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This publication brings together ideas about memory which bear upon the architectural and urban experience. It presents a critical and creative approach to the theorisation of memory, and focuses this burgeoning area of studies on the actual forms of the built environment in the modernist and post-industrial city.
Urban memory : history and amnesia in the modern city
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This publication brings together ideas about memory which bear upon the architectural and urban experience. It presents a critical and creative approach to the theorisation of memory, and focuses this burgeoning area of studies on the actual forms of the built environment in the modernist and post-industrial city.
Urban Theory
Politics of public space
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Public spaces, once democratic sites of dissent and cultural transformation, have become centres of private commerce and consumption. Increasingly, municipalities and local businesses collaborate to police urban public spaces, transforming them into highly regulated sites of cultural and economic activity. "The politics of public space" highlights the historical,(...)
Politics of public space
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Public spaces, once democratic sites of dissent and cultural transformation, have become centres of private commerce and consumption. Increasingly, municipalities and local businesses collaborate to police urban public spaces, transforming them into highly regulated sites of cultural and economic activity. "The politics of public space" highlights the historical, cultural, and geographical specificity of privatized and repoliticized public space in order to raise the possibility of a different politics of public space and a reimagined public sphere.
Urban Theory
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Les sens du mouvement
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Mouvement , mobilité... qu'entendre exactement par ces mots apparemment ordinaires, mais carctéritistiques de la modernité ? Selon qu'on les approche comme sociologue, économiste, géographe, urbaniste, artiste ou élu, le mouvement et la mobilité recèlent des interrogations et des problématiques différentes. Les actes présentés ici entendent témoigner du large spectre(...)
Urban Theory
February 2005, Paris
Les sens du mouvement
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Mouvement , mobilité... qu'entendre exactement par ces mots apparemment ordinaires, mais carctéritistiques de la modernité ? Selon qu'on les approche comme sociologue, économiste, géographe, urbaniste, artiste ou élu, le mouvement et la mobilité recèlent des interrogations et des problématiques différentes. Les actes présentés ici entendent témoigner du large spectre des questionnements et enjeux de société concernés par la question du mouvement dans les sociétés contemporaines, accordant une place particulière aux mobilités urbaines, en les analysant dans leurs dimensions sociales, économiques, politiques, urbanistiques et environnementales.
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February 2005, Paris
Urban Theory
La société hypermoderne ou ces événements nous dépassent, feignons d'en être les organisateurs
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Contrairement à une analyse largement partagée qui verrait les liens sociaux se déchirer et les valeurs se dissoudre, François Ascher défend ici l'idée que l'individualisation, la rationalisation et la différence sociale, qui caractérisent la modernité, engendrent des liens sociaux beaucoup plus nombreux et choisis, et font émerger de nouveaux enjeux politiques. Il nous(...)
La société hypermoderne ou ces événements nous dépassent, feignons d'en être les organisateurs
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Contrairement à une analyse largement partagée qui verrait les liens sociaux se déchirer et les valeurs se dissoudre, François Ascher défend ici l'idée que l'individualisation, la rationalisation et la différence sociale, qui caractérisent la modernité, engendrent des liens sociaux beaucoup plus nombreux et choisis, et font émerger de nouveaux enjeux politiques. Il nous montre que le capitalisme cognitif, tel qu'il s'impose aujourd'hui, résulte de ces transformations : cette société est moderne parce que les individus comme les organisations qui la composent prétendent maîtriser leurs actions et leur vie. Mais est-ce réellement possible dans un monde toujours plus complexe et par conséquent, toujours plus incertain?
Urban Theory
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In 1949, Beijing still retained nearly all of its time-honoured character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern(...)
Remaking Beijing : Tiananmen Square and the creation of a political space
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In 1949, Beijing still retained nearly all of its time-honoured character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government offices. Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square - the most sacred space in the People's Republic of China. "Remaking Beijing" considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations. Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China - as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the socio-political system that supports them.
Urban Theory
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'OverHolland - architectural studies for Dutch cities' is a series published by the Department of Architecture at Delft University of Technology. The field of architectural research covered by the series includes both typological and morphological urban studies and the question of architectural intervention in Dutch cities.
Urban Theory
March 2005, Amsterdam
OverHolland 1 -Architectonische studies voor de Hollandse stad
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'OverHolland - architectural studies for Dutch cities' is a series published by the Department of Architecture at Delft University of Technology. The field of architectural research covered by the series includes both typological and morphological urban studies and the question of architectural intervention in Dutch cities.
Urban Theory
The anxious city
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A unique and provocative history of the development of the idea of the city in recent years. Key public spaces and buildings in England, Europe and the USA are discussed in relation to their socio-political context. The book argues that contemporary city spaces are uniquely "anxious" - uncertain as to their use and role.
The anxious city
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A unique and provocative history of the development of the idea of the city in recent years. Key public spaces and buildings in England, Europe and the USA are discussed in relation to their socio-political context. The book argues that contemporary city spaces are uniquely "anxious" - uncertain as to their use and role.
Urban Theory
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In “Ornaments of the Metropolis”, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of(...)
Ornaments of the metropolis : Siegfried Kracauer and modern urban culture
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In “Ornaments of the Metropolis”, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theatre, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel “Ginster, Written by Himself”, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection “Streets of Berlin and Elsewhere”, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, “Jacques Offenbach and the Paris of His Time” shows how the superficial -- in a sense, ornamental -- milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.
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March 2005, Cambridge, Massachusetts
Urban Theory
Making a better world : public housing, the Red Scare, and the direction of modern Los Angeles
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During the 1990s, Los Angeles - like many other cities across America - began demolishing public housing projects that had come to symbolize decades of failed urban policies. But public housing was not always regarded with such disdain. In the years surrounding World War II, it had been a popular New Deal program, viewed as a force for positive social change and supported(...)
Making a better world : public housing, the Red Scare, and the direction of modern Los Angeles
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During the 1990s, Los Angeles - like many other cities across America - began demolishing public housing projects that had come to symbolize decades of failed urban policies. But public housing was not always regarded with such disdain. In the years surrounding World War II, it had been a popular New Deal program, viewed as a force for positive social change and supported by a broad coalition of civic, labor, religious, and community organizations. Socially conscious architects and planners developed innovative and livable projects that embodied the latest theories in urban design. With sharp historical perspective, "Making a better world" traces the rise and fall of a public housing ethic in Los Angeles and its impact on the city’s built environment. In the caustic political atmosphere of Joseph McCarthy’s America, public housing opponents accused the city’s housing authority of communist infiltration, effectively eliminating the left from debates over the city’s development. In place of public housing, conservative forces promoted a pro-private growth agenda that redefined urban renewal and reshaped modern Los Angeles. No conventional public housing projects have been constructed in Los Angeles since 1955. In this era of skyrocketing housing prices, especially in urban areas, Don Parson’s examination not only gives us the recent history of a city but also opens up a new debate on a current national crisis in providing shelter for low-income Americans. Foreword by Kevin Starr.
Urban Theory
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This comprehensive catalogue accompanies the exhibition 'Sociópolis: Project for a City of the Future' at the Architekturzentrum Wien. Sociópolis was created to develop "a living place with a sense of solidarity" to explore how to promote better social interaction between residents in the city of Valencia and to propose new ways of living that are typical for the social,(...)
Sociópolis : project for a city of the future
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This comprehensive catalogue accompanies the exhibition 'Sociópolis: Project for a City of the Future' at the Architekturzentrum Wien. Sociópolis was created to develop "a living place with a sense of solidarity" to explore how to promote better social interaction between residents in the city of Valencia and to propose new ways of living that are typical for the social, technological and ecological conditions of our time. In the words of Dietmar Steiner, ”for the first time in the new millennium the Sociópolis project is designing a truly integrative and hybrid vision of the European town for the future. Sociópolis is setting new standards by realising a dream of social balance where all people potentially have the same opportunities – a dream of lifting all the borders between town and country by farming within the town limits. Sociópolis does this employing all-new technology and has engaged some of the most talented and interesting architects in the world to provide their contribution.” The publication presents comprehensive coverage of the projects submitted by the invited teams with a focus on architecture/social interaction/nature and new technology.
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December 2004, Barcelona
Urban Theory