24983 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
People:
Date:
circa 2002-2006
circa 2002-2006
Title:
Centro José Saramago [José Saramago Centre], Granada, Spain (2002)
Actions:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
Centro José Saramago [José Saramago Centre], Granada, Spain (2002)
Actions:
AP178.S1.2002.PR03
Description:
This project series documents the Centro José Saramago in Granada, Spain, which in the end, was not built by Álvaro Siza. While the records were held in the office's archives, this project was assigned the number 46/00. The office assigned the date 2002 to this project. This project was assigned to Siza by the Board of Fundação José Saramago, which was formed by the Ayuntamiento de Castril [City Council], Diputacion Provincial de Granada [Provincial Council] and the University of Granada. The documentation informs us that the location of the building was subject to several changes. According to the documentation the City Council commissioned another architect associated with the Diputacion Provincial de Granada. Documenting this project are studies, plans and a model. Photographic material includes photographs of the project sites. Textual material includes project documentation, contracts, information about the Fundação José Saramago, and correpondence with Fundação José Saramago and Ayuntamiento de Castril.
Level of archival description:
Project
Project
Date:
circa 2002-2006
circa 2002-2006
People:
Level of archival description:
Project
Project
Title:
O.C.H. Feasibility Study
O.C.H. Feasibility Study
Reference number:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
People:
Date:
1927-1967, predominant 1965-1966
1927-1967, predominant 1965-1966
Title:
O.C.H. Feasibility Study
Actions:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
O.C.H. Feasibility Study
Actions:
AP144.S2.D59
Description:
File documents a feasibility study commissioned by J. Lyons Co. Ltd for the conversion of the Oxford Corner House, in London, England, United Kingdom, into a combined information, education and skill centre. The unrealized project was to include a 'self-pace public skill and information hive' with facilities for conferences, teaching, exhibitions, computer use, planetarium, audio-visual library, and public eating areas. The project included a movable floor system and projection screens. Reference material includes plans and details of London Electric Railway subway line, alterations to Oxford Street Corner House by J. Lyons and Co. Ltd., field notes, photographs and photomontages of site. Conceptual diagrammatic plans explore designs for the organization of activities. Charts show variables, including number of people, monitors/screens, and study carrels; circulation patterns; and maximization of viewing capacity. Preliminary presentation boards illustrate project feasibility and include photographs of model and existing conditions. Design development drawings include floor plans, plans exploring the relationships between various activities, analysis of building volumes and networks, comparative plans showing main structural grid, sections, diagrammatic sections for public activity areas, axonometric drawings of roof, perspectives of projection screens and moveable floor system, progress charts, and diagrams and graphs of communication and travel modes, routes, and time into central London from outlying areas. Some material in this file was published in Price, Cedric. 'Cedric Price-Works II' (London: Architectural Press, 1984), 11, 54, 112; Landau, Royston. 'New Directions in British Architecture'. New York: George Braziller, 1968. 108-111; and 'Self-Pace Public Skill and Information Hive.' 'Architectural Design'. (May 1968), 237-239. Material in this file was produced between 1927 and 1967, but predominantly between 1965 and 1966. Group DR1995:0224:001-013 contains reference drawings attributed to London Transport Architect's Department and J. Lyons & Company Limited Architect's Office. Group DR1995:0224:333-341 contains drawings attributed to Richard Sutcliffe Limited, Felix J. Samuely & Partners, and G.E.C. (Process Engineering) Ltd. File contains conceptual drawings, consultant drawings, design development drawings, presentation drawings, presentation panels, reference drawings, photographic material, and textual records.
Level of archival description:
File 59
File 59
Date:
1927-1967, predominant 1965-1966
1927-1967, predominant 1965-1966
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
People:
Date:
1980-1987
1980-1987
Title:
University Place Building, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
University Place Building, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
Level of archival description:
Project
Project
Date:
1980-1987
1980-1987
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
People:
Date:
1970-1995
1970-1995
Title:
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Robson Square Provincial Government Complex, Vancouver, British Columbia (1974-1982)
Actions:
AP075.S1.1974.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the landscape of Robson Square Provincial Government Complex in Vancouver, British Columbia. Oberlander worked on this project in 1974-1982 with architect Arthur Erickson and architect Bing Thom. The project consisted in designing a new provincial civic complex that included a courthouse and provincial government offices. The initial plan consisted in a 55-storey highrise. Arthur Erickson suggested to lay the building on its side and spread it accross three city blocks (known as Block 51, Block 61 and Block 71) and add a green roof to create linear park. Oberlander's ideas for the landscape concept was to create a space accessible for everyone that will be attractive and interesting in all seasons. Her design consisted in a series of pathways, stairs and terraces, mainly situated on Block 61, and rising gradually up to 30 feets above the Robson street level. The design was intented to "encourage pedestrians to cut accross the urban grid". [1] Planters where included to buildings facades to create a hanging garden using hanging plants. The project series contains design development drawings and working drawings for the landscape design, such as landscape plans, landscape sections, elevations and details, grading and irrigation plans, and planting plans. The drawings includes in this project series also comprises plans of the complex buildings used as reference. The majority of the drawings are reprographic copies. The series also comprises five original sketches by Oberlander. The project is also documented through interior and exterior photographs of the building, photographs of the landscape and various views of the completed complex. The project series also includes textual records, including documents related to the plants selection, specifications, financial documents, concept development notes of Oberlander, correspondence with architects, clients and consultants, documentation and research material, and clippings and articles on Robson Square project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 123.
Level of archival description:
Project
Project
Date:
1970-1995
1970-1995
People:
Level of archival description:
Series
Series
Title:
OCEAN reference files
OCEAN reference files
Actions:
Reference number:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
People:
Date:
1998
1998
Title:
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
Level of archival description:
Series
Series
Date:
1998
1998
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bauhaus in America fonds
Bauhaus in America fonds
Actions:
Reference number:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
People:
Date:
circa 1930 - 2011
circa 1930 - 2011
Title:
Bauhaus in America fonds
Actions:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Bauhaus in America fonds
Actions:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1930 - 2011
circa 1930 - 2011
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
R&Sie(n) project records
R&Sie(n) project records
Actions:
Reference number:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
People:
Date:
2005-2015
2005-2015
Title:
R&Sie(n) project records
Actions:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
R&Sie(n) project records
Actions:
AP193
Synopsis:
R&Sie(n) project records, 2002-2015, document the development and design process of four projects of the firm: Water Flux (2002-2010), I’ve heard about (2004-2006), Olzweg (2006) and Une architecture des humeurs (2008-2011). The records consist of original born-digital material in addition to two models for Water Flux.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2005-2015
2005-2015
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
People:
Date:
1911-1977
1911-1977
Title:
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Form:
archives
Level of archival description:
Collection AP162
archives
Level of archival description:
Collection AP162
Date:
1911-1977
1911-1977
People:
Level of archival description:
Series
Series
Title:
Research files
Research files
Reference number:
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
People:
Date:
1958-2016
1958-2016
Title:
Research files
Actions:
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
Research files
Actions:
AP197.S2
Description:
This series consists of research materials, 1958-2016, that Frampton was either interested in or may have used to develop his works and teachings. Materials consist of articles, student essays, biographies, chronologies of architectural movements, maps, curriculum vitaes, and journal, newspaper and magazine clippings. Reprographic copies of architectural drawings as well as prints, photographs, negatives, and slides that depict the built projects of various architects are also included in this series. Research materials consist of writings by or about various architects and theorists such as: Mario Botta; Charles Correa; Alan Colquhoun; Marco Frascari;Ignacio de Sola-Morales; O.M. Ungers; James Stirling; Fumihiko Maki; Le Corbusier; Tadao Ando; Alvaro Siza; Peter Eisenman; Frank Lloyd Wright; Alvar Aalto; Hannah Arendt; Walter Benjamin; H.P. Berlage; Mario Botta; Louis Kahn; Mies dan ver Rohe; Jørn Utzon; August Perret; and Louis Sullivan. The subjects explored in these texts are diverse and include: various architectural styles; architecture education; meaning in architecture, philosophy; film; art; music; mathematics; ecology; landscapes/gardens; and housing and urbanism.
Level of archival description:
Series
Series
Date:
1958-2016
1958-2016
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
People:
Date:
1930-1931
1930-1931
Title:
Interior of M.J.I. de Jonge van Ellemeet's Study, Rotterdam, Netherlands (1930-1931)
Actions:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Interior of M.J.I. de Jonge van Ellemeet's Study, Rotterdam, Netherlands (1930-1931)
Actions:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Level of archival description:
project
project
Date:
1930-1931
1930-1931
People:
