of subjects, such as gender and sexuality, religion, postcolonial theory, political and economic history, adaptation and appropriation, historical formalism, and digital humanities. With essays on Shakespeare, Spenser, Milton, and others, this volume makes early modern literary studies and book history accessible and will be a core resource in the field for years to come.
Archive, library and the digital
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Elizabeth Martin draws closely on the work of composer John Cage, with whom she corresponded at length, and her study brings together ten projects by musicians and architects that explore (...)
Pamphlet architecture #16 : architecture as a translation of music
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Elizabeth Martin draws closely on the work of composer John Cage, with whom she corresponded at length, and her study brings together ten projects by musicians and architects that explore the language, philosophy and character of both disciplines. Pamphlet Architecture #16 contains analytical drawings, diagrams, and models of the translation of minimalist music theory into built form. Case studies include buildings by architects Bernhard Leitner, Ellen Fullman, Maryanne Amacher, Neil Denari, Steven Holl, and Mangurian + Ray.
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May 1994, New York
small format
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Seven Questions is the outcome of a series of online lunch lectures at ETH Zu¨rich, organized by studio Jan de Vylder during the Corona lockdown. The briefing for the speakers was as simple as it was tricky: Talk about seven questions that you consider relevant without answering them. The results were as diverse as the contributors: 68 experts from architecture, design,(...)
Seven questions: Studio Jan de Vylder
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Seven Questions is the outcome of a series of online lunch lectures at ETH Zu¨rich, organized by studio Jan de Vylder during the Corona lockdown. The briefing for the speakers was as simple as it was tricky: Talk about seven questions that you consider relevant without answering them. The results were as diverse as the contributors: 68 experts from architecture, design, history, theory, sociology, art, etc. gave an insight in the creative processes that drive their work.
Contemporary Architecture
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The digital turn in architecture has gone through several stages and phases, and Architectural Design (AD) has captured them all. This anthology of AD's most salient articles is chronologically and thematically arranged to provide a complete historical timeline of the rise to pre-eminence of computer-based design and production. A pedagogical and research tool, this(...)
The digital turn in architecture, 1992-2012
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The digital turn in architecture has gone through several stages and phases, and Architectural Design (AD) has captured them all. This anthology of AD's most salient articles is chronologically and thematically arranged to provide a complete historical timeline of the rise to pre-eminence of computer-based design and production. A pedagogical and research tool, this synopsis also relates the present state of digitality in architecture to the history and theory of its recent development and trends.
Digital Architecture