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Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and(...)
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Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and(...)
Subject:
History until 1900
History until 1900
Publication:
May 2003, Ithaca and London
May 2003, Ithaca and London
Title:
Architectures of Russian identity 1500 to the present
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Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds—including history and architectural history, linguistics, literary studies, geography, and political science—to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography—identity, nationality, visual culture—and assess the applications of each in Russian contexts.
Architectures of Russian identity 1500 to the present
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Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds—including history and architectural history, linguistics, literary studies, geography, and political science—to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography—identity, nationality, visual culture—and assess the applications of each in Russian contexts.
Form:
books
books
Publication:
May 2003, Ithaca and London
May 2003, Ithaca and London
Subject:
History until 1900
History until 1900
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books
books
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$15.00
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar(...)
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar(...)
Title:
Omon Ra
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar expedition? is sprinkled with throwaway gags, absurdist humor and wickedly ironic touches, as well as with the eerie beauty of space exploration. Obsessed with space travel since early childhood, Omon Krivomazov identifies with Ra, the ancient Egyptian falcon-headed sun god, a fixation that reflects his desire to escape the gray conformity of Soviet life and his yearning for a soul. Omon learns that more than 100 of his fellow cosmonauts have already been sacrificed as guinea pigs after taking part in supposedly automated, manless launches. Pelevin portrays the Russian space program as a vast propaganda enterprise, a distraction to paper over the tawdriness and fear of everyday life. Many allusions will be lost on American readers. And, in light of the truth-is-stranger-than-fiction state of contemporary Russian society, some of the Soviet-era satire seems oddly tame.
Omon Ra
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar expedition? is sprinkled with throwaway gags, absurdist humor and wickedly ironic touches, as well as with the eerie beauty of space exploration. Obsessed with space travel since early childhood, Omon Krivomazov identifies with Ra, the ancient Egyptian falcon-headed sun god, a fixation that reflects his desire to escape the gray conformity of Soviet life and his yearning for a soul. Omon learns that more than 100 of his fellow cosmonauts have already been sacrificed as guinea pigs after taking part in supposedly automated, manless launches. Pelevin portrays the Russian space program as a vast propaganda enterprise, a distraction to paper over the tawdriness and fear of everyday life. Many allusions will be lost on American readers. And, in light of the truth-is-stranger-than-fiction state of contemporary Russian society, some of the Soviet-era satire seems oddly tame.
Form:
books
books
Publication:
February 1998
February 1998
Subject:
Architecture and the imaginary
Architecture and the imaginary
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books
books
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$67.50
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a(...)
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2018
June 2018
Title:
Sol LeWitt: between the lines
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a collaboration by the architect Rem Koolhaas- as a curator, for the first time ever- in dialogue with the curator Francesco Stocchi, ''Between the Lines'' addresses broad aspects of LeWitt's oeuvre, with the aim of moving beyond the divisions that traditionally separate architecture from art history (the flouting of which characterizes the artist's entire body of work). In particular, this book reformulates the still-popular assumption that an artwork must adapt to the architecture.
Sol LeWitt: between the lines
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Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928–2007) from seven of his famous ''Wall Drawings'' to sculptures such as ''Complex Form'' and ''Inverted Spiraling Tower'', and including the photo-series ''Autobiography'', this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a collaboration by the architect Rem Koolhaas- as a curator, for the first time ever- in dialogue with the curator Francesco Stocchi, ''Between the Lines'' addresses broad aspects of LeWitt's oeuvre, with the aim of moving beyond the divisions that traditionally separate architecture from art history (the flouting of which characterizes the artist's entire body of work). In particular, this book reformulates the still-popular assumption that an artwork must adapt to the architecture.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Alvaro Siza: Unbuilt works
Alvaro Siza: Unbuilt works
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This is a very special compilation of almost all unbuilt works by Portuguese architect and architectural educator Álvaro Siza. It includes sketches, drawings, and plans, as well as in-depth analysis by José Manuel Pedreirinho, along two foreword essays, one of which likening his work to "a bird. Astonishing, inexplicable and yet incredibly familiar." The book reflects on(...)
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This is a very special compilation of almost all unbuilt works by Portuguese architect and architectural educator Álvaro Siza. It includes sketches, drawings, and plans, as well as in-depth analysis by José Manuel Pedreirinho, along two foreword essays, one of which likening his work to "a bird. Astonishing, inexplicable and yet incredibly familiar." The book reflects on(...)
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Alvaro Siza: Unbuilt works
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This is a very special compilation of almost all unbuilt works by Portuguese architect and architectural educator Álvaro Siza. It includes sketches, drawings, and plans, as well as in-depth analysis by José Manuel Pedreirinho, along two foreword essays, one of which likening his work to "a bird. Astonishing, inexplicable and yet incredibly familiar." The book reflects on projects whose ideas sometimes went into other projects, were reformulated in some way, or simply forgotten. Nevertheless, the scribbles and blueprints are essential to understanding how one of the most prolific contemporary architects thinks and works.
Alvaro Siza: Unbuilt works
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This is a very special compilation of almost all unbuilt works by Portuguese architect and architectural educator Álvaro Siza. It includes sketches, drawings, and plans, as well as in-depth analysis by José Manuel Pedreirinho, along two foreword essays, one of which likening his work to "a bird. Astonishing, inexplicable and yet incredibly familiar." The book reflects on projects whose ideas sometimes went into other projects, were reformulated in some way, or simply forgotten. Nevertheless, the scribbles and blueprints are essential to understanding how one of the most prolific contemporary architects thinks and works.
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books
books
Publication:
May 2025
May 2025
Form:
books
books
Title:
Cinema and landscape
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and(...)
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Summary:
The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
February 2010
February 2010
Title:
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. This volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
Cinema and landscape
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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. This volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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$60.00
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Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the(...)
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Summary:
Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the(...)
Title:
Athens' Polykatoikia 1930-1975
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Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the rushed mass production of the postwar period and inhospitable living conditions in the inner city. This book sets out to trace the architectural origins of this typology. For the first time, it provides a comprehensive examination of the architectural concepts developed by Greek architects for the polykatoikia.
Athens' Polykatoikia 1930-1975
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Summary:
Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the rushed mass production of the postwar period and inhospitable living conditions in the inner city. This book sets out to trace the architectural origins of this typology. For the first time, it provides a comprehensive examination of the architectural concepts developed by Greek architects for the polykatoikia.
Form:
books
books
Publication:
April 2024
April 2024
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$38.95
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This book is a pioneering effort to insert South Africa's largest city into urban theory on its own terms. The volume's essays include an investigation of representation and self-stylization in the city, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary(...)
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This book is a pioneering effort to insert South Africa's largest city into urban theory on its own terms. The volume's essays include an investigation of representation and self-stylization in the city, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary(...)
Subject:
Architecture since 1900, Africa
Architecture since 1900, Africa
Publication:
September 2008, Durham
September 2008, Durham
Title:
Johannesburg: the elusive metropolis
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This book is a pioneering effort to insert South Africa's largest city into urban theory on its own terms. The volume's essays include an investigation of representation and self-stylization in the city, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary relationship between Johannesburg and Maputo, Mozambique's capital. One contributor considers how Johannesburg's cosmopolitan sociability enabled the anti-colonial projects of Ghandi and Mandela. Journalists, artists, architects, writers, and scholars bring contemporary Johannesburg to life in ten short pieces including reflections on music and megamalls, nightlife, living as foreigners in the city, and built spaces.
Johannesburg: the elusive metropolis
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This book is a pioneering effort to insert South Africa's largest city into urban theory on its own terms. The volume's essays include an investigation of representation and self-stylization in the city, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary relationship between Johannesburg and Maputo, Mozambique's capital. One contributor considers how Johannesburg's cosmopolitan sociability enabled the anti-colonial projects of Ghandi and Mandela. Journalists, artists, architects, writers, and scholars bring contemporary Johannesburg to life in ten short pieces including reflections on music and megamalls, nightlife, living as foreigners in the city, and built spaces.
Form:
books
books
Publication:
September 2008, Durham
September 2008, Durham
Subject:
Architecture since 1900, Africa
Architecture since 1900, Africa
Form:
books
books
Price:
$100.00
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Summary:
This book recounts the history of the studio and residential building at Wuhrstrasse 8/10 in Zurich, illustrated with archival plans and documents as well as new and historic photographs. It also examines the political and social dimension of the Wuhrstrasse model and its international impact. Further essays explore how the lives and works of the resident artists are(...)
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Summary:
This book recounts the history of the studio and residential building at Wuhrstrasse 8/10 in Zurich, illustrated with archival plans and documents as well as new and historic photographs. It also examines the political and social dimension of the Wuhrstrasse model and its international impact. Further essays explore how the lives and works of the resident artists are(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
April 2022
April 2022
Title:
Working and living: History and presence of Studio House Wuhrstrasse 8/10
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This book recounts the history of the studio and residential building at Wuhrstrasse 8/10 in Zurich, illustrated with archival plans and documents as well as new and historic photographs. It also examines the political and social dimension of the Wuhrstrasse model and its international impact. Further essays explore how the lives and works of the resident artists are interwoven with contemporary events and address the artist studio as both an idealized myth and as a real place of work. In inserts created especially for the book, eleven Zurich-based artists, all not members of the cooperative themselves, respond to the exemplary model that is the “Atelierhaus.”
Working and living: History and presence of Studio House Wuhrstrasse 8/10
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This book recounts the history of the studio and residential building at Wuhrstrasse 8/10 in Zurich, illustrated with archival plans and documents as well as new and historic photographs. It also examines the political and social dimension of the Wuhrstrasse model and its international impact. Further essays explore how the lives and works of the resident artists are interwoven with contemporary events and address the artist studio as both an idealized myth and as a real place of work. In inserts created especially for the book, eleven Zurich-based artists, all not members of the cooperative themselves, respond to the exemplary model that is the “Atelierhaus.”
Form:
books
books
Publication:
April 2022
April 2022
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
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$30.00
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Summary:
Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept(...)
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Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept(...)
Title:
Images premières : mutations d'une icône nationale / Primal images : transmutations of a national icon
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Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept de "la naissance de la nation". Illustrées avec des photographies, des dessins et des affiches d'époque, cette publication est le volet canadien de l'exposition du Mois de la Photo à Paris 2004 et accompagnera cette même exposition qui sera présentée au Musée McCord dans le cadre du Mois de la Photo à Montréal 2005. En français et anglais. -- This publication accompanies exhibitions in two international photography bienniales. Le Mois de la Photo à Paris 2004 and Le Mois de la Photo à Montréal 2005. The primal image referred to is the photograph recording the completion of Canada's national railway in 1885: "the driving of the last spike". Supported by a wide variety of historical and contemporary documentation, Lavoie shows how this apparently straightforward historical record was used to create the notion of Canada. By looking at the countless reproductions, copies and caricatures of this primal image he dissects the deliberate and ideological construction of nationhood. Profusely illustrated with photographs, film stills, posters and political cartoons from over 100 years. Produced in collaboration with the McCord Museum. In English and French.
Images premières : mutations d'une icône nationale / Primal images : transmutations of a national icon
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Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept de "la naissance de la nation". Illustrées avec des photographies, des dessins et des affiches d'époque, cette publication est le volet canadien de l'exposition du Mois de la Photo à Paris 2004 et accompagnera cette même exposition qui sera présentée au Musée McCord dans le cadre du Mois de la Photo à Montréal 2005. En français et anglais. -- This publication accompanies exhibitions in two international photography bienniales. Le Mois de la Photo à Paris 2004 and Le Mois de la Photo à Montréal 2005. The primal image referred to is the photograph recording the completion of Canada's national railway in 1885: "the driving of the last spike". Supported by a wide variety of historical and contemporary documentation, Lavoie shows how this apparently straightforward historical record was used to create the notion of Canada. By looking at the countless reproductions, copies and caricatures of this primal image he dissects the deliberate and ideological construction of nationhood. Profusely illustrated with photographs, film stills, posters and political cartoons from over 100 years. Produced in collaboration with the McCord Museum. In English and French.
Form:
books
books
Publication:
January 2005, Paris
January 2005, Paris
Subject:
Architecture in Canada
Architecture in Canada
Form:
books
books
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$69.60
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Summary:
Perhaps as ubiquitous as smartphones today, the books of hours were a private necessity in Europe during the Middle Ages. These manuscripts contained collections of texts that were meaningful to each owner, as well as an organized method of structuring the day around prayer by marking the passing of the canonical hours. Although highly personalized, with intricate(...)
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Summary:
Perhaps as ubiquitous as smartphones today, the books of hours were a private necessity in Europe during the Middle Ages. These manuscripts contained collections of texts that were meaningful to each owner, as well as an organized method of structuring the day around prayer by marking the passing of the canonical hours. Although highly personalized, with intricate(...)
Publication:
December 2023
December 2023
Title:
Frida Escobedo: The book of hours
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Perhaps as ubiquitous as smartphones today, the books of hours were a private necessity in Europe during the Middle Ages. These manuscripts contained collections of texts that were meaningful to each owner, as well as an organized method of structuring the day around prayer by marking the passing of the canonical hours. Although highly personalized, with intricate miniatures and illuminations, all books of hours contained sections to be recited at regular intervals throughout the twenty-four hours of the day. In them, the public and the private timescales converged, crystallized into a material, perdurable form not devoid of beauty. "The book of hours" by Frida Escobedo is a modern exegesis of this extinct devotional practice: a project in which twenty-four objects were photographed at different intervals of time to capture their evolution, making a new calendar of matter and light. As humanity has transitioned to a secular understanding of time in which hours are organized and conceived in terms of productivity, The Book of Hours interrogates the place of contemplation in our era, its possibility and necessity. Through this book—a public display of a private collection of objects—readers are invited to contemplate these arrays of matter and experience the ways in which they once interacted with light, that burning needle in time’s template.
Frida Escobedo: The book of hours
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Perhaps as ubiquitous as smartphones today, the books of hours were a private necessity in Europe during the Middle Ages. These manuscripts contained collections of texts that were meaningful to each owner, as well as an organized method of structuring the day around prayer by marking the passing of the canonical hours. Although highly personalized, with intricate miniatures and illuminations, all books of hours contained sections to be recited at regular intervals throughout the twenty-four hours of the day. In them, the public and the private timescales converged, crystallized into a material, perdurable form not devoid of beauty. "The book of hours" by Frida Escobedo is a modern exegesis of this extinct devotional practice: a project in which twenty-four objects were photographed at different intervals of time to capture their evolution, making a new calendar of matter and light. As humanity has transitioned to a secular understanding of time in which hours are organized and conceived in terms of productivity, The Book of Hours interrogates the place of contemplation in our era, its possibility and necessity. Through this book—a public display of a private collection of objects—readers are invited to contemplate these arrays of matter and experience the ways in which they once interacted with light, that burning needle in time’s template.
Form:
books
books
Publication:
December 2023
December 2023
