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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region(...)
Building with nature : inspiration for the arts & crafts home
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Much has been said about the Arts & crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, "Building with nature: roots of the San Francisco Bay region tradition", focuses on the beginnings (1865 and on) of the Bay area shingle style and Arts & crafts collaboration in California, and the origins of the trend toward building simple rustic homes in harmony with nature. Freudenheim explores how and why a small, influential group of Californians (including Joseph Worcester, Bernard Maybeck, Charles Keeler, William Keith, Charles Lummis, A. Page Brown, and others)-all of whom had come from the East or from England-were especially devoted to Ruskin and the Arts & crafts style and how this combined with their dedication to California's natural beauty to create a unique architectural movement.
History until 1900
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Everyday urbanism : Margaret Crawford vs. Michael Speaks, Michigan debates on urbanism vol. I
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Everyday Urbanism is one of three books in the "Michigan Debates on Urbanism" series that also features New Urbanism and Post Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration on public debates held at the University of Michigan's Taubman College of Architecture and Urban Planning during the(...)
Everyday urbanism : Margaret Crawford vs. Michael Speaks, Michigan debates on urbanism vol. I
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Everyday Urbanism is one of three books in the "Michigan Debates on Urbanism" series that also features New Urbanism and Post Urbanism. Each book represents a distinct, inevitable, but still-emerging paradigm in contemporary urbanism, and is an elaboration on public debates held at the University of Michigan's Taubman College of Architecture and Urban Planning during the winter of 2004. In this volume Margaret Crawford, co-author of "Everyday Urbanism" and Professor of Architecture at Harvard University, is the protagonist. She presents the case for an informal, bottom-up urbanism that celebrates and builds on everyday, ordinary life and reality, with little pretense about the possibility of a tidy or ideal built environment. Michael Speaks, Graduate Program Director at the Southern California Institute of Architecture and a widely published author, is the respondent. Rahul Mehrotra, Associate Professor of Architecture and Urban Design at the University of Michigan and award-winning Bombay designer, introduces and moderates the exchange.
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February 2005, Ann Arbor
Urban Theory
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Is the capital of Latin America a small island at the mouth of the Hudson River? Will California soon hold the balance of power in Mexican national politics? Will Latinos reinvigorate the US labor movement? These are some of the provocative questions that Mike Davis explores in this fascinating account of the Latinization of the US urban landscape. As he forefully shows,(...)
Magical urbanism: Latinos reinvent the US city
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Is the capital of Latin America a small island at the mouth of the Hudson River? Will California soon hold the balance of power in Mexican national politics? Will Latinos reinvigorate the US labor movement? These are some of the provocative questions that Mike Davis explores in this fascinating account of the Latinization of the US urban landscape. As he forefully shows, this is a demographic and cultural revolution with extraordinary implications. With Spanish surnames increasing five times faster than the general population, salsa is becoming the predominant ethnic rhythm (and flavor) of contemporary city life. In Los Angeles, Houston, San Antonio, and (shortly) Dallas, Latinos outnumber non-Hispanic whites; in New York, San Diego and Phoenix they outnumber Blacks. According to the Bureau of the Census, Latinos will supply fully two-thirds of the nation’s population growth between now and the middle of the 21st century when nearly 100 millions Americans will boast Latin American ancestry.
Urban Theory
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued(...)
After the city, this (is how we live)
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued resource for all to enjoy. Having spent time negotiating on both sides of the conference table, Marble goes beyond the usual debates over New Urbanism vs. Sprawl vs. Whatever-The-Next-Thing-Is to share his unique perspective, shedding light on the goals and motivations of all parties embroiled in defining how we live in a post-urban, consumer-driven economy. A total of 32 color images accompany the text to further engage the reader in the pivotal dialogue regarding the success or failure of the master-planned community.
Urban Theory
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
Museology
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This collection of never-before-published talks at one of the leading art schools in the United States, documents an exciting decade in the development of contemporary art and arts education, featuring interviews with renowned artists, curators, and writers. Introduced in 1986 as an initiative by Richard Hertz (Chair, Academic Studies, 1979–2003), the Graduate Art(...)
Artcenter Talks: graduate seminar, the first decade, 1986-1995
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This collection of never-before-published talks at one of the leading art schools in the United States, documents an exciting decade in the development of contemporary art and arts education, featuring interviews with renowned artists, curators, and writers. Introduced in 1986 as an initiative by Richard Hertz (Chair, Academic Studies, 1979–2003), the Graduate Art Department of the ArtCenter College of Design, located in Pasadena, California, celebrates its thirtieth anniversary in 2016. This book documents the first decade of the department’s existence by presenting a selection from over three hundred talks, including a 1990 symposium conducted by renowned curator and art historian Robert Storr, as well as twelve talks from its artists and critics lecture series known as the Graduate Seminar. Discussions between students and faculty members range from what it means to be an artist and the changing role of art in society, to how artists function within an academic setting.
Art Theory
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Admired by Charles and Ray Eames, Buckmister Fuller and Saul Bass, Sister Corita Kent (1918-1986) was one of the most innovative and unusual pop artist of the 1960s, battling the political and religious establishments, revolutionizing graphic design and encouraging the creativity of thousands of people - all while living and practicing as a Catholic nun in California.(...)
Come alive! the spirited art of Sister Corita
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Admired by Charles and Ray Eames, Buckmister Fuller and Saul Bass, Sister Corita Kent (1918-1986) was one of the most innovative and unusual pop artist of the 1960s, battling the political and religious establishments, revolutionizing graphic design and encouraging the creativity of thousands of people - all while living and practicing as a Catholic nun in California. Mixing advertising slogans and poetry in her prints and commandeering nuns and students to help make ambitious installations, processions and banners, Sister Corita's work is now recognized as some of the most striking - and joyful - American art of the 60s. But, at the end of the decade and at the height of her fame and prodigious work rate, she left the convent where she had spent her adult life. Julie Ault's book is the first to examine Corita's life and career, containing more then 90 illustrations, many reproduced for the first time, capturing the artist's use of vibrant and day-glo colors.
Contemporary Art Monographs
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los(...)
The history of forgetting: Los Angeles and the erasure of the memory
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los Angeleno, and finally looks at the way information technology has recreated the city, turning cyberspace into the last suburb. In this new edition, Norman Klein explores the evolution of the Latino majority, how the Pacific economy is changing the structure of urban life, the impact of collapsing infrastructure in the city, and the restructuring of those very districts that had been "forgotten." Norman M. Klein is a critic and historian of mass culture, author of most recently, The Vatican to Vegas: The History of Special Effects. He teaches at the California Institute of the Arts in Los Angeles.
Urban Theory
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking(...)
From yard to garden: the domestication of America's home grounds (Center for American Places - Center Books on American Places)
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking for all his readers and to suggest further research by his academic readers. The illustrations and captions are absolutely excellent. "Grampp's writing style is direct, clear, personal, and always approachable. He provides enough detail-and so much original new information-that the specialist, academic reader will be intrigued and satisfied; yet the narrative moves forward quickly enough to engage even the general reader who may be entirely new to the subject. Grampp's writing also sparkles with real humor."-Paul Groth, University of California at Berkeley, and author of Living Downtown: The History of Residential Hotels in the United States (Paul Groth 20070901)
Landscape Theory
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
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