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356 pages : illustrations (chiefly color), maps, portraits ; 28 cm
Lopen, Somerset : Watermark, [2014], ©2014
City of darkness revisited / Greg Girard, Ian Lambot ; with contributions by Charles Goddard, Fionnuala McHugh, Lui Tai Lok, Peter Popham, Jon Resnick, James Saywell, Julia Wilkinson.
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356 pages : illustrations (chiefly color), maps, portraits ; 28 cm
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Lopen, Somerset : Watermark, [2014], ©2014
$48.00
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes(...)
Our home: Shek Kip Mei 1954-2006
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes overnight. This carefully designed book reproduces and explains the documentation of the aerea made by Governor Sir Alexander Grantham in 1954 to the British Government on the Great Fire. It includes a letter of appeal to the Governor, statistics about the residents, but abovw all it shows in 128, mostly full page b/w photographs, the appartments of the complex and their habitants.
Photography by Region
books
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520 pages : color illustrations ; 23 x 24 cm
Basel ; Boston, MA : Birkhäuser, ©2006.
Richard Rogers : architecture of the future / Kenneth Powell ; edited by Robert Torday.
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520 pages : color illustrations ; 23 x 24 cm
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Basel ; Boston, MA : Birkhäuser, ©2006.
books
Sociable cities : the 21st-century reinvention of the garden city / Peter Hall and Colin Ward.
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x, 270 pages ; 26 cm.
Abingdon, Oxfordshire ; New York : Routledge, 2014., ©2014
Sociable cities : the 21st-century reinvention of the garden city / Peter Hall and Colin Ward.
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x, 270 pages ; 26 cm.
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Abingdon, Oxfordshire ; New York : Routledge, 2014., ©2014
Recording Britain
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Recording Britain was an artistic documentary project sponsored by the British government in the late 1930s as the country faced the potentially devastating impact of a second world war. The resulting collection of more than 1,500 watercolors and drawings, by both well-known and amateur artists, is a rich visual record of buildings, landscapes, and livelihoods perceived(...)
Recording Britain
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Recording Britain was an artistic documentary project sponsored by the British government in the late 1930s as the country faced the potentially devastating impact of a second world war. The resulting collection of more than 1,500 watercolors and drawings, by both well-known and amateur artists, is a rich visual record of buildings, landscapes, and livelihoods perceived to be under threat. "Recording Britain "brings together highlights from this extraordinary collection at the V, vivid images of national and regional identity that often portray an idealized account of the country for which its audience, at the time, was fighting. The pictures are discussed in relation to contemporary British artists and photographers such as John Virtue, Conrad Atkinson, Richard Long, and Laura Oldfield Ford, whose work also reflects on a sense of place.
Architecture since 1900, Europe
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The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British(...)
The Parthenon Marbles: The case for reunification
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The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens.The opening of the New Acropolis Museum emphatically trumps the British Museum’s long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. "The Parthenon Marbles" will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.
Art Theory
A.MAG 20: Tony Fretton
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Tony Fretton Architects covers different dimensions and typologies, from government buildings and public offices, to multipurpose cultural spaces and collective or private housing. The architecture is characterised by its high quality and sensory experience, not only in the daily use of spaces but also from a social perspective and urban scale. Powerfully direct, Tony(...)
A.MAG 20: Tony Fretton
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Tony Fretton Architects covers different dimensions and typologies, from government buildings and public offices, to multipurpose cultural spaces and collective or private housing. The architecture is characterised by its high quality and sensory experience, not only in the daily use of spaces but also from a social perspective and urban scale. Powerfully direct, Tony Fretton’s work is elaborated from refreshingly uncomplicated architectural strategies. Featured here are twelve examples of his work, including Kapoor House in Chelsea, the new British Embassy in Warsaw, Prinsendam and Houthaven residential blocks in Amsterdam, Dunant Gardens in Ghent, and more.
Magazines
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In the global marketplace where so much design is cookie-cutter and sameness prevails, it is timely to consider the work of Thor Hansen (1903-1974). Today, Thor Hansen is little known but from the mid-1950s to the end of the 1960s, the Danish émigré was a popular artist, designer and tireless promoter of the craft movement in Canada. He carried out his mission via(...)
Thor Hansen: crafting a Canadian style
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In the global marketplace where so much design is cookie-cutter and sameness prevails, it is timely to consider the work of Thor Hansen (1903-1974). Today, Thor Hansen is little known but from the mid-1950s to the end of the 1960s, the Danish émigré was a popular artist, designer and tireless promoter of the craft movement in Canada. He carried out his mission via corporate industry, independent of government support. Largely self-taught, he completed his most important work as art director for the British- American Oil Company. This book accompanies an exhibition at the Textile Museum of Canada.
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January 2005, Toronto
Canadian art
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With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of Victorian-era debates about cultural institutions. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the(...)
Grand Designs: Labor, empire and the museum in Victorian culture
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With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of Victorian-era debates about cultural institutions. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British laboring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world’s foremost collection of the decorative and applied arts. Kriegel’s identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the Exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections are all cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.
Museology
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Focusing on 35 distinct areas of the city, this book presents the new face of the German capital including the former West, the new center, and the government district with stunning photographs that look at the startling contrasts between old and new. Both local and international architects have carried out rebuilding projects, most famously Renzo Piano ’s Daimler(...)
Architecture since 1900, Europe
June 2002, München / Berlin / London / New York
Berlin Heute - today - aujourd'hui
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Focusing on 35 distinct areas of the city, this book presents the new face of the German capital including the former West, the new center, and the government district with stunning photographs that look at the startling contrasts between old and new. Both local and international architects have carried out rebuilding projects, most famously Renzo Piano ’s Daimler Chrysler project, Michael Wilford ’s British Embassy in Berlin, Norman Foster ’s Reichstagconversion, Helmut Jahn ’s piece for Sony, Daniel Libeskind ’s Jewish Museum Berlin. Architectural historian Christiane Kruse examines Berlin ’s vibrant, checkered past, offering surprising insights into its rebirth as a thriving, thoroughly modern metropolis and using texts that place current developments in a historical context. Rare, archive photographs from the GDR and before the war show the transformation of the city.
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June 2002, München / Berlin / London / New York
Architecture since 1900, Europe