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Once there was life without books. It’s hard to imagine what that must have been like: an age of stories and knowledge of the world which stretched no farther than a day’s walk. The introduction of the written source constituted nothing less than the creation of a time and space capsule. The story, the idea, insight, knowledge were suddenly free of their messenger and(...)
Volume 15 Destination Library
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Once there was life without books. It’s hard to imagine what that must have been like: an age of stories and knowledge of the world which stretched no farther than a day’s walk. The introduction of the written source constituted nothing less than the creation of a time and space capsule. The story, the idea, insight, knowledge were suddenly free of their messenger and were all able to bridge distances, able to surface, vanish and reappear. Just as there was a time before the book, there will also be a time after it. In this issue ‘The Last Book’ project is taken up, but as to the consequences of publishing exclusively online – the loss of filters such as the publisher, editor and publication costs – we can only guess. Yet it is clear that our centuries old house of knowledge is undergoing a fundamental renovation, beginning with the solid base of the library.
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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles.(...)
13 skyscrapers children should know
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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles. Each chapter includes photographs, information on the building's architect and history and interesting facts about its construction and use. For instance, why is the Chrysler Building so admired, even though it doesn't stand nearly as tall as other skyscrapers? How do you measure the height of a building and how do you make sure it doesn't topple over in strong winds? How has skyscraper technology changed, from the steel frame skeletons that supported the earliest towers to the advanced computer programs that are now needed to design buildings more than 100 stories high? How has city life changed since the first skyscrapers were built?
Children's Books
Paris metro photo
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This volume looks at the close relationship between photography and the heyday of the Paris metro, covering over a century of photographic documents. The major figures of photography all snapped the Paris metro, from the humanists--Doisneau, Henri Cartier-Bresson, Brassaï, Boubat, Izis, Kollar, Ronis and more--to photojournalists such as Robert Capa, William Klein and Van(...)
Paris metro photo
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This volume looks at the close relationship between photography and the heyday of the Paris metro, covering over a century of photographic documents. The major figures of photography all snapped the Paris metro, from the humanists--Doisneau, Henri Cartier-Bresson, Brassaï, Boubat, Izis, Kollar, Ronis and more--to photojournalists such as Robert Capa, William Klein and Van der Keuken, in addition to the scores of photojournalists who passed through the city. In 1900, as the first metro rolled from west to east across Paris, from Porte Maillot to Porte de Vincennes, photography had already been around for half a century. Turn-of-the-century technological advances had created smaller, lighter cameras--the first Kodaks--which introduced the practice to a wider market. As Parisians fell in love with their new mode of transport, photography became a more widespread pastime. All genres and photographic practices are represented in this overview, from photojournalism to photo stories, street photography, fashion photography, architectural photography and industrial photography.
Photography Collections
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous(...)
Monumental: How a new generation of artists is shaping the memorial landscape
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous historical monuments have been removed or toppled, bringing to the fore a long-repressed conversation about the relationship between the monumental landscape and national identity. In Monumental, Cat Dawson takes up the social, political, and art historical causes and ramifications of this important shift. Examining the conditions that have led to and define this new era, Dawson reveals that these interventions are as indebted to the monumental tradition as they are to representational strategies that grew out of twentieth-century social justice efforts, from the Civil Rights movement to queer organizing during the AIDS crisis.
Art Theory
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''The Mountain Speaks to the Sea'' delves into Tekla Aslanishvili’s experimental film trilogy, which investigates regimes of infrastructural governance by examining how ports, railways, and smart city projects act as technologies of citizenship and sovereignty. Images of distant geographies are connected with future orientations, revealing the disruptive impacts of(...)
Tekla Aslanishvili: The Mountain Speaks to the Sea
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''The Mountain Speaks to the Sea'' delves into Tekla Aslanishvili’s experimental film trilogy, which investigates regimes of infrastructural governance by examining how ports, railways, and smart city projects act as technologies of citizenship and sovereignty. Images of distant geographies are connected with future orientations, revealing the disruptive impacts of large-scale energy and transportation projects on the ecologies of the South Caucasus. The publication focuses on the potentiality of moving images in the making and unmaking of infrastructures. By zooming in and out on the grand narratives of infrastructural development, it assembles fragmented (hi)stories of people who live and work around sites of transit and extraction, sabotaging their material systems to challenge violent practices of statecraft. Positioned between an artist’s book and a reader, ''The Mountain Speaks to the Sea'' features contributions from writers and scholars in visual culture, political science and critical geography, and experiments with ways of translating film into printed matter.
Art Theory
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing(...)
Contemporary Architecture
September 2025
The land remembers: A Collective exploration into the possibilities for regeneration
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing on the soil's memory as a testament to resilience and renewal. The format of the memory box is an archive of the land's richness, challenges, and potential, asking: How can we heal the land to build for future generations? The catalog combines expert analysis, personal stories, and diverse perspectives on destruction, regeneration, and coexistence. From ecological restoration to regenerative architecture and preservation of Lebanon's biodiversity, it underscores the urgent need for a symbiotic relationship between people and nature. By counter-mapping environmental destruction, reflecting on modern warfare's impacts, and embracing innovative solutions, this collective work envisions a legacy for future generations—one rooted in resilience, learning, and hope.
Contemporary Architecture
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar, Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs(...)
Inventing Nadar: A history of photographic firsts
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar, Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs Nadar’s legacy as a prime protagonist in the history of photography by interrogating the media techniques used to construct his invention narratives. Doucet highlights this highly mediated process as one that canonized novel applications of photography as discrete techniques with single authors and inventors. Looking to this process of mediation through the institutions and individuals that shaped Nadar’s archives, Doucet unpacks assumptions of Nadar as a master of early photography and shows how the medium is enmeshed in larger histories of media, science, and technology. The result is both a new account of Nadar’s place in photographic history and a critical study of how stories of innovation take shape.
Theory of Photography
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''Junk Drawer: What We Leave Behind'' explores the personal objects that were once treasured by their owners yet were ultimately consigned to online “junk drawer” sales. Photographer and coeditor Barbara Von Eckardt acquired these random assortments from estate remnants on eBay and has documented their contents through evocative, sepia-toned images. In doing so, she has(...)
Junk drawer: What we leave behind
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''Junk Drawer: What We Leave Behind'' explores the personal objects that were once treasured by their owners yet were ultimately consigned to online “junk drawer” sales. Photographer and coeditor Barbara Von Eckardt acquired these random assortments from estate remnants on eBay and has documented their contents through evocative, sepia-toned images. In doing so, she has breathed new life into items the world had deemed valueless, but that hint at the stories and identities of those who once owned them. In addition to the photographs, Von Eckardt and coeditor Sander L. Gilman have gathered essays by scholars across disciplines, each offering a unique perspective on how such everyday objects can carry profound meaning. The result is a “junk drawer” of reflections, as varied and thought-provoking as the artifacts themselves. It is a moving testament to the emotional and cultural resonance of ordinary things—and an invitation to look more deeply at the objects surrounding us.
Art Theory
Desired Essays Journal 01
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“Editing 'Desired Landscapes' has always been a long conversation, as I have been particularly interested not only in professional writers, but also in the rawness and unique viewpoints of creatives, amateurs, and tourists. We would spend hours defining the topic, crafting the angle, and refining the structure, searching for the most fitting way to convey a sense of(...)
Magazines
July 2026
Desired Essays Journal 01
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“Editing 'Desired Landscapes' has always been a long conversation, as I have been particularly interested not only in professional writers, but also in the rawness and unique viewpoints of creatives, amateurs, and tourists. We would spend hours defining the topic, crafting the angle, and refining the structure, searching for the most fitting way to convey a sense of place. The aim was always the same: to bring together a personal, sometimes emotional, reading of the city with a critical take, all written in everyday language. After eight years of one-on-one editing, I felt that it was time to open up this process to our readers, and bring such conversations under an educational framework, because, to me, editing is a form of thinking. That’s how the Desired Essays online writing workshop was born.'' This first edition of ''Desired Essays'' is an anthology of the stories that sparked conversations during the online writing workshops in 2025.
Magazines
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Becoming Water takes the reader on a tour of Canada’s glaciers, describing the stories they tell and educating the reader about how glaciers came to be, how they work and what their future holds in our warming world. By visiting Canada’s high and low Arctic and the mountain West, the reader will learn how varied and complex our glaciers really are, how they are measured(...)
Becoming water: glaciers in a warming world
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Becoming Water takes the reader on a tour of Canada’s glaciers, describing the stories they tell and educating the reader about how glaciers came to be, how they work and what their future holds in our warming world. By visiting Canada’s high and low Arctic and the mountain West, the reader will learn how varied and complex our glaciers really are, how they are measured and how they figure into the national and global story of inevitable change. The reader will learn to think like a scientist, in particular how to look at climate-related data that contains cycles, trends and shifts, and then ponder what questions to ask in the face of our dramatically changing environment. This book encourages Canadians to explore upstream from ourselves, learning about our origins and how climate change and encroaching human settlement are drastically affecting our glaciers and therefore the natural and human landscapes that lie below—and are dependent upon—them.
Architecture in Canada